Thesis (M.A.) from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Regensburg (Anglistik), language: English, abstract: Since the 1970s, there has been an increasing concern with the impact of colonialism and postcolonialism on British identities and culture and the influence that the former British Empire had and still has on people in the former colonies and in Britain today. Novels like Salman Rushdie’s "Midnight’s Children" or "The Satanic Verses", Hanif Kureishi’s "The Buddha of Suburbia", Meera Syal’s "Anita and Me", Timothy Mo’s "Sour Sweet", Sam Selvon’s "The Lonely Londoners" and Monica Ali’s "Brick Lane" along with films like "Bend it like Beckham" or TV series like "The Kumars at No. 42" and "Da Ali G Show" exemplify this rather new phenomenon and its world-wide success. They are representative of a large group of multicultural novels and productions created during the last few decades. Although multiculturalism is not new in the media, there has been a special boom of writers of the "empire within" during the last ten years.

Since the 1970s, there has been increasing concern with the impact of (post)colonialism on British identities and culture. White Teeth by Zadie Smith is the story of three families from three different cultural backgrounds, set mostly in multicultural London. The first part of this book provides an overview of the former British Empire, the Commonwealth and the history of Bangladesh, Jamaica and the Jews in England as relevant to White Teeth. Following this, the role of the (former) centre of London will be presented. Subsequently, definitions and postcolonial theories (Bhabha, Said etc.) shall be discussed.The focus of this book is on life in multicultural London. The main aspects analysed in these chapters deal with identity, the location where the novel is set and racism. A further aim of the book is a comparison between the fictional world of White Teeth and reality. One chapter is devoted to the question of magic realism and the novel's position between two worlds.In a summary, the writer hopes to convince the readers of the fascination felt when reading the novel and when plunging into the buzzing streets of contemporary multicultural London.

Thesis (M.A.) from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Regensburg (Anglistik), 190 entries in the bibliography, language: English, abstract: Since the 1970s, there has been an increasing concern with the impact of colonialism and postcolonialism on British identities and culture and the influence that the former British Empire had and still has on people in the former colonies and in Britain today. Novels like Salman Rushdie's "Midnight's Children" or "The Satanic Verses", Hanif Kureishi's "The Buddha of Suburbia", Meera Syal's "Anita and Me", Timothy Mo's "Sour Sweet", Sam Selvon's "The Lonely Londoners" and Monica Ali's "Brick Lane" along with films like "Bend it like Beckham" or TV series like "The Kumars at No. 42" and "Da Ali G Show" exemplify this rather new phenomenon and its world-wide success. They are representative of a large group of multicultural novels and productions created during the last few decades. Although multiculturalism is not new in the media, there has been a special boom of writers of the "empire within" during the last ten years.

This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s relationship to reality. Magic realism is vast in scope, spanning almost a century, and is often confused with neighbouring styles of literature or art, most notably surrealism. The fascinating conditions of modernist Europe are complex and contradictory, a spirit that magic realism has taken on as it travels far and wide. The filmmakers and writers in this book acknowledge the importance of feeling, atmosphere, and mood to subtly provoke and resist global capitalism. Theirs is the history of magic-realist cinema. The book explores this history through the modernist avant-garde in search of a new theory of cinematic magic realism. It uncovers a resistant, geopolitical form of world cinema – moving from Europe, through Latin America and the former Soviet Union, to Thailand – that emerges from these ideas. This book is invaluable to any reader interested in world modernism(s) in relation to contemporary cinema and geopolitics. Its sustained analysis of film as a sensory, intermedial medium is of interest to scholars working across the visual arts, literature, critical theory, and film-philosophy.

With the increasing interest of pop culture and academia towards environmental issues, which has simultaneously given rise to fiction and artworks dealing with interdisciplinary issues, climate change is an undeniable reality of our time. In accordance with the severe environmental degradation and health crises today, including the COVID-19 pandemic, human beings are awakening to this reality through climate fiction (cli-fi), which depicts ways to deal with the anthropogenic transformations on Earth through apocalyptic worlds as displayed in works of literature, media and art. Appealing to a wide range of readers, from NGOs to students, this book fills a gap in the fields of literature, media and art, and sheds light on the inevitable interconnection of humankind with the nonhuman environment through effective descriptions of associable conditions in the works of climate fiction.

An unforgettable portrait of London and one of the most talked about debuts of all time! 'The almost preposterous talent was clear from the first pages' Guardian On New Years Day 1975, the day of his almost-suicide, life said yes to Archie Jones. Not OK or 'You-might-as-well-carry-on-since-you've-started'. A resounding affirmative. Promptly seizing his second life by the horns, Archie meets and marries Clara Bowden, a Caribbean girl twenty-eight years his junior. Thus begins a tale of friendship, of love and war, of three culture and three families over three generations . . . ***** 'Street-smart and learned, sassy and philosophical all at the same time' New York Times 'Outstanding' Sunday Telegraph 'An astonishingly assured début, funny and serious . . . I was delighted' Salman Rushdie