The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most 'Oriental' of monsters, Glynn traces the Mummy's development on screen from its roots in popular culture and silent cinema, through Universal Studios' Mummy movies of the 1930s and 40s, to Hammer Horror's re-imagining of the figure in the 1950s, and beyond.

The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most 'Oriental' of monsters, Glynn traces the Mummy's development on screen from its roots in popular culture and silent cinema, through Universal Studios' Mummy movies of the 1930s and 40s, to Hammer Horror's re-imagining of the figure in the 1950s, and beyond.

"The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most 'Oriental' of monsters, Glynn traces the Mummy's development on screen from its roots in popular culture and silent cinema, through Universal Studios' Mummy movies of the 1930s and 40s, to Hammer Horror's re-imagining of the figure in the 1950s, and beyond."--

Now a major motion picture from Universal Pictures starring Brendan Fraser. Dashing American and legionnaire Rick O'Connell is in Egypt looking for a good time. His discovery of the Lost City of the Dead is a fluke--but to British librarian Evelyn Carnarvon, it's the archaeological find of the century. Leading Evelyn's expedition deep into the Sahara isn't exactly easy money, as Rick comes face to face with an evil from long ago returned from the grave with a taste for human flesh.

The mummy came to life in the 1940s out of Universal Pictures' need to produce quick turnaround, low budget "B" movies. Universal produced The Mummy's Hand, The Mummy's Tomb, The Mummy's Ghost, and The Mummy's Curse (originally The Mummy's Return) and thus created a popular franchise that is still supported today by a following of loyal fans. (Universal was prompted to produce a remake of its Mummy films in 1999.) This book is devoted entirely to Universal's Mummy movies of the 1940s. It reveals lost action and dialogue by analyzing scenes that were edited out days before The Mummy's Hand was released to theaters, treats readers to other dialogue that was filmed and then cut down to almost nothing before being included in the films, and compares and contrasts the original story of The Mummy's Return to the final shooting script of what was later renamed The Mummy's Curse. Each of the films has its own chapter, and chapters are also devoted to the actors who played the heroes, heroines, high priests, victims, and mummies in the films, and to the filmmakers who brought the mummies to life.

Sometimes life behind the screen is not as rosy as it seems... For fans of Zoe Foster-Blake and Liane Moriarty, The Mummy Bloggers is the feisty, fast-paced and funny debut novel from Mamamia's Head of Entertainment Holly Wainwright. 'The freshest, funniest new voice in fiction since Liane Moriarty.' Mia Freedman Meet three Mummy Bloggers - each of them followed, idolised, imitated, taunted and trolled online. Elle Campbell is a glossy, lycra-clad mum with washboard abs, a ten-year plan and a secret past. Abi Black has quit sugar, moved to the country and is homeschooling her kids. Leisel Adams slogs away at her office job each day before rushing home, steeped in guilt, to spend precious moments with her kids before bedtime. All three share a label that they simultaneously relish and loathe-mummy blogger. And the connections don't stop there... When all three women are nominated for a prestigious blogging award with a hefty cash prize, the scene is set for a brutal and often hilarious battle for hearts, minds-and clicks. As the awards night gets closer, their lies get bigger, their stunts get crazier - and some mistakes from the past become harder and harder to hide. The Mummy Bloggers is a sharp and funny look at power of social media and the women behind the likes, shares and filters.

The mummy came to life in the 1940s out of Universal Pictures' need to produce quick turnaround, low budget "B" movies. Universal produced The Mummy's Hand, The Mummy's Tomb, The Mummy's Ghost, and The Mummy's Curse (originally The Mummy's Return) and thus created a popular franchise that is still supported today by a following of loyal fans. (Universal was prompted to produce a remake of its Mummy films in 1999.) This book is devoted entirely to Universal's Mummy movies of the 1940s. It reveals lost action and dialogue by analyzing scenes that were edited out days before The Mummy's Hand was released to theaters, treats readers to other dialogue that was filmed and then cut down to almost nothing before being included in the films, and compares and contrasts the original story of The Mummy's Return to the final shooting script of what was later renamed The Mummy's Curse. Each of the films has its own chapter, and chapters are also devoted to the actors who played the heroes, heroines, high priests, victims, and mummies in the films, and to the filmmakers who brought the mummies to life.