Inspired by a rapidly changing fashion landscape, Fashion: New Feminist Essays offers historical and contemporary studies that reveal the relationships between fashion with gender, sexuality, race, and age. Fashion is a rich terrain for feminist scholars in the twenty-first century. Explicit engagements with feminist and queer politics, critical interventions by industry outsiders across digital platforms, diversifying images of stylish bodies, and ongoing discussions of the ethics and sustainability of fashion production: all of these point to an urgent need to reappraise the relationship of fashion to feminism and other justice-seeking movements. The essays in this collection take up fashion as a feminist critical tool that uniquely holds together the lived and represented body with larger cultural structures. Contributors unearth surprising new lines of connection between gender, sexuality, race, age, and religion in their relationship to capitalism, both historically and in the present. Bringing together established and emerging scholars, and perspectives from gender studies, history, sociology, philosophy, and literary studies, Fashion: New Feminist Essays traces the far-reaching impact of this most feminized of forms, underscoring the significance of fashion studies for understanding the politics of culture. This book was originally published as a special issue of the Australian Feminist Studies journal.

Before he found fame as the father of Pop Art, Andy Warhol was an accomplished advertising illustrator and commercial artist for fashion tastemakers such as Barney's, Neiman Marcus, I. Miller, Glamour, Mademoiselle, and Harper's Bazaar. This delicately beautiful, colorfully playful, and hugely influential fashion illustration work from the 1950s has never before been collected in a book. A pop object in itself, Andy Warhol Fashion is a fun and gorgeous gallery of hundreds of his most delightful images. These witty drawings -- fanciful shoes, chic hats, smart suits, and perfect accessories to match -- showcase his unique ability to find inspiration in the everyday and elevate the ordinary to the extraordinary. Sprinkled with Warhol's perceptively funny observations ("When you think about it, department stores are kind of like museums."), and a reflection on Warhol's influence in the fashion world by Simon Doonan, Andy Warhol Fashion is a must-have acquisition for anyone with style.

Ordinary clothes have extraordinary stories. In contrast to academic and curatorial focus on the spectacular and the luxurious, Everyday Fashion makes the case that your grandmother's wardrobe is an archive as interesting and important as any museum store. From the moment we wake and get dressed in the morning until we get undressed again in the evening, fashion is a central medium through which we experience the world and negotiate our place within it. Because of this, the ways that supposedly 'ordinary' and 'everyday' fashion objects have been designed, manufactured, worn, cared for, and remembered matters deeply to our historical understanding. Beginning at 1550 – the start of an era during which the word 'fashion' came to mean stylistic change rather than the act of making – each chapter explores the definition of everyday fashion and how this has changed over time, demonstrating innovative methodologies for researching the everyday. The variety and significance of everyday fashion cultures are further highlighted by a series of illustrated object biographies written by Britain's leading fashion curators, showcasing the rich diversity of everyday fashion in British museum collections. Collectively, this volume scratches below the glossy surface of fashion to expose the mechanics of fashion business, the hidden world of the workroom and the diversity and role of makers; and the experiences of consuming, wearing, and caring for ordinary clothes in the United Kingdom from the 16th century to the present day. In doing so it challenges readers to rethink how fashion systems evolve and to reassess the boundaries between fashion and dress scholarship.

This volume was first published by Inter-Disciplinary Press in 2014. Fashion is multi-faceted in its inclusion of people, places, and products. How people dress and adorn themselves reflect their space, their time, and their innovators. This collection of essays reflects the changing world of fashion from historic topics of change, to new fashion places, to new media outlets for fashion communication, and to critical issues related to comfort, ethics, and innovation. The authors examine familiar names of fashion like Coco Chanel and Tim Walker and introduce us to new names like Ann Lowe, Tommaso Cecchi De’Rossi, and Warwick Freeman. The contributors to this collection represent a variety of places (Africa, Asia, Australia, Europe, and North America) and share their observations, studies, and experiences from the perspective of their cultural backgrounds and disciplines.

This volume investigates our ability to capture, and then apply, expertise. In recent years, expertise has come to be regarded as an increasingly valuable and surprisingly elusive resource. Experts, who were the sole active dispensers of certain kinds of knowledge in the days before AI, have themselves become the objects of empirical inquiry, in which their knowledge is elicited and studied -- by knowledge engineers, experimental psychologists, applied psychologists, or other experts -- involved in the development of expert systems. This book achieves a marriage between experimentalists, applied scientists, and theoreticians who deal with expertise. It envisions the benefits to society of an advanced technology for capturing and disseminating the knowledge and skills of the best corporate managers, the most seasoned pilots, and the most renowned medical diagnosticians. This book should be of interest to psychologists as well as to knowledge engineers who are "out in the trenches" developing expert systems, and anyone pondering the nature of expertise and the question of how it can be elicited and studied scientifically. The book's scope and the pivotal concepts that it elucidates and appraises, as well as the extensive categorized bibliographies it includes, make this volume a landmark in the field of expert systems and AI as well as the field of applied experimental psychology.

From graphic designer?turned?fashion designer Natsuno Hiraiwa comes Shape Shape, an ingenious collection of signature vests, collars, blouses, tops, skirts, and shrugs that can all be worn in a variety of ways and that are created for sewists of all skill levels. Designs feature draping and fastening fabric cut from single flat cloth, artfully twisting fabric, and folding fabric in origami-like fashion. You'll find unique construction guidance, one-of-a-kind garments that are fit for all ages, as well as a pattern insert. Shape Shape offers everything you need to sew minimally constructed designs with maximum visual impact.

?Why do some women exude confidence and look great in their clothes and others never feel good about how they look, no matter what they wear? And why do we claim we have “nothing to wear” when our closets are bursting with choices? Clothing and dressing anxiety — what Tracy McWilliams calls closet trauma — occurs because we lack a clear sense of self and we have not defined the image we wish to express.