In the lean years following World War I, brash American adventuress Beryl Helliwell and prim and proper Brit Edwina Davenport form a private inquiry agency to make ends meet, hoping that crime does indeed pay . . . The latest occurrence to disturb the peace in the quaint English village of Walmsley Parva hits rather too close to home—in fact, the prime suspect has taken up residence in Edwina's potting shed. Her elderly gardener Simpkins has been secretly sleeping there after a row with his disreputable brother-in-law and housemate, Hector Lomax. When Hector is found murdered in the local churchyard, Constable Gibbs comes looking for Simpkins, who was last seen arguing with his kin in the pub the night before. Based on the sad state of her garden, Edwina has grave doubts that the shiftless Simpkins could muster the effort to murder anyone. The two sleuths throw themselves into weeding out suspects and rooting out the real killer. But this is no garden variety murder. The discovery of a valuable ring, a surprise connection to Colonel Kimberly's Condiment Company, and a second homicide all force Beryl and Edwina to play catch-up as they relish the chance to contain the culprit . . .

Sequel to: Murder in an English village.

The lean years following World War I can lead to desperate acts—even in the quiet English village of Walmsley Parva. When a series of burglaries seems to culminate in murder, brash American Beryl Helliwell and proper Brit Edwina Davenport are eager to solve the case . . . World-renowned adventuress Beryl Helliwell cited for “reckless” motoring? Why, the very idea! Constable Gibbs just has it in for her. The solution? Charm the magistrate, of course. But days after Beryl's appearance before the bench, she and Edwina pay a visit to the magistrate only to find his home ransacked and the man himself lying dead at the bottom of a grand staircase. Given the state of the house, his death appears to be connected to a rash of robberies in the village. Declan O’Shea, the handsome helper Beryl hired to assist their aged gardener Simpkins, falls under suspicion after having had his own run-in with the magistrate—but mostly, Beryl believes, because he’s Irish. While unofficially looking into the magistrate's murder, the ladies are hired in their official capacity as private inquiry agents to find census reports that have gone missing. Is someone trying to hide something from the census takers—and could that theft have anything to do with the magistrate’s death? Beryl and Edwina are once again in fine form as they engage in a little reckless sleuthing to bring these assorted mysteries to a speedy conclusion. . . .

American adventuress Beryl Helliwell and reserved Brit Edwina Davenport may seem an unlikely pair, but they have reinvented themselves in the lean years following World War I as private enquiry agents. Now they’ve been engaged to stage a faux investigation—until murder makes it all too real . . . When a member of the Walmsley Parva upper crust, Constance Maitland, seeks to hire Beryl and Edwina for a sham investigation into an alleged dalliance by her sister-in-law Ursula to quell potentially scandalous accusations by an unstable cousin, it is with mixed feelings that they agree to pose as guests at her home, Maitland Park. Edwina is uncomfortable with the ruse, but Beryl is eager to escape tension with their feisty housekeeper and hobnob with bohemians as the Maitland family hosts an artists colony. But when the painter suspected of having an affair with Ursula is found strangled beside his easel in a glade, the pretense turns into a genuine murder enquiry. With Maitland Park overrun by artists, every guest—not to mention family member—is now a suspect. Beryl and Edwina must determine if they are dealing with a crime of passion or if there are more complex motives in play, which may include the family cigarette business, cutthroat artistic competition, or secrets from the war years. In any case, the intrepid sleuths will not leave until they have smoked out the real killer. . . .

As friends, the boisterous and brash American Beryl couldn’t be less alike than the prim and proper British Edwina. But as sleuths in an England recovering from the Great War, they’re the perfect match . . . 1920: Flying in the face of convention, legendary American adventuress Beryl Helliwell never fails to surprise and shock. The last thing her adoring public would expect is that she craves some peace and quiet. The humdrum hamlet of Walmsley Parva in the English countryside seems just the ticket. And, honestly, until America comes to its senses and repeals Prohibition, Beryl has no intention of returning stateside and subjecting herself to bathtub gin. For over three decades, Edwina Davenport has lived comfortably in Walmsley Parva, but the post–World War I bust has left her in dire financial straits and forced her to advertise for a lodger. When her long-lost school chum Beryl arrives on her doorstep—actually crashes into it in her red motorcar—Edwina welcomes her old friend as her new roommate. But her idyllic hometown has a hidden sinister side, and when the two friends are drawn in, they decide to set up shop as private inquiry agents, helping Edwina to make ends meet and satisfying Beryl’s thirst for adventure. Now this odd couple will need to put their heads together to catch a killer—before this sleepy English village becomes their final resting place . . .

The first in a brand-new WWII historical mystery series introduces WPC Billie Harkness - a female police officer who risks her life to protect the home front in the British coastal city of Hull. 1940. Britain is at war. Rector's daughter Wilhelmina Harkness longs to do her duty for her country, but when her strict mother forbids her to enlist, their bitter argument has devasting consequences. Unable to stay in the village she loves, Wilhelmina - reinventing herself as Billie - spends everything she has on a one-way ticket up north. Hull is a distant, dangerous city, but Billie is determined to leave her painful memories behind and start afresh, whatever the cost. The last thing Billie expects on her first evening in Hull, however, is to be caught in the city's first air raid - or to stumble across the body of a young woman, suspiciously untouched by debris. If the air raid didn't kill the glamorous stranger, what did? Billie is determined to get justice, and her persistence earns her an invitation to the newly formed Women's Police Constabulary. But as the case unfolds, putting her at odds with both high-ranking members of the force as well as the victim's powerful family, Billie begins to wonder if she can trust her new friends and colleagues . . . or if someone amongst them is working for the enemy. DEATH IN A BLACKOUT is a perfect pick for fans of Jacqueline Winspear, Rhys Bowen and Susan Elia MacNeal.

Trinetta drops off her two young boys with her mother, Betty Jean - and then pulls a disappearing act. BJ is a sassy, pull-no-punches, trademark McMillan matriarch, and she already has her hands full picking up the slack for her other kids, coaching her best friend Tammy through her own tribulations and dealing with two feuding sisters, all while holding down a job as a hotel maid. Who Asked You? raises questions about how we care for one another and how we set limits for those we love when the demands are too great.