"Readers will relish this story's superior tension ... A riveting mystery designed to keep readers on their toes." ~Midwest Book Review Laurel Falls, N.C. 2005: "Our small town is in an uproar—there’s a serial killer on the loose in the mountains of North Carolina. At first we thought it was just one tragedy, but by the third murder, the FBI finally got involved. Trouble is, I know they’re looking in all the wrong places. I have a keen sense of what’s really going on, but of course the FBI won’t take me serious. I’ll keep at it—too much at stake. I’m working with Wallis Harding, a well-known musicologist, and we’ve got a theory we’ll keep at till they can’t ignore us. Bluegrass music may sound like something to practice and perform, but we know it’s the key to finding the killer. And keeping our families safe. Usually Della Kincaid, my longtime friend, helps me out when I get into something like this. But she’s too busy with troubles of her own. A former crime reporter in Washington, D.C., she’s investigating some kinda fraud case that a whistleblower laid in her lap. She can't let a good story pass, but the deeper she goes, the darker it gets. Turns out we both have information that could help the FBI, if they’ll just listen to us … before the culprits strike again." ~Abit Bradshaw You'll enjoy this suspenseful standalone mystery because who doesn’t long to find justice in this crazy world? If you love Jacqueline Winspear, Sue Grafton, and Cheryl Bradshaw (no relation to Abit Bradshaw that we know of), you're sure to enjoy the Appalachian Mountain Mysteries series. Get it now—for the rich natural setting, colorful characters, and suspenseful investigations. Murder Ballad Blues is the fourth book—and a standalone novel—in the Appalachian Mountain Mysteries series by award-winning author Lynda McDaniel. Interview with the Author Q: Where does this fourth book pick up in the lives of Abit Bradshaw and Della Kincaid? A: It's a year after the last scenes in Welcome the Little Children, but eight years after they solved the family secrets and lies surrounding Astrid Holt's mother. Life has been reasonably quiet for the two. Abit, Fiona, and their 8-year-old son, Conor, perform regularly with the Ramblin' Rollers, and Della has settled into a natural rhythm at Coburn's General Store. Then everything goes crazy with murder and money-laundering crimes. Q: What's new in the series? A: New crimes, of course--especially the murders across Western North Carolina. Abit and Della get involved, working with new characters like Wallis Harding, a self-taught expert on mountain music, and Ezra Stoltz, an FBI agent. I am especially smitten with Wallis Harding. I named him after Phil Harding, archaeologist with the British television show "Time Team." Phil is such a live wire, and his namesake doesn't let him down. Wallis' physical appearance is modeled after Mick Aston, fellow archaeologist on "Time Team." Q: Why should readers give this series a try? A: Because these are serious mysteries without over-the-top violence. And readers tell me the character development makes them eager to read more: "a pair of unforgettable crime-solving characters," one reader shared, and another wrote, "I became intrigued by and attached to the characters -- Della, Abit, Alex, even the dog, Jake, the villagers and their dialogue." Q: In what order was this series written? A: Murder Ballad Blues is a standalone, so readers won't be confused if they start with this book. Actually, I worked to make all the books in the series easy to understand, wherever readers started in the series. The other books in the series: A Life for a Life, The Roads to Damascus, Welcome the Little Children, Deep in the Forest, Up the Creek, Unwrapped, After Dusk, and Waiting for You (free prequel novelette).

The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.

• Shows how to build cigar box guitars and other amazing musical instruments made from found items. • Step-by-step instructions and color photographs. • Background on the history of cigar box guitars and the golden age of blues and jazz. • Introduction from the New Orleans Museum of Jazz. • Recognized as the creator of the modern cigar box guitar movement and known as the “King of the Cigar Box Guitar,” this author is an active roots music performer with a ready audience of fans on social media.

Murder Ballads is a truly unique package, AGraphic Novel with an an accompanying soundtrack by Dan Auerbach and RobertFinley. It deftly weaves the music into an narrative that is a meditation onmusic, race, obsession, and how far someone will go to see their vision becomereal, Murder Ballads follows the fall and reinvention of Nate Theodore, thedead-broke and deadbeat owner of a failed record label who is on a cross-countrydrive in the dead of winter with his wife Mary, fleeing the wreckage of theirbusiness and heading towards the destruction of their marriage. But Nate isgiven an unexpected chance to redeem himself when, during an unscheduled detour,he "discovers" Donny and Marvell Fontweathers,two African-American brothers who play a singular version of doom-laden countryblues. Convinced that the brothers arethe key to his salvation, Nate's desperate to make an album with the brothersbefore someone else finds out about them-but he needs money. Money he doesn'thave and can't get through any conventional means. So he persuades Donny andMarvell to join him in a crazy scheme: they'll undertake a minor crime spree toraise the funds needed to produce their record. Naturally, complications arisefor this wannabe modern-day Alan Lomax and his soon-to-be stars, and just likein the murder ballads the Fontweathers Brothers play, the body count starts togrow.. Music contributed by Dan Auerbach andRobert Finley."

In a bar called The Bucket of Blood, a man shoots the bartender four times in the head. In the small town of Millhaven, a teenage girl secretly and gleefully murders her neighbors. A serial killer travels from home to home, quoting John Milton in his victims' blood. Murder Ballads, the ninth studio album from Nick Cave and the Bad Seeds, is a gruesome, blood-splattered reimagining of English ballads, American folk and blues music, and classic literature. Most of the stories told on Murder Ballads have been interpreted many times, but never before had they been so graphic or profane. Though earning the band their first Parental Advisory warning label, Murder Ballads, released in 1996, brought Nick Cave and the Bad Seeds their biggest critical and commercial success, thanks in part to the award-winning single, “Where the Wild Roses Grow,” an unlikely duet with Australian pop singer, Kylie Minogue. Closely examining each of the ten songs on the album, Santi Elijah Holley investigates the stories behind the songs, and the numerous ways these ballads have been interpreted through the years. Murder Ballads is a tour through the evolution of folk music, and a journey into the dark secrets of American history.

Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Black Betty, The Hammer Song, Jesse James, Down in the Valley, The Ballad of Davy Crockett, and many more.

One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.