In recent years, spectacular images of ruined boats, makeshift border camps, and beaches littered with life vests have done much to consolidate the politics of movement in Europe. Indeed, the mediation of migration as a crisis has worked to shore up various forms of militarized surveillance, humanitarian response, legislative action, and affective investment. Bridging academic inquiry and artistic and activist practice, the essays, documents, and artworks gathered in Moving Images interrogate the mediation of migration and refugeeism in the contemporary European conjuncture, asking how images, discourses, and data are involved in shaping the visions and experience of migration in increasingly global contexts.

A comprehensive and original study that demonstrates the significance and pertinence of the scholarship of George Grant for teaching today.

Genevieve Lloyd's book is a provocative and accessible essay on the fragmentation of the self as explored in philosophy and literature. The past is irrevocable, consciousness changes as time passes: given this, can there ever be such a thing as the unity of the self? Being in Time explores the emotional aspects of the human experience of time, commonly neglected in philosophical investigation, by looking at how narrative creates and treats the experience of the self as fragmented and the past as 'lost'. It shows the continuities, and the contrasts, between modern philosophic discussions of the instability of the knowing subject, treatments of the fragmentation of the self in the modern novel and older philosophical discussions of the unity of consciousness. Being in Time combines theoretical discussion with human experience: it will be valuable to anyone interested in the relationship between philosophy and literature, as well as to a more general audience of readers who share Augustine's experience of time as making him a 'problem to himself'.