DVD in back pocket.

Essays on the rise of community-focused art projects and anti-monuments in Mexico since the 1980s. Mexico has long been lauded and studied for its post-revolutionary public art, but recent artistic practices have raised questions about how public art is created and for whom it is intended. In The New Public Art, Mara Polgovsky Ezcurra, together with a number of scholars, artists, and activists, looks at the rise of community-focused art projects, from collective cinema to off-stage dance and theatre, and the creation of anti-monuments that have redefined what public art is and how people have engaged with it across the country since the 1980s. The New Public Art investigates the reemergence of collective practices in response to privatization, individualism, and alienating violence. Focusing on the intersection of art, politics, and notions of public participation and belonging, contributors argue that a new, non-state-led understanding of "the public" came into being in Mexico between the mid-1980s and the late 2010s. During this period, community-based public art bore witness to the human costs of abuses of state and economic power while proposing alternative forms of artistic creation, activism, and cultural organization.

This practical, up-to-date compilation of common terms includes the English word, its definition, a sentence in English to demonstrate proper usage, and a Spanish translation, plus a quick reference section of everyday words.

La comunidad mundial, y especialmente la de Latinoamérica, por influencia de un grupo muy pequeño de inhumanos, ha actuado por siglos inconsciente de las verdades que rigen su manera de pensar y actuar ante determinadas circunstancias ignorando el porqué de una actitud completamente inductiva. No es casualidad que abracemos con ilógico conformismo un destino que besa con labios de serpiente y acaricia con dedos de navaja los frágiles cuerpos de hombres y mujeres autómatas que inocentemente ponen en manos de sus verdugos el afilado cuchillo que traspasara sus mismas gargantas.

Los De Arriba Y Sus Armas Más Efectivas presenta, de una manera clara y responsable, las estrategias usadas en las naciones por sectores internos y externos de ilimitado poder, para dar justificación a medios de control humanos que, implementados de una manera directa, serian simplemente rechazados por sus destinatarios. Este libro lleva a reconsiderar una amplia gama de irregularidades sociales toxicas que por largo tiempo han estado impregnadas en nuestras programadas mentes lo cual ha dado como resultado un descuido de grandes proporciones, y hemos caído en el gravísimo error de percibirlas como problemas fortuitos omitiendo adjudicarles un culpable.

Mediante la recopilación de datos y eventos históricos; fabulas y experiencias verídicas, esta obra también muestra sin tapujos como los desastres naturales y sociales, contrario a lo que muchos creen, son provocados o –en gran parte-tienen que ver directamente con el opaco y poco confiable mundo de la política. Esta obra es también un homenaje a países y personas admirables que con sus firmes pisadas y decisiones irreprochables han hecho posible el rostro positivo de este libro.

What is 'performance drawing'? When does a drawing turn into a performance? Is the act of drawing in itself a performative process, whether a viewer is present or not? Through conversation, interviews and essays, the authors illuminate these questions, and what it might mean to perform, and what it might mean to draw, in a diverse and expressive contemporary practice since 1945. The term 'performance drawing' first appeared in the subtitle of Catherine de Zegher's Drawing Papers 20: Performance Drawings, in particular with reference to Alison Knowles and Elena del Rivero. In this book, it is used as a trope, and a thread of thinking, to describe a process dedicated to broadening the field of drawing through resourceful practices and cross-disciplinary influence. Featuring a wide range of international artists, this book presents pioneering practitioners, alongside current and emerging artists. The combination of experiences and disciplines in the expanded field has established a vibrant art movement that has been progressively burgeoning in the last few years. The Introduction contextualises the background and identifies contemporary approaches to performance drawing. As a way to embrace the different voices and various lenses in producing this book, the authors combine individual perspectives and critical methodology in the five chapters. While embedded in ephemerality and immediacy, the themes encompass body and energy, time and motion, light and space, imagined and observed, demonstrating how drawing can act as a performative tool. The dynamic interaction leads to a collective understanding of the term, performance drawing, and addresses the key developments and future directions of this applied drawing process.

Relied on by generations of writers, the MLA Handbook is published by the Modern Language Association and is the only official, authorized book on MLA style. The new, ninth edition builds on the MLA's unique approach to documenting sources using a template of core elements--facts, common to most sources, like author, title, and publication date--that allows writers to cite any type of work, from books, e-books, and journal articles in databases to song lyrics, online images, social media posts, dissertations, and more. With this focus on source evaluation as the cornerstone of citation, MLA style promotes the skills of information and digital literacy so crucial today. The many new and updated chapters make this edition the comprehensive, go-to resource for writers of research papers, and anyone citing sources, from business writers, technical writers, and freelance writers and editors to student writers and the teachers and librarians working with them. Intended for a variety of classroom contexts--middle school, high school, and college courses in composition, communication, literature, language arts, film, media studies, digital humanities, and related fields--the ninth edition of the MLA Handbook offers New chapters on grammar, punctuation, capitalization, spelling, numbers, italics, abbreviations, and principles of inclusive language Guidelines on setting up research papers in MLA format with updated advice on headings, lists, and title pages for group projects Revised, comprehensive, step-by-step instructions for creating a list of works cited in MLA format that are easier to learn and use than ever before A new appendix with hundreds of example works-cited-list entries by publication format, including websites, YouTube videos, interviews, and more Detailed examples of how to find publication information for a variety of sources Newly revised explanations of in-text citations, including comprehensive advice on how to cite multiple authors of a single work Detailed guidance on footnotes and endnotes Instructions on quoting, paraphrasing, summarizing, and avoiding plagiarism A sample essay in MLA format Annotated bibliography examples Numbered sections throughout for quick navigation Advanced tips for professional writers and scholars