Storybook Frogs contains 30 oversized postcards, all featuring frogs; fairy tale frogs, walking frogs, talking frogs, pretty frogs and warty frogs, toady frogs and froggy frogs. In short, frogs of all kinds. This collection shows how many brilliant illustrators have expressed their affection for this wonderful creature through the years. Why frogs, you may ask? It is a good question, yet one that is not easy to answer. Like many of our most enduring passions its origins are so deep any adequate explanation would be too lengthy for our present form. Put simply, mankind has always been drawn to frogs; from the ancient Egyptian frog goddess to the Roman frog kings, and in every culture all the way through history to Kermit the Frog, we have involved frogs in our mythology and entertainments. We appreciate the frog's place in the evolutionary continuum, standing athwart the distinction between the primordial slime and dry land as they do. We also take note of their buggy eyes and super greenness, their remarkable jumping ability, and their long tongues and deep ribbits; frogs are very unique and so attract attention. The editors of this volume, after looking at thousands of frog pictures, believe the answer its quite simp≤ frogs are funny looking, they make us laugh. Frogs are characters, somehow serious and comical at the same time (Mr. Toad comes to mind) they have personality. Finally, it is nearly impossible to draw a picture of a frog that is not funny to look at, we suggest you try. As to our assertions about the value of frog appreciation we feel certain that the organizers of The Rayne Louisiana Frog Festival agree with us, as do the sponsors of the Toad Suck Daze in Conway Arkansas and the Frogfest in Cedarville Michigan. Any doubts you may have about the veracity of our statements can probably be alleviated by the venerable Calaveras County Fair and Frog Jumping Jubilee or the august Frog Museum in Berne Switzerland. No frogs legs were eaten in the production of this book.

Newly married, Chris and Susanna Naylor set off for a new life in the Arab world - living first in Kuwait, then Jordan and finally Lebanon. In a region never far from the news, they discovered their expectations - of war, terrorism, desert sand dunes, men in white robes and veiled women, camels and Kalashnikovs, indeed their own reasons for being there - were to be constantly challenged. As they found out, the reality bore little resemblance to their pre-conceptions. Postcards from the Middle East is a tale of love from one family's experiences: a story of work, schooling, friendships, worship and shared family life, lived out in precious communities against a back drop of world-changing events and spectacular scenery. The Naylors had never experienced such hospitality, danger, wildlife spectacles or snow before they moved to the Middle East. Their story provides a multi-coloured window on an extraordinary and rapidly changing Arab world.

A penetrating analysis of the real-photo postcard phenomenon of the early 1900s. These cards depict the now vanished world of small-town America, but also represent a pivotal stage in the evolution of photography. Their head-on style inherits something of the plain aesthetic of the Civil War photographers, while anticipating the great 1930s documentary artists such as Walker Evans. Fusing his skills as a chronicler of early 20th-century America, a historian of photography and a keen critic, Sante shows how these postcards offer a revealing 'self-portrait of the American nation'.

Featuring R. Crumb’s most outrageous sexual comics, Bible of Filth is possibly the dirtiest book around. One of America’s most celebrated cartoonists, Crumb helped define cartoon and punk subcultures of the 1960s and 1970s with comic strips like Fritz the Cat, Mr. Natural, and Keep on Truckin’. The open sexuality of his work, paired with frequent self-deprecation and a free, almost stream-of-consciousness style, has made Crumb into a global voice and a renowned contemporary artist. Originally published in France in 1986 by Futuropolis, the first edition of Bible of Filth was never distributed in the United States because of its graphic sexual content, which included some of Crumb’s most explicit comics from underground magazines such as Snatch, Jiz, Zap, XYZ, Big Ass, and Uneeda. This revised and expanded English edition, published by David Zwirner Books, contains all the original pieces from the 1986 volume, with over one hundred pages of additional material. Organized chronologically, there are comics from 1968 to 1986 that were omitted from the first edition and an entirely new selection of work from after 1986. Printed on bible paper and bound in leather, with gold debossing and edging, this volume looks and feels like a traditional bible, with no outward suggestion of what it contains. This revised and expanded Bible of Filth is the perfect introduction for newcomers, while retaining its status as an important collector’s item for Crumb enthusiasts around the world.

In 1933, Ernie Bushmiller's Nancy® burst onto America's newspaper comic pages and ever since then, she has been bringing a daily dose of humor, sweetness and a dash of surreality into our lives, all wrapped up in one convenient, brillo-headed package.In 1995, renowned cartoonist Guy Gilchrist took up the mantle of writer and artist for Nancy®, carrying on the legacy established by Ernie Bushmiller. We are proud to present this first collection of Guy's Nancy® strips to you.Nancy® is read all around the world in 400 newspapers, 80 countries, with an estimated readership of 57 million.