Join Michigan State University Graphic Novels Club for another great installment of our yearly anthology! Our sixth edition includes stories for all ages, with many different drawing and writing styles that are sure to entice you. What kind of stories are held within? Open up to find out!

From the students at Michigan State University come an anthology brimming with student work, containing epic adventures and playful romps. In this rendition of the anthology, new and returning creators have created all new worlds to entertain readers of all ages! Be ready to meet terrifying monsters, bratty chihuahuas, and demons of all kinds!

In DUNE: The Graphic Novel, Book 2: Muad’Dib, the second of three volumes adapting Frank Herbert’s Dune, young Paul Atreides and his mother, the lady Jessica, find themselves stranded in the deep desert of Arrakis. Betrayed by one of their own and destroyed by their greatest enemy, Paul and Jessica must find the mysterious Fremen, or perish. This faithful adaptation of the 1965 novel, Dune, by Brian Herbert, son of Frank Herbert, and the New York Times bestselling author Kevin J. Anderson, continues to explore Paul’s journey as he evolves from boy to mysterious messiah. Illustrated by Raúl Allén and Patricia Martín, this spectacular blend of adventure and spirituality, environmentalism, and politics is a groundbreaking look into our universe and transformed by the graphic novel format into a powerful, fantastical tale for a new generation of readers.

The first book in the definitive graphic novel adaptation of Dune, the groundbreaking science-fiction classic by Frank Herbert. A stunning blend of adventure and mysticism, environmentalism, and politics, Dune is a powerful, fantastical tale that takes an unprecedented look into our universe, and is transformed by the graphic novel format. Frank Herbert’s epic science-fiction masterpiece set in the far future amidst a sprawling feudal interstellar society, Dune tells the story of Paul Atreides as he and his family accept control of the desert planet Arrakis. In the first volume of a three-book trilogy encompassing the original novel, New York Times bestselling authors Brian Herbert and Kevin J. Anderson’s adaptation retains the story’s integrity, and Raúl Allén and Patricia Martín’s magnificent illustrations, along with cover art by award winner Bill Sienkiewicz, bring the book to life for a new generation of readers. “A much-needed addition to the series started by Frank Herbert decades ago.” —The Nerd Daily

Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes and interrogating forms of literature that have often been ignored by Black feminist theory. Brooks examines the works of women across the African diaspora, from Haiti, Trinidad, and Jamaica, to England and the United States, looking at new and canonized horror texts by Nalo Hopkinson, NK Jemisin, Gloria Naylor, and Chesya Burke. These Black women fiction writers take advantage of horror’s ability to highlight U.S. white dominant cultural anxieties by using Africana folklore to revise horror’s semiotics within their own imaginary. Ultimately, Brooks compares the legacy of Shakespeare’s Sycorax (of The Tempest) to Black women writers themselves, who, deprived of mainstream access to self-articulation, nevertheless influence the trajectory of horror criticism by forcing the genre to de-centralize whiteness and maleness.

This book documents the history of Tamil cinema, one of the most colossal film industries in the world, and studies the major studios of Madras, the largest outside classical Hollywood in the private sector. It engages with five major studios of Madras—Modern Theatres, AVM, Gemini, Vijaya-Vauhini, and Prasad— through the origins of their founders, and explicates how their history influenced the narratives, genre, and ideology of the canonical films made in Madras studios, arguing for their lasting influence on Tamil cinema. Based on rare primary and secondary materials, and oral history, this book engages with Tamil cinema at the intersection of its industrial, cultural, and socio-political history to argue for its specificity in terms of its aesthetics and its belief in the potential of the medium to mobilize audiences for ideology, politics, and reflexivity.

In order to save his ailing grandfather from a curse, boy inventor Walker Bean must return an accursed pearl skull to the witches who created it, and face pirates, magical machines, and deadly peril along the way.