In this mystery in the USA Today bestselling Murder, She Wrote series, Jessica Fletcher visits New York City during fashion week, only to discover someone has rather fatal designs... Jessica is in Manhattan to attend the debut of a new designer. Formerly Sandy Black of Cabot Cove, the young man has reinvented himself as Xandr Ebon, and is introducing his evening wear collection to the public and—more important—to the industry’s powers-that-be: the stylists, the magazine editors, the buyers, and the wealthy clientele who can make or break him. At the show, the glitz and glamour are dazzling until a young model—a novice, taking her first walk down the runway—shockingly collapses and dies. Natural causes? Perhaps. But when another model is found dead, a famous cover girl and darling of the paparazzi, the fashion world gets nervous. Two models. Two deaths. Their only connection? Xandr Ebon. Jessica’s crime-solving instincts are put to the test as she sorts through the egos, the conflicts of interest, the spiteful accusations, and the secrets, all the while keeping an amorous detective at arm’s length. But she’ll have to dig deep to uncover a killer. A designer’s career is on the line. And another model could perish in a New York minute.

As Gotham City undergoes a massive architectural boom, a series of unexplained construction accidents begin to cause casualties across the city and it is up to Batman to discover who is behind the string of catastrophes.

The show must go on . . . When mystery bookstore owner Annie Laurance is invited to stage a Mystery Night for the annual antebellum house tour of the Historical Preservation Society of Chastain, South Carolina, she instead finds herself the leading lady in a flesh-and-blood drama. The play's the thing wherein the curtain falls on mean-spirited grande dame Corinne Webster. While jeweled fingers point, accusing Annie of murder, the perpetrator lurks within the genteel cast of Murder-Most-Make-Believe . . . and the murder weapon is one of the props. In the tight-laced society of Chastain, Annie is guilty until proven innocent. With her fiance, Max Darling, Annie pieces together evidence to clear her name—until her chief witness is murdered. Now it will take all her sleuthing skills to discover the evil in the heart of Chastain's Beautiful People.

An in-depth look at the films of Dario Argento, Italy's acknowledged master of horror and suspense, has made a career out of exploring the macabre poetry of images of violent death. He did not, however, set out to be a filmmaker. He established himself early on as a progressive voice in film criticism-lavishing praise on directors like Sergio Leone, who had yet to receive their due from the Italian critical establishment. His efforts attracted the attention of Leone himself, who invited the young critic to help develop the story for his next feature. The end result, Once Upon a Time in the West, is often cited as a masterpiece-and from there, Argento went on to enjoy success as a screenwriter before making the all-important switch to directing. His directorial debut, The Bird with the Crystal Plumage, became a major hit and helped to popularize the floundering genre of Italian thrillers, also known as gialli. In the years since, Argento has established a high profile as one of Italian cinema's most commercially successful artists, earning a level of celebrity which is almost unheard of among film directors. His filmography includes such beloved gems as Deep Red, Suspiria, Inferno, and Phenomena, as well as more hotly-debated titles like The Stendhal Syndrome, The Phantom of the Opera, Sleepless, and Mother of Tears. Murder by Design: The Unsane Cinema of Dario Argento explores the full scope of his work as a writer, a producer, and a director. Lavishly illustrated and with newly conducted interviews with Dario Argento, as well as such colleagues as actress (and daughter) Fiore Argento, actress Sally Kirkland, actress Irene Miracle, composer Claudio Simonetti, and cinematographer Luciano Tovoli, the book provides a comprehensive overview of Argento's life, career, and rich cinematic legacy.

Early on the morning of May 6, 1840, the elderly Lord William Russell was found in his London house with his throat so deeply cut that his head was nearly severed. The crime soon had everyone, including Queen Victoria, feverishly speculating about motives and methods. But when the prime suspect claimed to have been inspired by a sensational crime novel, it sent shock waves through literary London and drew both Dickens and Thackeray into the fray. Could a novel really lead someone to kill? In Murder by the Book, Claire Harman blends a riveting true-crime whodunit with a fascinating account of the rise of the popular novel and the early battle for its soul among the most famous writers of the day.

'I think you have something here' I said, 'This could lead to a whole new way of understanding criminal behaviour. As far as I know no one's ever tried to figure out why serial killers kill. The implications are profound.' Haunting, heartfelt, and deeply human, Dr Ann Burgess's remarkable memoir combines a riveting personal narrative of fearless feminism and ambition, bone-chilling encounters with real-life monsters, and a revealing portrait of the ever-evolving US criminal justice system. A Killer By Design will inspire, terrify, and enlighten you in equal measure. It forces us to confront the age-old question 'What drives someone to kill, and how can we stop them?' 'Of all the colleagues I've worked with, Ann is one of the sharpest – and one of the toughest ... She taught us how to harness the chaos of serial killers' minds and helped us decipher the undecipherable. I'd recommend that everyone read A Killer By Design; not only is it a great page-turner, but it's about time Ann's story was heard' - JOHN E. DOUGLAS, former FBI criminal profiler and bestselling author of Mindhunter.