Hello, I'm Johnny Debonair and this is my book - Murder Most Fab. Buy it. You won't regret it. Everything that has happened so publicly is explained. Of course, I'd prefer it if you remember me as I was at my height, before the past caught up with me so spectacularly - TV's Mr Friday Night with an enviable lifestyle and the nation at my feet. My fame might have looked easy to you at the time, but getting to the top of the celebrity ladder is hard work. It took talent, beauty, commitment and, uniquely in my case, a number of unfortunate deaths. If we were being picky you might describe me as a serial killer, but I really don't see myself that way. It sounds trite to say 'one thing led to another' but it's true. As you'll discover I owe something of my rise and my fall to three individuals: my mother, an eccentric country girl who taught me exhibitionism by hanging naked from the clocktower of Hythe town hall; Catherine, my best friend, then partner in business - a devil in red heels, who, in her clear Essex accent, taught me how to 'look after number one'; and Timothy, who broke my heart and caused me to seek refuge in sex, money and celebrity. But in the end you have to take responsibility for your own actions. No one was forcing me, were they? I hope you, the public, can forgive me and enjoy this sordid tale for what it is - my final entertainment for you.

Hazel and Daisy step into the spotlight to find the stage is set for murder in this thrilling seventh novel of the Murder Most Unladylike Mystery series. Hazel Wong and Daisy Wells return to London to face an entirely new challenge: acting. Danger has a nasty habit of catching up with the Detective Society though, and it soon becomes clear that there is trouble waiting in the wings at the Rue. And when one of the cast members is found dead, the friends and investigative partners must work together to untangle the web of jealousy and threats that surround them in order to catch the culprit before the curtains rise on opening night…and the murderer returns for an encore.

How a society defines crimes and prosecutes criminals illuminates its cultural values, social norms, and political expectations. In Murder Most Russian, Louise McReynolds draws on a fascinating series of murders and subsequent trials that took place in the wake of the 1864 legal reforms enacted by Tsar Alexander II. For the first time in Russian history, the accused were placed in the hands of juries of common citizens in courtrooms that were open to the press. Drawing on a wide array of sources, McReynolds reconstructs murders that gripped Russian society, from the case of Andrei Gilevich, who advertised for a personal secretary and beheaded the respondent as a way of perpetrating insurance fraud, to the beating death of Marianna Time at the hands of two young aristocrats who hoped to steal her diamond earrings. As McReynolds shows, newspapers covered such trials extensively, transforming the courtroom into the most public site in Russia for deliberation about legality and justice. To understand the cultural and social consequences of murder in late imperial Russia, she analyzes the discussions that arose among the emergent professional criminologists, defense attorneys, and expert forensic witnesses about what made a defendant’s behavior "criminal." She also deftly connects real criminal trials to the burgeoning literary genre of crime fiction and fruitfully compares the Russian case to examples of crimes both from Western Europe and the United States in this period. Murder Most Russian will appeal not only to readers interested in Russian culture and true crime but also to historians who study criminology, urbanization, the role of the social sciences in forging the modern state, evolving notions of the self and the psyche, the instability of gender norms, and sensationalism in the modern media.

In his popular "Strange Days, Dangerous Nights," Millett has delivered images of Midwestern noir from the photo files of the "St. Paul Pioneer Press." He returns with a focus on the "dangerous murder cases from the 1940s and 50s, memorialized in these telling photographs.

15 all new stories of criminal handiwork and the art of deduction.

Marie Besnard, the "Queen of Poisoners". Nanny Hazel Doss, killer of four husbands, three children, two sisters, and her mother--all to turn a profit. These are just two of the dozens of deadly and determined women who have been overlooked in the popular annals of serial crime--until now. More difficult to apprehend and motivated by more complex issues, female serial killers may be even more lethal and cunning than their male counterparts.

A murdered heiress, a missing necklace, and a train full of shifty, unusual, and suspicious characters leaves Daisy and Hazel with a new mystery to solve in this third novel of the Wells & Wong Mystery series. Hazel Wong and Daisy Wells are taking a vacation across Europe on world-famous passenger train, the Orient Express—and it’s clear that each of their fellow first-class travelers has something to hide. Even more intriguing: There’s rumor of a spy in their midst. Then, during dinner, a bloodcurdling scream comes from inside one of the cabins. When the door is broken down, a passenger is found murdered—her stunning ruby necklace gone. But the killer has vanished, as if into thin air. The Wells & Wong Detective Society is ready to crack the case—but this time, they’ve got competition.