Seattle printing collective owner Pam Nilsen is on the case when a member of the group turns up dead before a controversial merger Pam Nilsen and her twin sister, Penny, inherited Best Printing four years ago when their parents died in a car crash. Unwilling to sell their family legacy, the sisters turned it into a collective run by a cadre of activists whose arguments over the business can be just as impassioned as their support for progressive causes. But internal divisions at the collective pale in comparison to those between Seattle typesetters B. Violet and Moby Dick—once a single company that has since broken apart into an all-female (and lesbian-run) company, and an all-male (and quickly bankrupt) operation. Shortly after Best Printing and B. Violet begin discussing a merger, the offices of the typesetter are ransacked, one of their members nowhere to be found. Then an employee of Best Printing is found murdered. It appears as if someone will stop at nothing—not even murder—to prevent the merger. And it’s up to Pam to get to the bottom of this deadly turn of events before the killer strikes again. Murder in the Collective is the first book in the Pam Nilsen Mystery trilogy, which continues with Sisters of the Road and The Dog Collar Murders.

"Chilling...this terrific novel is...propelled by an iron-tight plot that becomes increasingly tense." --New York Times Book Review "It’s a nerve-shredding, emotionally harrowing ride. Don’t miss it.” —Megan Abbott, New York Times bestselling author The USA Today bestselling and Edgar Award–winning author of Never Look Back and If I Die Tonight asks how far a grieving mother will go to right a tragic wrong in this propulsive novel of psychological suspense. Camille Gardener is a grieving—and angry—mother who, five years after her daughter’s death, is still obsessed with the privileged young man she believes to be responsible. When her rash actions draw the attention of a secret group of women—the collective— Camille is drawn into a dark web where these mothers share their wildly different stories of loss as well as their desire for justice in a world where privilege denies accountability. Fueled by mutual rage, the collective members devise and act out retribution fantasies via precise, anonymous, highly coordinated revenge killings. As Camille struggles to comprehend whether this is a role-playing exercise or terrifying reality, she must decide if these women are truly avenging angels or monsters. Becoming more deeply enmeshed in the group, Camille learns truths about the collective—and about herself—that she may not be able to survive

In 1998, the horrific murders of Matthew Shepard -- a gay man living in Laramie, Wyoming -- and James Byrd Jr. -- an African American man dragged to his death in Jasper, Texas -- provoked a passionate public outrage. The intense media coverage of the murders made moments of violence based in racism and homophobia highly visible and which eventually led to the passage of The Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act in 2009. The role the media played in cultivating, shaping, and directing the collective emotional response toward these crimes is the subject of this gripping new book by Jennifer Petersen. Tracing the emotional exchange from news stories to the creation of law, Petersen calls for an approach to media and democratic politics that takes into account the role of affect in the political and legal life of the nation.

Includes excerpt from Murder on an Irish Farm.

The Times Literary Supplement said of The Murder Farm, "With only a limited number of ways in which violent death can be investigated, crime writers have to use considerable ingenuity to bring anything fresh to the genre. Andrea Maria Schenkel has done it in her first novel." The first author to achieve a consecutive win of the German Crime Prize, Schenkel has won first place for both The Murder Farm and Ice Cold. The Murder Farm begins with a shock: a whole family has been murdered with a pickaxe. They were old Danner the farmer, an overbearing patriarch; his put-upon devoutly religious wife; and their daughter Barbara Spangler, whose husband Vincenz left her after fathering her daughter little Marianne. She also had a son, two-year-old Josef, the result of her affair with local farmer Georg Hauer after his wife's death from cancer. Hauer himself claimed paternity. Also murdered was the Danners' maidservant, Marie. An unconventional detective story, The Murder Farm is an exciting blend of eyewitness account, third-person narrative, pious diatribes, and incomplete case file that will keep readers guessing. When we leave the narrator, not even he knows the truth, and only the reader is able to reach the shattering conclusion.

One August night in 1931, on a secluded mountain ridge overlooking Birmingham, Alabama, three young white women were brutally attacked. The sole survivor, Nell Williams, age eighteen, said a black man had held the women captive for four hours before shooting them and disappearing into the woods. That same night, a reign of terror was unleashed on Birmingham's black community: black businesses were set ablaze, posses of armed white men roamed the streets, and dozens of black men were arrested in the largest manhunt in Jefferson County history. Weeks later, Nell identified Willie Peterson as the attacker who killed her sister Augusta and their friend Jennie Wood. With the exception of being black, Peterson bore little resemblance to the description Nell gave the police. An all-white jury convicted Peterson of murder and sentenced him to death. In Murder on Shades Mountain Melanie S. Morrison tells the gripping and tragic story of the attack and its aftermath—events that shook Birmingham to its core. Having first heard the story from her father—who dated Nell's youngest sister when he was a teenager—Morrison scoured the historical archives and documented the black-led campaigns that sought to overturn Peterson's unjust conviction, spearheaded by the NAACP and the Communist Party. The travesty of justice suffered by Peterson reveals how the judicial system could function as a lynch mob in the Jim Crow South. Murder on Shades Mountain also sheds new light on the struggle for justice in Depression-era Birmingham. This riveting narrative is a testament to the courageous predecessors of present-day movements that demand an end to racial profiling, police brutality, and the criminalization of black men.

Det. Roland March is a homicide cop on his way out. But when he's the only one at a crime scene to find evidence of a missing female victim, he's given one last chance to prove himself. Before he can crack the case, he's transferred to a new one that has grabbed the spotlight--the disappearance of a famous Houston evangelist's teen daughter. With the help of a youth pastor with a guilty conscience who navigates the world of church and faith, March is determined to find the missing girls while proving he's still one of Houston's best detectives.