A prizewinning middle grade fantasy adventure about memories, loss and time travel. ‘Strikingly original…A sensational book…The final, emotional twist is like a kick in the solar plexus…but in a good way’—The Guardian On the day Cato came into the world, her mother left it. Cato's dad has been a mere shadow of a person ever since, and Cato has given up reaching out to him. When she finds a mysterious card from an abandoned movie theatre and discovers it has reopened, Cato decides to go take a look. There appears to be something strange about the cinema. The movies showing there are no ordinary movies and somehow the cinema seems to be in connection with the past... Looking for adventure and the truth about her mother, Cato is swept into a dangerous journey through time and memories, straight to a place deep within her heart. A place she had always managed to keep locked away. And then she faces a choice that will change her life, and that of her father, forever.

From Simon & Schuster, Playing Away is Michael Mewshaw's experience on Roman holidays as well as other Mediterranean encounters. Playing Away includes a wide variety of chapters, including ones on traveling by train, enjoying summertime and alfresco living, the unique aspects of the different Mediterranean cities, and much more about exploring this magic region.

From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries.

Following up her acclaimed debut, Because You'll Never Meet Me, Leah Thomas continues the stories of Ollie and Moritz in another heart-warming story of unique friendship

When films like The Jazz Singer started to integrate synchronized music, in the late 1920s many ambitious songwriting pioneers of the Great White Way - George and Ira Gershwin, Cole Porter, Richard Rodgers, and Lorenz Hart, among many others - were enticed westward by Hollywood studios' promises of national exposure and top dollar success. But what happened when writers native to the business of Broadway ran into the very different business of Hollywood? Their movies had their producer despots, their stacking of writing teams on a single project, their use of five or six songs per story where Broadway fit in a dozen, and it seemed as if everyone in Hollywood was uncomfortable with characters bursting into song on the street, in your living room, or in "a cottage small by a waterfall." Did the movies give theater writers a chance to expand their art, or did mass marketing ruin the musical's quintessential charm? Is it possible to trace the history of the musical through both stage and screen manifestations, or did Broadway and Hollywood give rise to two wholly irreconcilable art forms? And, finally, did any New York writer or writing team create a film musical as enthralling and timeless as their work for the stage? In When Broadway Went to Hollywood, writer and celebrated steward of musical theatre Ethan Mordden directs his unmistakable wit and whimsy to these challenging questions and more, charting the volatile and galvanizing influence of Broadway on Hollywood (and vice versa) throughout the twentieth century. Along the way, he takes us behind the scenes of the great Hollywood musicals you've seen and loved (The Wizard of Oz, Gigi, The Sound of Music, Chicago, West Side Story, The Music Man, Grease) as well as some of the outrageous flops you probably haven't. The first book to tell the story of how Broadway affected the Hollywood musical, When Broadway Goes to Hollywood is sure to thrill theatre buffs and movie lovers alike.

Provides the complete script for JFK, which details the investigation into President Kennedy's assassination, and includes reponses and comments about the film, and official reports and documentation

"John Carter and the Giant of Mars," is a juvenile story penned by Burrough's son John "Jack" Coleman Burroughs, and claimed to have been revised by Burroughs. It was written for a Whitman Big Little Book, illustrated by Jack Burroughs that was published in 1940 and then republished in Amazing Stories the next year.