The second edition of “Murder in California: The Topography of Evil” is Marques Vickers’ visual return to 108 infamous crime scenes detailing the shocking and often searing narratives behind each tragedy. Over 225 images amplify insight by escorting the reader to the crime location, offering a critical context and perspective for understanding. The captured snapshots portray visual testimonies of extinguished lives removed by acts of violence. Crime scenes often revert back into unremarkable landscape or unassuming buildings over the ensuing years and decades. Several have altered little since their moment of infamy. Many are passed daily by pedestrian and vehicular traffic unaware of a location’s unique significance. California has been the residence for many notorious profiled individual and serial killers including the Zodiac, Ted Unabomber Kaczynski, Charles Manson, Sirhan Sirhan, Jim Jones, Richard Allen Davis, David Carpenter, The Menendez Brothers, Juan Corona, Rodney Alcala, Phil Spector, Dan White, Juan Corona, Richard Ramirez and Scott Peterson. The media has christened some monikers including the Trailside Killer, Children of Thunder, Co-ed Killer, Vampire of Sacramento, Zebra Killers and the Death House Landlady. The state has been the death site of notable victims including Senator Robert Kennedy, San Francisco Mayor George Moscone, Supervisor Harvey Milk, Mobster Bugsy Siegel, Black Panther Huey P. Newton, Journalist Chauncey Bailey, Nicole Simpson-Brown, Rapper Notorious B.I.G., Polly Klaas, Lacy Peterson, the Heaven’s Gate cult, singers Marvin Gaye, Sam Cooke and actors Haing Ngor, Ramon Novarro and Sal Mineo. The Murder in California edition profiles are segmented into nine categories including assassinations, abductions, historical legacies, reckless homicides, chance encounters and manslaughters, law enforcement fatalities and controversies, unsolved murders, rampage and serial killers. Within the context of examining each profile, many important issues and questions are raised without necessarily culminating in resolution. These include capital punishment, racial perceptions, contributing parental influences, media reporting, public opinion, juvenile sentencing, self-incrimination protections and the impartiality of our judicial system. An extensive and updated listing of fatality victims is included along with convicted and deceased killers. Each living convict still registered within the United States penal systems is identified by their current penitentiary residence. Vickers’ own introduction to the consequences of murder began with the 1968 killings of David Faraday and Betty Lou Jenson by the Zodiac killer in the author’s hometown. Faraday was an acquaintance of Vickers through Boy Scouts and his older sister knew both victims. His reflections on the trauma inflicted on his intimate suburban community correspond with the realization that a single homicide affects far more individuals than simply the victim. Hundreds and often thousands may be touched by the arbitrariness and unfairness of life being terminated abruptly and prematurely. Cases Profiled (By Sequential Order and Category): Assassinations: Oakland School Superintendent Dr. Marcus Foster, Mobster Bugsy Siegel, Journalist Chauncey Bailey, Mickey and Trudy Thompson, San Francisco Mayor George Moscone and Supervisor Harvey Milk, Rapper Christopher Wallace (Notorious B.I.G.), The Marin County Courthouse Shootout Massacre, Senator Robert F. Kennedy, Hitman Joseph The Animal Barboza, Vic Weiss and the Wonderland Gang. Abductions: Patty Hearst, Nicholas Markowitz, Brooke Hart, The Onion Field Killings, Polly Klaas, Ramona Irene Price, Cal Poly Student Kristin Smart, Kevin Collins, Rachel Newhouse, Aundria Crawford and Karen Mitchell. Historical Legacies: Fung Little Pete Jing Toy, Charles Crawford, US President Warren Harding, Ned Doheny and Hugh Plunkett, Mary Ellen Pleasant, Orcutt Freeway Sniper, Miles Archer and Eastside Salinas Gang Killings. Chance Encounters and Manslaughter Killings Ennis Cosby, Diane Whipple, Haing Ngor, Huey P. Newton, Johnny Stompanato, Barbara Graham, Marvin Gaye, Phil Hartman, Phil Spector, Ramon Novarro, Ronni Chasen, Sal Mineo, Sam Cooke and Father Eric Freed. Unsolved Murders: The Black Dahlia, Lindsay Cutshall and Jason Allen, Bob Domingos and Linda Edwards, Santa Rosa Hitchhiker Murders, Crips Gang Founder Raymond Washington, David Nadel, Geneva Ellroy, Virginia Rapp, Kym Morgan, William Desmond Taylor, Ted Healy and the Visalia Ransacker. Rampage Mass Murders: Elliot Rodger, The Helzer Brothers, Bruce Pardo, The 101 California Building Rampage, John Linley Frazier, Edward Charles Allaway, Golden Dragon Restaurant, Meritage Salon, John Kenney, Frederick Martin Davidson, Lynwood Jim Drake, High School student Andy Williams, Oikos University Shootings, Nicolas Holzer, the Cleveland Elementary Schools in San Diego and Stockton and Marcus Wesson. Premeditated Murders: Playboy Playmate Dorothy Stratten, Laci Peterson, John Morency, Artie Mitchell, Nicole Brown-Simpson, Menendez Brothers, Bonnie Lee Bakley, Vincent Brothers, Marin County Barbeque Killings and Ewell Family Executions. Law Enforcement Fatalities and Controversies Captain Walter Auble. Oscar Grant III, Newhall CHP Massacre, Office Thomas Guerry, Oakland Macarthur Boulevard Shooting, Demetrius DeBose, Policeman Matthew Pavelka and the North Hollywood Bank of America Shootout. Serial Killings: Zodiac Killer, Charles Manson, Dorothea Puente, Efren Saldivar, Ted Unabomber Kaczynski, The Two Night Stalkers, The Zebra Killings, Heaven’s Gate Suicide, Edmund Kemper III, Lawrence Bittaker and Roy Norris, Juan Corona, Richard Trenton Chase, Speedfreak Killers, Herbert Mullin, David Carpenter, Reverend Jim Jones and the People’s Temple Massacre, Hillside Strangler and Rodney Alcala.

“The Topography of Evil: Notorious Northern California Murder Sites” is author and photographer Marques Vickers’ visual return to 43 infamous crime scenes detailing the shocking narratives behind each tragedy. Over 95 visual images amplify the experience by escorting the reader to the precise physical location, offering a critical context and perspective for understanding. Obscured by time and collective memory, revisiting a dormant crime scene is a process of comprehending the convergence of evil absorbed into a physical space. Crime scenes typically revert back into unremarkable landscape or unassuming buildings over the ensuing years and decades. Many are passed daily by pedestrian and vehicular traffic unaware of a location’s unique significance. The captured snapshots portray searing testimonies of extinguished lives removed by acts of violence. Northern California has been the residence for many notorious individual and serial killers including the Zodiac, Ted “Unabomber” Kaczynski, Dan White, Edmund Kemper III, Jim Jones, Richard Allen Davis, David Carpenter, Juan Corona and Scott Peterson. The media has renamed some such as the Trailside Killer, Co-ed Killer, Children of Thunder, Vampire of Sacramento, Zebra Killers and the Death House Landlady. Over 40+ convicted or deceased murderers are profiled including 24 who remain incarcerated and 5 awaiting execution at San Quentin Prison. The region has also buried notables among the profiled victims including San Francisco Mayor George Moscone, Supervisor Harvey Milk, Black Panther Huey P. Newton, Journalist Chauncey Bailey, Oscar Grant III, Polly Klaas, Lacy Peterson and 412 unclaimed bodies from the People’s Temple Massacre in Jonestown, Guyana. The Topography of Evil edition is segmented into seven categories including assassinations, abductions, historical legacies, reckless homicides, unsolved murders, rampage and serial killers. Within the context of each profile, crucial issues and questions are raised regarding capital punishment, American racial perceptions, parental influences, media reporting, public bias, self-incrimination protections and the fairness of judicial sentencing. A controversial alternative of voluntary euthanasia for the condemned is raised following the observation of California’s hopelessly backlogged number of inmates awaiting execution. Currently 743 inmates are sentenced to Death Row. Florida is second with 403 and Texas third at 276. The last California execution was in 2006. An extensive listing of fatality victims is included along with convicted and deceased killers. Each living convict still registered in the California penal system is identified by their respective current penitentiary, verdict and length of original jury sentencing. Vickers’s own introduction to the consequences of murder commenced with the 1968 killings of David Faraday and Betty Lou Jenson by the Zodiac killer in the author’s hometown. Faraday was an acquaintance of the author through Boy Scouts and his older sister knew both victims. His reflections on the trauma inflicted on his intimate suburban community correspond with the realization that a single homicide affects far more individuals than simply the victim. Hundreds and ultimately thousands may be touched by the arbitrariness and unfairness of life being terminated abruptly and prematurely. While acknowledging that some of the killings defy understanding and others may not properly be defined as evil, each remains uniquely tragic and generates substantial consequences. Remembering the legacies of the slain can seem uncomfortable for the living. Although absent from immediate view, the author stresses these victims should never be forgotten and merit our remembrance. Their legacies and the acts that ultimately killed them were final and irreversible. History weighs the significance. Cases Profiled (By Sequential Order and Category): Assassinations: Oakland School Superintendent Dr. Marcus Foster, San Francisco Mayor George Moscone and Supervisor Harvey Milk, Journalist Chauncey Bailey, The Marin County Courthouse Shootout Massacre and The Contract Killing of Joseph “The Animal” Barboza. Abductions: Kevin Collins, Cal Poly Student Kristin Smart, Brooke Hart and the Resulting San Jose Public Lynching, Patty Hearst, Polly Klaas and Rex Allen Krebs Historical Legacies: Miles Archer, Mary Ellen Pleasant, Fung “Little Pete” Jing Toy, Roscoe “Fatty” Arbuckle and Warren Harding Reckless Homicides: Oscar Grant III, Artie Mitchell, Diane Whipple, Huey P. Newton, Laci Peterson and Lovelle Mixon Unsolved Murders: David Nadel, The Santa Rosa Hitchhiking Murders, Lindsay Cutshall and Jason Allen Rampage Mass Murders: Reverend Jim Jones and the People’s Temple Massacre, The Helzer Brothers, The 101 California Building Rampage, Dr. Victor Ohta, The 1977 Golden Dragon Bloodbath, Mel and Elizabeth Grimes, The Oikos University Shootings, Eastside Salinas Gang Killings and Lynwood “Jim” Drake. Serial Killings: Ted “Unabomber” Kaczynski, Edmund Kemper III, Richard Trenton Chase, Juan Corona and Herbert Mullin, Dorothea Puente, David: Carpenter, The Zebra Killings and The Zodiac Killer.

Murder in California: Serial Killers and Unsolved Murders profiles some of California’s most infamous murder cases. The edition photographically transports you to actual murder sites along with images related to the case and perpetrator(s). The images and accompanying profiles offer a descriptive account and follow-up aftermath providing an important understanding into the far-reaching effects of each crime. Convicted killers and their confirmed victims are identified. For criminals still living, their current incarceration location is provided. A directory of precise crime site locations is included. The captured snapshots portray visual testimonies of extinguished lives removed by acts of violence. Crime scenes often revert back into unremarkable landscape or unassuming buildings over the ensuing years and decades. Several have altered little since their moment of infamy. Many are passed daily by pedestrian and vehicular traffic unaware of a location’s unique significance. California has been the site for many notorious serial killers. The following are portrayed in this edition: Zodiac Serial Killer: Public and media taunting Charles Manson’s serial killing clan Dorothea Puente: The elderly and frail targeted and eliminated for profit Efren Saldivar: Caregiving medical homicide The Unabomber: His UC Berkeley experience Zebra Killings: San Francisco’s racially targeted genocide Heaven’s Gate Cult mass suicide Edmund Kemper III: Monstrous hitchhiking murders Bittaker and Norris: Torture van murders Juan Corona: Migrant workers serial killer Richard Trenton Chase: The vampire killer The Speed Freak Killers and their burial bone yards Herbert Mullin: Killing for earthquake preventiveness David Carpenter: The devil behind bifocals and a stutter Jim Jones and the Peoples Temple Massacre: Lost in a jungle mass suicide The Hillside Strangler Duo: Killing Cousins Rodney Alcala: A beastly killing machine slaying beauty Richard Ramirez: Satan’s ambassador Golden State Killer: The triumph of forensic tracking A Black Hand of Death and Inhumanity (Jose Manuel Martinez) A Killing Rampage Preying On Society’s Most Vulnerable Population (Jon David Guerrero) The Santa Rosa Hitchhiking Murders: preying on the innocent David Nadel: The death of a man and rebirth of a performance icon Torrey Pines Beach: Sands, Secrets and A Butterfly Dancer The continued fascination with the Black Dahlia Murder Fatty Arbuckle’s sex and homicide scandal A Classic Mob Contract Killing Of An Unwanted Distraction Was a 1963 beachfront slaying a prelude to future Zodiac terror? Geneva Ellroy: The transference of tragedy into literary expression A Double Tragedy Complicated By Mysterious Scenarios (Spreckels Mansion Death) Kym Morgan: Death by classified advertisement Kevin Collins: A solitary bus bench memorial to every parent’s nightmare Unauthorized Celebrity Biography Comics and A Founder’s Murder (Todd Lawrence) Ted Healy: The suspected homicide of the fourth Stooge The Resolute Will to keep William Desmond Taylor’s murder unsolved A Contract Killer Terminated By His Own Profession (Frank Bompensiero) Ramona Irene Price strolls innocently into a vanished past Raymond Washington: A cycle of senseless violence devours the Crips gang founder The Senseless Murder of a Catholic Priest on Holiday (Monsignor Louis Gutierrez)

“The Architectural Elevation of Technology” is a photographic survey of 75 prominent Silicon Valley corporate headquarters buildings. The 134-page edition is photographed and authored by California artist Marques Vickers. The geographical territory included with the book is framed to the north by Redwood City and extended to the south until Cupertino. Corporate headquarters are included within the cities of Palo Alto, Santa Clara, Mountain View, Menlo Park, San Jose, Sunnyvale, Milpitas and Fremont. Notable structures include the Oracle, Samsung and the Apple 2 campus, currently under construction. Background is provided on each building’s history and when each present tenant began their occupancy. “The photo project’s motivation was based on my curiosity as to the public face of the information technology sector,” notes Vickers. “Did the more prominent companies mirror the aesthetic polish of their online renown and presence? Would their architecture reflect the affluence and prosperity many of these industry icons have come to represent?” “Silicon Valley technology parks, corporate campuses and headquarters appear indistinguishable from other more traditional office construction. Their appearance is generally consistent with contemporary design trends favoring reflective glass framed by steel and masonry.” Vickers observes in his accompanying commentary several distinctive traits regarding high-tech constructions. Among those include decentralized layouts, lack of streetfront parking and the significant shielding of inside views by landscaped trees and foliage. “The true innovation and resources appear to have been concentrated on interior space management schematics and novelty design.” Vickers adds, “The intention is purposeful. By creating a playful and aesthetic interior environment for employees, many are inclined and stimulated to spend significant additional hours on work-related projects in the facility. Social bondings are encouraged, creating a synergy of professional comradery. Working hours assimilate into lifestyle preferences.”

“Tulip Universe” is photographer Marques Vickers visual survey of the cup shaped flower often popularly misunderstood and underestimated for its beauty. His pictorial edition features over 110 images of this exotic flower capturing the diversity of colors and complexity of design. From the Preface by Linda L. Allen: Tulips are generally perceived as a simple, sweet flower. In truth, there are over 3,000 varieties that include every color other than blue and have a history as fascinating as the most glorious rose or exotic orchid. The tulip is commonly thought to have originated in the Netherlands – in particular Holland. Cultivation actually began in Central Asia over a thousand years ago and was later brought East by the Turks. In the mid 1600’s they were introduced to Europe. In an unusual twist the Dutch obsession was fueled, in part, by a virus that caused broken tulips. The disease, identified by the botanist Carolus Clusius, caused gorgeous striations within flower’s color. Tulip Mania was rampant and the price of bulbs soared. At its height, some bulbs sold for 10 times an average workingman’s yearly salary and cost more than most homes. Speculation on future crops earned tulips the dubious distinction of having caused the first investment bubble. Although opinions differ and there is no recorded history, it is generally accepted that the resulting market crash had a catastrophic effect on the country’s economy. The spring-blooming tulips are members of the Liliaceae family, which includes asparagus, aloe, garlic, onions, and wide diversity of flowers. Their height varies from less than 8 inches to 2 feet and may bloom from 1 to 3 weeks although their bloom time is usually limited to 1 – 7 days. Commonly there is one flower per stem but some varieties have up to 4. There may be from 2 – 12 leaves. While many have no scent, some are known for their beautiful scent. Most varieties of tulips are almost perfectly symmetrical. It appears that the flower possesses 6 petals. Actually, they have 3 petals and 3 sepals. Since the sepals and petals are almost the same size and shape, the common misconception was developed. As mentioned, tulips come in every color but blue. The most common are yellow, orange, violet, pink and red with the last being the most popular. Today, some varieties combine a variety of colors and rival the showiest tropical flower. Rather than a virus they are the result of extensive breeding programs.

“So You Think You Know Washington State Wines?” is designed to simplify your understanding by identifying growing trends, grape descriptions and the history of Washington wine production. The edition profiles the 15 top wine grapes and the unique aspects of the state’s growing sectors. The 62-page edition is idea for wine collectors, winemakers and anyone who appreciates a world class Washington vintage. The following are just seventeen from hundreds of little known facts about Washington wines and the 2015 grape harvest. 1. Washington is the second largest producer of premium table wine in the United States behind California. Washington’s harvest comparatively represents only 6% of the overall California production levels. 2. Washington’s red grape varietals harvested 112.8 thousand tons in 2015. The closest California equivalent was the San Luis Obispo, Santa Barbara, and Ventura County. 3. The State of Washington harvested 222 thousand tons of wine grapes during the 2015 harvest, down 2.2% overall from the previous year. The deficit was attributed to the excessive heat conditions and a reduced Cascade Mountain snowpack. 4. Red varietal grapes account for 51% of the total production and actually increased yields by 5% during the 2015 harvest. 5. Cabernet Sauvignon was the top-producing grape during 2015 with 47,400 tons, representing 21% of the overall harvest. Cabernet Sauvignon had the largest growth rate. 6. White Riesling was the top white wine and second most overall produced grape with 44,100 tons, accounting for 20% of the total. Washington produces more White Riesling than any other state. 7. Chardonnay was the third most produced grape with 42,000 tons, Merlot fourth with 35,200 tons and Syrah fifth with 16,000 tons. 8. Grenache Noir is the most lucratively priced wine grape in Washington and sold for $1,722 per ton. Cabernet Sauvignon averaged $1,527 per ton, an increase of 5.5% from 2014. Cabernet Sauvignon sells in the Napa Valley in excess of $6,000 per ton. 9. The growing regions of San Luis Obispo County, Yakima Valley and Walla Walla Valley share numerous similarities. Their topographies feature expansive arid flatlands surrounded by hilly terrain. Each region has a long historical agricultural tradition. 10. Top-tiered Washington vineyards have commanded pricing between $75,000-$80,000 per acre. Large established vineyards have been documented to sell for $25,000-$30,000 and bare unplanted terrain often averages $10,000-$15,000 per acre. 11. Washington has 14 American Viticultural Areas (AVAs) recognized and defined by the United States Treasury Department. Seven have only been established within the last ten years and three stretch across the Oregon border. 12. The primary growth advantage Washington offers over neighboring Oregon is the capacity to expand wine grape cultivation. Washington has twice as much plantable acreage available. 13. Today, 98% of the wine grapes grown are east of the Cascade Mountains. In 1970, there were only ten official wineries in all of Washington. By 2000, that figure had expanded to 163 and by 2010, more than 700 wineries. Currently it is estimated that there are over 900 wineries. 14. The two largest Washington growing regions, the Yakima and Walla Walla Valleys share the topography of a desert landscape and the tributary waters of the Columbia River branching out via the Yakima and Walla Walla Rivers. 15. The Walla Walla Valley averages approximately the same annual rainfall levels as the Napa Valley (21 inches). The Yakima Valley received even less rainfall (8 inches), but is supplemented by a snowfall level of 23 inches. 16. The Yakima Valley profits from the accumulating rains and snows of Mount Ranier and Mount Adams, part of the Cascade Mountain Range. The melting Spring snowpack results in substantial volumes of water that are channeled into the region and directed by canals and aqueducts into the agricultural basins and hillsides.

Author Marques Vickers returns to his hometown of Vallejo, California with his memoir “You Can’t Return Home Except Through Photographs and Memory”. The personal narrative traces his formation within a community that through his eyes has slipped a notch from both the middle-class and affluence. Vickers employs a light but candid tone on a gravely perceived subject, Vallejo’s regressive deterioration. The suburban San Francisco Bay Area town of 120,000 was formerly the California State Capital twice and home to the Mare Island Naval Shipyard. The base closed in 1996 creating an employment void that prompted stagnation within the downtown core. Vickers was raised locally during the 1960s-70s. He traces the specific causes for decline as the proliferation of long simmering racial tensions, homelessness, aggressive criminality and drug trafficking. Returning in 1987 as an adult following a twelve-year absence, he was struck by the town’s smallness of scale. In spite of the successful recruitment of Marine World Africa USA in 1986, the addition has not elevated Vallejo into a desirable extended stay tourist destination. He observes that seemingly for every positive step forward, the city tends to relapse two steps backwards. Despite the deterioration, most Vallejoans he knows are proud of their grounded heritage. His text is far from bleak and bitter. He cites the town’s distinctiveness, attractions and diversity that positively impacted his personal development. His photo compilation was prompted by a return for the funeral service of a 90-year-old friend Andy who died on New Years Day 2017. Andy, a former longtime resident, avoided local visitations noting the degenerating conditions from his residence in adjacent Benicia. The author’s own series of memories were exhumed at the same time as the body of his friend was being lowered into the ground for burial. Vickers surveys the present tense community with his camera lens portraying a bittersweet reality. Although he cannot overlook the obvious, he hopes the current downtown may ultimately be viewed as an isolated puzzle piece fitting into a larger positive legacy. Balancing his criticism with objectivity, humor and insight, Vickers attempts to accurate portray a subject he mourns and knows intimately.