In a pink-walled motel, a teenage prostitute brings a grown man to tears. A lovestruck young boy holds the dismembered hand of his crush, only to find himself the object of a complex ménage à trois. A naked body falls from the window of a twenty-storey building, while two female office workers offer each other consolation in the elevator... In these wry and unsettling stories, Prabda Yoon once again illuminates something of the strangeness of modern cultural life in Bangkok. Disarming the reader with surprising charm, intensity and delicious horror, he explores what it means to have a body, and to interact with those of others.

A feckless, comical narrator struggles against all odds to tell a story for which he is responsible, but which he neither controls nor understands. His characters multiply, repeat, and go astray; his employer pays no attention, asleep in a drunken stupor. The increasingly desperate narrator clambers over rooftops and through underground passages, watching helplessly as his characters reappear in different times and settings and start rival stories against his will. This brilliant, wryly humorous work tells of the sadness of the world and of the inadequate means that language and storytelling offer for describing and understanding it. Yet it does so in Tulli's characteristically clear, concrete, gorgeous prose. This extraordinary work, unique in both form and message, shows a European master at the height of her powers and constitutes a major contribution to a new century of European literature. A wildly inventive page-turner.

A blind date blooms in a grocery store parking lot. Lake Erie forms the backdrop to a botched assisted suicide. A neurotic, dog-loving caretaker writes a complaint letter after an unfortunate leg-waxing incident. A coming-of-age road trip leads to encounters with a gang of costumed lesbian arm wrestlers and a man with a hoof. Equal parts insightful and heartbreaking, Moving Parts is an evocative and playful story collection that pulls back the curtain on what it means to be truly human. Lana Pesch is an alumna of the Banff Wired Writing Studio. This is her first book.

An old man and a young boy with nothing left to lose meet in a twist of fate that changes their lives forever.

SUNDAY TIMES BESTSELLER. As you'll discover in his incomparable memoir, inventor, mechanic, TV presenter and walking tall as the definition of the British eccentric, Edd China sees things differently. An unstoppable enthusiast from an early age, Edd had 35 ongoing car projects while he was at university, not counting the double-decker bus he was living in. Now he's a man with not only a runaround sofa, but also a road-legal office, shed, bed and bathroom. His first car was a more conventional 1303 Texas yellow Beetle, the start of an ongoing love affair with VW, even though it got him arrested for attempted armed robbery. A human volcano of ideas and the ingenuity to make them happen, Edd is exhilarating company. Join him on his wild, wheeled adventures; see inside his engineering heroics; go behind the scenes on Wheeler Dealers. Climb aboard his giant motorised shopping trolley, and let him take you into his parallel universe of possibility.

More than 125 monologues by Mamet, Shepard, August Wilson, and others.

the body / knows what / it truly / wants yet / the mind / wavers all In Edward Carson’s provocative new work, the poetic moving parts of movingparts confront and breathe new life into what’s true and what’s not in Aesop’s fable "The Fox and the Crow," as well as the shifting, often fragmentary ground between what’s said and what’s not about identity and intimacy in Sappho’s lyrics. Reflecting the moment-to-moment ways our minds think, these poems take us from a creative process of disconnection and reassembly to a sonic pacing of words arising out of their stillness on the page. A flair for syntactical compression is found throughout, balanced by a capricious yet transforming diction, what John Ashbery described as seeking to stretch “the bond between language and communication.” Calling witness to the narratives of history while pivoting their reach forward to the present, the rhythms, allusions, and resulting outcomes of Carson’s use of language expand both narrative and discovery. movingparts is brought full circle when an unexpected historical connection between Sappho and Aesop is revealed, hinting that what is true or false in the past or present of our lives can arrive at an intimacy with and illumination of more than we imagine.