An archaeologist’s wife is murdered on the shores of the River Tigris in Iraq...

This book, which accompanies a new international exhibition, should appeal to fans of crime novels, archaeology, the Orient and biography alike. Using sumptuous colour photographic illustration, this book sets out to recreate Agatha Christie's life in the Orient, with reference to both her novels and her personal diaries. Using artefacts and personal photographs from archaeological excavation, and her own accounts of travel and her relationship with archaeologist Max Mallowan, this book paints an unusual and striking picture of her as an intellectual, author and explorer. The influence of her experience can clearly be seen through her novels, such as Murder on the Orient Express, which are not only set in an exotic landscape but also evoke the colour and feel of the Orient through her descriptions of costume, decoration and place. Using examples from both text and film, this book gives an insight into a fascinating woman who has captivated generations of readers with her skills as a suspense writer; a talent which has almost eclipsed in the public view her remarkable life.

Drawing together the insights of postcolonial scholarship and cultural studies, Popular Postcolonialisms questions the place of ‘the popular’ in the postcolonial paradigm. Multidisciplinary in focus, this collection explores the extent to which popular forms are infused with colonial logics, and whether they can be employed by those advocating for change. It considers a range of fiction, film, and non-hegemonic cultural forms, engaging with topics such as environmental change, language activism, and cultural imperialism alongside analysis of figures like Tarzan and Frankenstein. Building on the work of cultural theorists, it asks whether the popular is actually where elite conceptions of the world may best be challenged. It also addresses middlebrow cultural production, which has tended to be seen as antithetical to radical traditions, asking whether this might, in fact, form an unlikely realm from which to question, critique, or challenge colonial tropes. Examining the ways in which the imprint of colonial history is in evidence (interrogated, mythologized or sublimated) within popular cultural production, this book raises a series of speculative questions exploring the interrelation of the popular and the postcolonial.

An elderly spinster has been poisoned in her country home... Everyone blamed Emily's accident on a rubber ball left on the stairs by her frisky terrier. But the more she thought about her fall, the more convinced she became that one of her relatives was trying to kill her. On April 17th she wrote her suspicions in a letter to Hercule Poirot. Mysteriously he didn't receive the letter until June 28th... by which time Emily was already dead...