In 'Mr. Punch with the Children,' readers are presented with a rich tapestry of artistic styles and themes, celebrating the unique character of Mr. Punch as depicted by various renowned illustrators. Anchored in the tradition of British humor and satire, this anthology encapsulates a range of perspectives on childhood and the whimsical, sometimes sardonic, interactions between Mr. Punch and the younger generation. The collection boasts an array of exemplary works, showcasing the evolution of illustration and humor from the Victorian era to the early 20th century, reflecting the social and cultural zeitgeist of each period. The diverse literary styles, from the intricate linework of Charles Keene to the whimsical charm of Hilda Cowham, highlight the versatility and enduring appeal of Mr. Punch as a cultural icon. The contributing artists, including Phil May, George du Maurier, and Lewis Baumer, are luminaries in the field of illustration, each bringing their distinctive voice to the overarching theme. Rooted in various historical, cultural, and literary movements, their contributions collectively offer a panoramic view of British society's evolving attitudes towards children and humor. This anthology not only celebrates the individual achievements of these artists but also their collective impact on the art of satire and the portrayal of childhood in literature and art. 'Mr. Punch with the Children' is a must-read for those interested in exploring the rich intersection of art, literature, and society. It offers readers a unique opportunity to experience a multi-faceted dialogue on childhood, humor, and social commentary through the lens of some of the most influential British illustrators of the 19th and 20th centuries. The anthology serves as both a valuable academic resource and an engaging journey through the evolving landscape of British humor, appealing to scholars, students, and enthusiasts of illustration and satire alike.

The classic graphic novel - a dark fable of childhood and growing up.

‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.

Dory, a highly imaginative youngest child, makes a new friend at school but her brother and sister are sure Rosabelle is imaginary, just like all of Dory's other friends.

The hand-puppet play starring the characters Punch and Judy was introduced from England and became extremely popular in the United States in the 1800s. This book details information on nearly 350 American Punch players. It explores the significance of the 19th-century American show as a reflection of the attitudes and conditions of its time and place. The century was a time of changing feelings about what it means to be human. There was an intensified awareness of the racial, cultural, social and economical diversity of the human species, and a corresponding concern for the experience of human oneness. The American Punch and Judy show was one of the manifestations of these conditions.