"A veteran, Emmy Award-winning TV news anchor provides a unique insider glimpse into the newsroom revealing how murder cases are selected for TV coverage"--

In 1998, the horrific murders of Matthew Shepard -- a gay man living in Laramie, Wyoming -- and James Byrd Jr. -- an African American man dragged to his death in Jasper, Texas -- provoked a passionate public outrage. The intense media coverage of the murders made moments of violence based in racism and homophobia highly visible and which eventually led to the passage of The Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act in 2009. The role the media played in cultivating, shaping, and directing the collective emotional response toward these crimes is the subject of this gripping new book by Jennifer Petersen. Tracing the emotional exchange from news stories to the creation of law, Petersen calls for an approach to media and democratic politics that takes into account the role of affect in the political and legal life of the nation.

How did a woman holding a pistol in her right hand manage to shoot herself in the left temple? And who destroyed the "eternal triangle" of love involving renowned beauty, Valentine Chantry?

Murder On Staunton Road is a fast-paced narrative of a sensational unsolved homicide that captured the attention of the nation in 1953-when Juliet Staunton Clark was savagely beaten to death in her home in the haute monde neighborhood of South Hills in Charleston, West Virginia. She was the owner of the Charleston Daily Mail, the capital city's prosperous afternoon newspaper. Her murder set off a flurry of investigation under the direct supervision of Charleston's flamboyant Mayor "Jumpin" John Copenhaver. Accusations and rumors flew as the investigation swept through the town. Many charged then, and some repeat the charge today, that there was manipulation to protect prominent Charlestonians who were being questioned as possible persons of interest in the Clark murder.

How would you treat a murderer? If you’re from Hollywood and he’s notorious, you might turn him into a folk hero. Separate the facts from the many legends and revisions that have blossomed around these killers in this frightening look at the bloody real lives of movie’s infamous antiheroes. You’ll find a blood-curdling assortment of the “criminal elite” in American Murder: Criminals, Crime and the Media, a rogue’s gallery of our most famous killings, killers and other scoundrels (and some that ought to be more famous than they are). A collection of high-profile murderers, gangsters, assassins, psychopaths, such as O.J., Amy Fisher, Robert Blake, Susan Smith, Claus Von Bulow, the Menendez brothers, Jeffrey Dahmer, Ted Bundy, John Wayne Gacy, Richard Speck, Al Capone, Pretty Boy Floyd, Bugsy Siegel, Jesse James, John Dillinger, Charles Manson, Albert Fish, T. Cullen Davis, Ronald DeFeo, Jr., Edmund Kemper, Beulah Annan, Bonnie and Clyde, Billy the Kid, Charlie Starkweather, as well as an assortment of lesser known killers with some incredible tales! With numerous photos and illustrations, this tome is richly illustrated, and its helpful bibliography and extensive index add to its usefulness. American Murderexplores the legends as depicted in movies, stories, and songs. You’d not want to meet any of them in person – either the real or Hollywood versions!

In this World War II-era historical mystery series debut by Joyce St. Anthony, small-town editor Irene Ingram has a nose for news and an eye for clues. Irene Ingram has written for her father’s newspaper, the Progress Herald, ever since she could grasp a pencil. Now she’s editor in chief, which doesn’t sit well with the men in the newsroom. But proving her journalistic bona fides is the least of Irene’s worries when crime reporter Moe Bauer, on the heels of a hot tip, turns up dead at the foot of his cellar stairs. An accident? That’s what Police Chief Walt Turner thinks, and Irene is inclined to agree until she finds the note Moe discreetly left on her desk. He was on to a big story, he wrote. The robbery she’d assigned him to cover at Markowicz Hardware turned out to be something far more devious. A Jewish store owner in a small, provincial town, Sam Markowicz received a terrifying message from a stranger. Moe suspected that Sam is being threatened not only for who he is…but for what he knows. Tenacious Irene senses there’s more to the Markowicz story, which she is all but certain led to Moe’s murder. When she’s not filling up column inches with the usual small-town fare—locals in uniform, victory gardens, and scrap drives—she and her best friend, scrappy secretary Peggy Reardon, search for clues. If they can find the killer, it’ll be a scoop to stop the presses. But if they can’t, Irene and Peggy may face an all-too-literal deadline.

“A Vonnegut tinged absurdist satire . . . (a) tightly paced, expertly drawn comic romp” from the New York Times–bestselling author of The Mosquito Coast (LitReactor). Paul Theroux, one of the world’s most popular authors, both for his travel books and his fiction, has produced an off-beat story of 1960s weirdos unlike anything he has ever written. During the time of Lyndon Johnson’s presidency, Herbie Gneiss is forced to leave college to get a job. His income from the Kant-Brake toy factory, which manufactures military toys for children, keeps his chocolate-loving mother from starvation. Mr. Gibbon, a patriotic veteran of three wars, also works at Kant-Brake. When Herbie is drafted, Mr. Gibbon falls in love with Herbie’s mother and they move in together at Miss Ball’s rooming house. Since Herbie is fighting for his country, Mr. Gibbon feels that he, too, should do something for his country and convinces Miss Ball and Mrs. Gneiss to join him in the venture. They decide to rob the Mount Holly Trust Company because it is managed by a small dark man who is probably a communist. There are some complications. Combine Donald E. Westlake with Abby Hoffman, add a bit of Gore Vidal at his most vitriolic, and you will have Murder in Mount Holly. “Parodies the American political fringe at a time when flags burned, hippies protested and commies lurked everywhere . . . you’ll have little difficulty inserting today’s fringe characters into Theroux’s lampoon.” —Star Tribune “The geezer psychopath finally gets his due . . . The fun here is in how hateful the characters are.” —The New York Times Book Review