The crime appeared as easily solved as it was wicked. A Grub Street printer, his family, and two apprentices brutally murdered in their sleep. A locked building. And at the scene, a raving mad poet brandishing a bloody axe. Surely the culprit had been found, and justice would be swift and severe. But to Sir John Fielding, justice was more than finding a culprit-it was finding the truth. Aided by thirteen-year-old Jeremy Proctor, Fielding decided to investigate further. And the truth behind the Grub Street massacre was more evil-and more deadly-than the dastardly crime itself.

Eighteenth-century London judge Sir John Fielding and his assistant, thirteen-year-old Jeremy Proctor, investigate the murders of a publisher and his family.

The legendary--and blind--eighteenth-century judge, Sir John Fielding, cofounder of London's first police force, debuts in the case of a lord whose apparent suicide is exposed as a fountainhead of deception, greed, and murder.

In the case of a grisly murder on one of His Majesty's frigates, the blind magistrate Sir John Fielding and his aide Jeremy Proctor discover that some secrets are better left at the bottom of a "Watery Grave".

A fascinating, first-hand account of a murder investigation in a rural state

Now a major motion picture A literary star returns with an addictive tale of murder in Victorian London. Peter Ackroyd is "our most exciting and original writer... one of the few English writers of his generation who will be read in a hundred years' time." -- The Sunday Times (London) Without a doubt, Peter Ackroyd's breakout book. It has all the erudition and literary brilliance we expect of Ackroyd, yet it is as vivid, scary, and spellbinding as the best of Edgar Allan Poe. The year is 1880, the setting London's poor and dangerous Limehouse district, home to immigrants and criminals. A series of brutal murders has occurred, and, as Ackroyd leads us down London's dark streets, the sense of time and place becomes overwhelmingly immediate and real. We experience the sights and sounds of the English music halls, smell the smells of London slums, hear the hooves of horses on the cobblestone streets, and attend the trial of Elizabeth Cree, a woman accused of poisoning her husband but who may be the one person who knows the truth about the murders. The wonderfully rhythmic shifting of focus from trial to back alleys, where we come upon George Gissing, author of New Grub Street, and even Karl Marx, gives the story a tremendous depth and resonance beyond its page-turning thriller plot. Peter Ackroyd has once again confirmed his place as one of the great writers of our time. Previously published as The Trial Of Elizabeth Cree.

“Drawing on deep familiarity with the period and its personalities, Rogers has given us a witty and richly detailed account of the ongoing war between the greatest poet of the eighteenth century and its most scandalous publisher.”—Leo Damrosch, author of The Club: Johnson, Boswell, and the Friends Who Shaped an Age “What sets Rogers’s history apart is his ability to combine fastidious research with lucid, unpretentious prose. History buffs and literary-minded readers alike are in for a punchy, drama-filled treat.”—Publishers Weekly The quarrel between the poet Alexander Pope and the publisher Edmund Curll has long been a notorious episode in the history of the book, when two remarkable figures with a gift for comedy and an immoderate dislike of each other clashed publicly and without restraint. However, it has never, until now, been chronicled in full. Ripe with the sights and smells of Hanoverian London, The Poet and Publisher details their vitriolic exchanges, drawing on previously unearthed pamphlets, newspaper articles, and advertisements, court and government records, and personal letters. The story of their battles in and out of print includes a poisoning, the pillory, numerous instances of fraud, and a landmark case in the history of copyright. The book is a forensic account of events both momentous and farcical, and it is indecently entertaining.