A shocking investigation into a true crime that tore a town apart—the violent murder of a young coed in Kentucky, the innocent boy who was jailed for the crime, and a small Southern community filled with haunting, unforgettable characters. Katie Autry was a foster child from a tiny village in Kentucky; a little awkward, but always with the biggest smile on her high school cheerleading squad. In September 2002, she matriculated as a freshman at Western Kentucky University in Bowling Green, majoring in the dental program. She worked days at the smoothie shop, nights at the local strip club, and fell in love with a football player who wouldn’t date her. On the morning of May 4, 2003, Katie Autry was raped, stabbed, sprayed with hairspray, and set on fire in her own dormitory room. In telling the true story of this shocking crime, William Van Meter describes the devastation of not one but three families. Two young men are jailed for the crime: DNA evidence places Stephen Soules, an unemployed, mixed-race high school dropout, at the scene; and Lucas Goodrum, a twenty-one-year-old pot dealer with an ex-wife, a girlfriend still in high school, and a history of domestic abuse, is held by an ever-changing confession. The friends of the suspects and the foster and birth families of the victim form complex and warring social nets that are cast across town. And a small southern community, populated by eccentrics of every socioeconomic class, from dirt-poor to millionaire, responds to the horror. With the keen eye of a talented young journalist returning to his southern roots, Van Meter paints a vivid portrait of the town, the characters who fill it, and the simmering class conflicts that made an injustice like this not only possible, but inevitable. Like Midnight in the Garden of Good and Evil, Bluegrass is redolent with atmosphere, dark tension, and lush landscapes.

When Kentucky Blueblood Drew Thornton parachuted to his death in September 1985—carrying thousands in cash and 150 pounds of cocaine—the gruesome end of his startling life blew open a scandal that reached to the most secret circles of the U.S. government. The story of Thornton and “The Company” he served, and the lone heroic fight of State Policeman Ralph Ross against an international web of corruption is one of the most portentous tales of the 20th century.

An Edgar Award–winning author’s true crime account of a grisly string of killings in Kentucky—and the shocking spectacle of greed that followed. Kentucky never deserved its Indian appellation “A Dark and Bloody Ground” more than when a small-town physician, seventy-seven-year-old Roscoe Acker, called in an emergency on a sweltering evening in August 1985. Acker’s own life hung in the balance, but it was already too late for his college-age daughter, Tammy, savagely stabbed eleven times and pinned by a kitchen knife to her bedroom floor. Three men had breached Dr. Acker’s alarm and security systems and made off with the fortune he had stashed away over his lifetime. The killers—part of a three-man, two-woman gang of the sort not seen since the Barkers—stopped counting the moldy bills when they reached $1.9 million. The cash came in handy soon after when they were caught and needed to lure Kentucky’s most flamboyant lawyer, the celebrated and corrupt Lester Burns, into representing them. Full of colorful characters and desperate deeds, A Dark and Bloody Ground is a “first-rate” true crime chronicle from the author of Murder in Little Egypt (Kirkus Reviews). “An arresting look into the troubled psyches of these criminals and into the depressed Kentucky economy that became fertile territory for narcotics dealers, theft rings and bootleggers.” —Publishers Weekly “The smell of wet, coal-laden earth, white lightning, and cocaine-driven sweat arises from these marvelously atmospheric—and compelling—pages.” —Kirkus Reviews “A fascinating portrait of the mountain way of life and thought that forged the lives of these criminals.” —Library Journal

On October 26, 1961, after an evening of studying with friends on the campus of Transylvania University, nineteen-year-old student Betty Gail Brown got into her car around midnight—presumably headed for home. But she would never arrive. Three hours later, Brown was found dead in a driveway near the center of campus, strangled to death with her own brassiere. Kentuckians from across the state became engrossed in the proceedings as lead after lead went nowhere. Four years later, the police investigation completely stalled. In 1965, a drifter named Alex Arnold Jr. confessed to the killing while in jail on other charges in Oregon. Arnold was brought to Lexington, indicted for the murder of Betty Gail Brown, and put on trial, where he entered a plea of not guilty. Robert G. Lawson was a young attorney at a local firm when a senior member asked him to help defend Arnold, and he offers a meticulous record of the case in Who Killed Betty Gail Brown? During the trial, the courtroom was packed daily, but witnesses failed to produce any concrete evidence. Arnold was an alcoholic whose memory was unreliable, and his confused, inconsistent answers to questions about the night of the homicide did not add up. Since the trial, new leads have come and gone, but Betty Gail Brown's murder remains unsolved. A written transcript of the court proceedings does not exist; and thus Lawson, drawing upon police and court records, newspaper articles, personal files, and his own notes, provides an invaluable record of one of Kentucky's most famous cold cases.

The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.

Van Meter relates the horrifying, true story of 18-year-old Katie Autry, who was raped, stabbed, covered with hairspray, and set on fire in her dorm room at Western Kentucky University in 2006. photos.

A Cold Case Brought Him Home… When Sutton Calhoun shook the dust of Bitterwood, Tennessee, off his boots, he never thought he'd return. But now he's back to investigate an unsolved murder and has teamed up with police detective Ivy Hawkins—the only part of the Smoky Mountain hamlet worth remembering. A Steamy Reunion Would Keep Him There Ivy is a hometown girl and well aware of Sutton's reputation. She can't help but find his smoldering eyes resurrecting long-buried feelings. Plus, as the body count rises, Sutton is the only one who believes her that an eerily methodical serial killer is living among them in the shrouded peaks of Bitterwood. Ivy doesn't know which is worse—the desire she feels for a man who's nothing but trouble…or the danger posed by a killer who has them in his sights?