In this cozy mystery, the first of a series, middle-aged sisters Faye and Barb decide to open a detective agency in Allport, their small town in northern Lower Michigan. They agree that Retta, their baby sister, will NOT be included, since she tends to take over any organization she's part of. Sweetly but firmly, Retta will tell you what you should do, could do, and will do. The agency does not take off, and Faye reconsiders the decision to leave Retta out, since as the widow of a slain state trooper, she's got contacts all over Michigan. Retta's only too willing to "help out" and immediately begins second-guessing their decisions, which leads to sparks between her and Barb. The sisters finally get a decent case: finding a man who apparently murdered his wife years ago and has been on the run ever since. As they try to investigate what happened, they're opposed at every turn. Local cops doubt the "lady detectives," and most of the town is convinced Neil Brown killed his wife and brother-in-law in a fit of anger. The murder victims' father has no doubt Brown is guilty, and he's furious that anyone might take a different view. Still, someone wants to keep the sisters from finding Brown and digging into what really happened the day he left Allport. As the sisters piece things together, the new police chief seems like a possible ally. The problem is that both Barb and Retta are attracted to him, and Retta seldom meets a man she can't get. Accepting defeat in that arena, Barb tries to concentrate on the case and proving Brown isn't guilty of murder. She succeeds, but it means she must face a desperate killer in a remote, dangerous spot. Only Faye and Retta can save her, and they have no idea where she is. Family humor--particularly the close-but-oh-so-different status of sisters, plays a big role in this murder mystery. Each sister has strengths and foibles. Barb, intelligent and composed, sneaks around town at night, correcting the spelling and grammatical errors on signs that drive her bonkers. Faye, kind-hearted but insecure, can't see herself as the capable person she is. And Retta? Retta knows she's attractive and clever. She's only trying to help when she tells you exactly what you should do with your life--or your detective agency. One reviewer's comment: "If you have sisters, you have to read this book!"

Actor Nora Blake finds her dream job when she is cast in a murder-mystery troupe that performs in an imposing but captivating old castle. When she stumbles upon a real murder, things take a nightmarish turn in this first book in an exciting new series. Maybe it was too good to be true, but when Nora Blake accepted the job from Derek Corby, proprietor of Castle Dark, she could not see any downsides. She would sink her acting chops into the troupe’s intricately staged murder-mystery shows, earn free room and board in the fairy tale–like castle, and make friends with her new roommates, which include some seriously adorable kittens. But something sinister lurks behind the walls of Castle Dark. During Nora’s second performance, one of her castmates plays the part of the victim a little too well. So well, in fact, that no one can revive him. He has been murdered. Not ready to give up her dream gig—or to be the next victim—Nora sets out to see which one of her fellow actors has taken the role of a murderous real-life villain.

Is there a connection between the cat found napping in the flour barrel of the newest bistro and the dead American chef in the meat freezer? When it comes to Maggie Newberry and the cranky villagers of St-Buvard, how could there not be? Once more back in Provence, Maggie finds her hands full with village politics ratcheting up to nuclear level, her BFF back on her living room couch—this time with a snotty teenager in tow—and a full-blown riot developing over the brand new American-owned bistro. When the fractious American chef ends up dead, Maggie will need to find out who killed her—and fast—before the chef’s killer decides that two dead Americans in the village are better than one.

After being murdered as a child and brought back to life by two cops, Harry Doyle grew up to become a homicide detective who has the uncanny ability to hear the whispers of murder victims, and he must put his power to use to solve the murder of a beautiful woman who was also a notorious child molester.

Casper, Wyoming: 1973. Eleven-year-old Amy Burridge rides with her eighteen-year-old sister, Becky, to the grocery store. When they finish their shopping, Becky's car gets a flat tire. Two men politely offer them a ride home. But they were anything but Good Samaritans. The girls would suffer unspeakable crimes at the hands of these men before being thrown from a bridge into the North Platte River. One miraculously survived. The other did not. Years later, author and journalist Ron Franscell—who lived in Casper at the time of the crime, and was a friend to Amy and Becky—can't forget Wyoming's most shocking story of abduction, rape, and murder. Neither could Becky, the surviving sister. The two men who violated her and Amy were sentenced to life in prison, but the demons of her past kept haunting Becky...until she met her fate years later at the same bridge where she'd lost her sister.

In this chilling mystery from a New York Times bestselling author, a storm strands a group of teens in a creepy motel—leaving them trapped with a killer. Nell has always wanted to be an actor, but she doubts her ability. As a member of her school’s theater program, she prefers working backstage. On the way to a contest, an unexpected blizzard strands her acting troupe in a creepy motel. Soon they meet a group of strangers from another high school—including the mysterious and handsome Knox, who insists they play the game Two Truths and a Lie. When it’s Nell’s turn, she draws a slip of paper written in unfamiliar handwriting: I like to watch people die. I’ve lost count of how many people I’ve killed. Suddenly a night of harmless fun turns into a matter of life and death. As guests go missing, it becomes clear that a murderer is hiding in their midst ready to strike again. In a room full of liars and performers, the truth is never quite what it seems. Nell is going to have to act like her life depends on it—because it does.