In his popular "Strange Days, Dangerous Nights," Millett has delivered images of Midwestern noir from the photo files of the "St. Paul Pioneer Press." He returns with a focus on the "dangerous murder cases from the 1940s and 50s, memorialized in these telling photographs.

The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.

A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.

The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A New York Times Book Review Editor’s Choice • Rex Stout meets Agatha Christie with a fresh twist in the new Pentecost and Parker Mystery, a delightfully hardboiled high-wire act starring two daring women sleuths dead set on justice as they set out to solve a murder at a traveling circus “A delight.... It’s a pleasure to watch [Pentecost and Parker] sifting through red herrings and peeling secrets back like layers of an onion.” The New York Times Book Review Someone’s put a blade in the back of the Amazing Tattooed Woman, and Willowjean “Will” Parker’s former knife-throwing mentor has been stitched up for the crime. To uncover the truth, Will and her boss, world-famous detective Lillian Pentecost, travel to the circus, where they find a snake pit of old grudges, small-town crime, and secrets worth killing for. Will called Hart & Halloway’s Traveling Circus and Sideshow home for five years, and Ruby Donner, the circus’s tattooed ingenue, was her friend. To make matters worse, the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go. To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia, where the locals like their cocktails mild, the past buried, and big-city detectives not at all. The two swiftly find themselves lost in a funhouse of lies as Will begins to realize that her former circus compatriots aren’t playing it straight, and that her murdered friend might have been hiding a lot of secrets beneath all that ink.

In the late 1960s, dance halls were still popular in Glasgow. At the Barrowland Ballroom in the Bridgeton area of the city, queues were long on Friday and Saturday nights and anything up to two thousand people would spend the evening dancing to music provided by the resident band. Then, in February 1968, a woman who had spent the evening at the Barrowland Ballroom was found murdered. It seemed that she had met her killer while dancing but police were unable to find any clue as to his identity. In August 1969, another woman went dancing at the same ballroom and was seen leaving with a tall, slim, handsome young man. Her body was discovered the following day. The circumstances of the two murders were very similar and police began looking for a single killer. They even commissioned a local artist to produce a painting of the murderer based on witness descriptions. In October 1969, it happened again. Another woman was murdered after meeting her killer at the Barrowland Ballroom. But this time, the killer was seen by a number of witnesses and one even shared a taxi with him and his victim. Surely, it was only a matter of time before this murderer, who newspapers had started calling Bible John, was caught? Fifty years later, we still don't know the identity of this serial killer. There have been many theories and a number of potential suspects. Police cold-case reviews have used new technologies in the search for Bible John and several promising new leads have been identified. None have led to an arrest. How can this be? How can a murderer select and spend time with his victims in a crowded public place where he was seen by large numbers of people and yet escape detection? The artist's depiction of the killer was also said to be a very good likeness, so we even know what he looked like. This book is a fresh look at this fascinating case and an attempt to understand how Bible John managed to escape detection and has continued to elude investigators for fifty years.