Shedding painful light on a brutal crime, the author explores the neglectful and abusive circumstances that brought young Shirley Katherine Wolf and Cindy Lee Collier to the edge and resulted in their stabbing murder of eighty-five-year-old Anna Brackett. Reissue.

PULITZER PRIZE FINALIST • The gripping true story of a murder on an Indian reservation, and the unforgettable Arikara woman who becomes obsessed with solving it—an urgent work of literary journalism. “I don’t know a more complicated, original protagonist in literature than Lissa Yellow Bird, or a more dogged reporter in American journalism than Sierra Crane Murdoch.”—William Finnegan, Pulitzer Prize–winning author of Barbarian Days In development as a Paramount+ original series WINNER OF THE OREGON BOOK AWARD • NOMINATED FOR THE EDGAR® AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Publishers Weekly When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher “KC” Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and few people were actively looking for him. Yellow Bird traces Lissa’s steps as she obsessively hunts for clues to Clarke’s disappearance. She navigates two worlds—that of her own tribe, changed by its newfound wealth, and that of the non-Native oilmen, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit of Clarke is also a pursuit of redemption, as Lissa atones for her own crimes and reckons with generations of trauma. Yellow Bird is an exquisitely written, masterfully reported story about a search for justice and a remarkable portrait of a complex woman who is smart, funny, eloquent, compassionate, and—when it serves her cause—manipulative. Drawing on eight years of immersive investigation, Sierra Crane Murdoch has produced a profound examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing.

THE BASIS FOR THE MAJOR 6-PART HBO® DOCUMENTARY SERIES #1 NEW YORK TIMES BESTSELLER A BEST BOOK OF THE YEAR: Washington Post | Maureen Corrigan, NPR | Paste | Seattle Times | Entertainment Weekly | Esquire | Slate | Buzzfeed | Jezebel | Philadelphia Inquirer | Publishers Weekly | Kirkus Reviews | Library Journal | Bustle Winner of the Goodreads Choice Awards for Nonfiction | Anthony Award Winner | SCIBA Book Award Winner | Finalist for the Edgar Award for Best Fact Crime | Longlisted for the Carnegie Medal for Excellence The haunting true story of the elusive serial rapist turned murderer who terrorized California during the 70s and 80s, and of the gifted journalist who died tragically while investigating the case—which was solved in April 2018. The haunting true story of the elusive serial rapist turned murderer who terrorized California during the 70s and 80s, and of the gifted journalist who died tragically while investigating the case—which was solved in April 2018. Introduction by Gillian Flynn • Afterword by Patton Oswalt “A brilliant genre-buster.... Propulsive, can’t-stop-now reading.” —Stephen King For more than ten years, a mysterious and violent predator committed fifty sexual assaults in Northern California before moving south, where he perpetrated ten sadistic murders. Then he disappeared, eluding capture by multiple police forces and some of the best detectives in the area. Three decades later, Michelle McNamara, a true crime journalist who created the popular website TrueCrimeDiary.com, was determined to find the violent psychopath she called "the Golden State Killer." Michelle pored over police reports, interviewed victims, and embedded herself in the online communities that were as obsessed with the case as she was. I’ll Be Gone in the Dark—the masterpiece McNamara was writing at the time of her sudden death—offers an atmospheric snapshot of a moment in American history and a chilling account of a criminal mastermind and the wreckage he left behind. It is also a portrait of a woman’s obsession and her unflagging pursuit of the truth. Utterly original and compelling, it has been hailed as a modern true crime classic—one which fulfilled Michelle's dream: helping unmask the Golden State Killer.

Curl up with a glass of merlot and travel to California wine country, where a sweet, unsuspecting town becomes the site of mischief and murder… This is a cozy mystery that will check all your boxes: a charming bed and breakfast, a clever heroine and a lovable cattle dog named Rex…you are sure to fall for this series! Weeding out killers wasn’t part of the job description . . . Kelly Jackson, manager of the Redwood Cove Bed and Breakfast, is excited to participate in an event to raise awareness for the plight of struggling veterans in their Northern California coastal community. Local wineries are sponsoring tastings, and to prepare for a culinary competition, professional chefs will forage for wild edible greens. Kelly plans to come along, despite a warning to beware of poachers, who have been stealing the highly valued succulent Dudleya farinosa. The senior sleuths who call themselves the Silver Sentinels join forces with environmental activists known as the Succulent Saviors to thwart the poaching operation. When a consultant for the sale of a local winery is murdered, the poachers are suspected—but so is a wine merchant, Kelly's friend Phil. As Kelly and the Silver Sentinels attempt to root out the real killer, what she digs up might just put her permanently underground . . .

In the summer of 1937, with the Depression deep and World War II looming, a California triple murder stunned an already grim nation. After a frantic week-long manhunt for the killer, a suspect emerged, and his sensational trial captivated audiences from coast to coast. Justice was swift, and the condemned man was buried away with the horrifying story. But decades later, Pamela Everett, a lawyer and former journalist, starts digging, following up a cryptic comment her father once made about a tragedy in their past. Her journey is uniquely personal as she uncovers her family's secret history, but the investigation quickly takes unexpected turns into her professional wheelhouse. Everett unearths a truly historic legal case that included one of the earliest criminal profiles in the United States, the genesis of modern sex offender laws, and the last man sentenced to hang in California. Digging deeper and drawing on her experience with wrongful convictions, Everett then raises detailed and haunting questions about whether the authorities got the right man. Having revived the case to its rightful place in history, she leaves us with enduring concerns about the death penalty then and now. A journey chronicled through the mind of a lawyer and from the heart of a daughter, Little Shoes is both a captivating true crime story and a profoundly personal account of one family's struggle to cope with tragedy through the generations.

In 1992, while working for the Tulare County Probation Department, assigned to the Tulare County Courthouse, I first ran across copies of transcripts of taped interviews with a murder suspect accused of murdering an ll year old girl. The case involved rape, sodomy, and brutal damage to the victim. The transcripts were captivating. Because of my duties, I couldn?t personally follow the trial which was still in progress, but I followed the case in the daily tabloids. Because of the length of the trials (and there was more than one) I eventually lost track of the proceedings until a conviction was finally rendered. It would take a decade and the ?Freedom of Information Act? before I gave thought to writing about April?s murder. The ?thought? would eventually give me reason to question my sanity. I had been doing research on April?s death for several months: death certificate, birth certificate, old newspaper articles, talking to old acquaintances at the Tulare County Sheriff?s Office. The work was interesting, but often tedious, boring labor. The process of compiling data is very impersonal and has no life of its own. Early in 2002, I decided to visit April?s grave at the Tulare District Cemetery, Tulare, California. I did my research prior to visiting the cemetery; April was located in the southeast section, marker 544. My daughter, Sheri, accompanied me for the purpose of photographing the site. We wandered around the approximate location with negative results, and decided to separate to cover more territory. After a short time, Sheri yelled out, ?Dad, her she is!? My knees almost buckled. I was shocked, what was going on? I didn?t move for a moment; it dawned on me slowly?April was no longer just an interesting story, set in black and white print, April was a person who had walked this earth. The steps I took towards the marker were small, and staggered. I looked down at the small marker bearing her name, pinched in tightly between two other headstones. APRIL HOLLEY-Apr. 24, 1977-Dec. 3, 1988 . You cannot etch in stone, ?Here lies a young child, taken early in her life by someone who decided she did not need to live any longer.? As I was getting ready to leave the cemetery, a couple of thoughts crossed my mind as I glanced down at the headstone one last time. On one side lay an uncle almost unknown to her, the other side a complete unknown. April would be forever alone. The second thought was a resolve to tell her story to the best of my limited ability.

THE INSTANT BESTSELLER • An indelible portrait of girls, the women they become, and that moment in life when everything can go horribly wrong ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, The Guardian, Entertainment Weekly, San Francisco Chronicle, Financial Times, Esquire, Newsweek, Vogue, Glamour, People, The Huffington Post, Elle, Harper’s Bazaar, Time Out, BookPage, Publishers Weekly, Slate Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence. Finalist for the Los Angeles Times Book Prize • Finalist for the National Book Critics Circle John Leonard Award • Shortlisted for The Center for Fiction First Novel Prize • The New York Times Book Review Editors’ Choice • Emma Cline—One of Granta’s Best of Young American Novelists Praise for The Girls “Spellbinding . . . a seductive and arresting coming-of-age story.”—The New York Times Book Review “Extraordinary . . . Debut novels like this are rare, indeed.”—The Washington Post “Hypnotic.”—The Wall Street Journal “Gorgeous.”—Los Angeles Times “Savage.”—The Guardian “Astonishing.”—The Boston Globe “Superbly written.”—James Wood, The New Yorker “Intensely consuming.”—Richard Ford “A spectacular achievement.”—Lucy Atkins, The Times “Thrilling.”—Jennifer Egan “Compelling and startling.”—The Economist