Book viewing journal for those who love to watch movies Watching movies is one of the most rewarding hobbies anyone at any age can have. This movie viewing log is made for those who are frequent film watchers, and who may loose track of what they have and have not seen, or would simply like to record their thoughts and ideas about the films they have seen. This movie log is something many people will keep for their entire lives. The earlier you start recording, the more logs you will finish, and the more you will have to show for it. It also makes a great gift to be passed down through generations, as a great piece of personal, sentimental history. What does this book contain? Cover page with space for owner information and logbook number Space to rate, review and record 200 different films Quick Recap Listat the end of the journal which acts as a contents page for your reviews, ensuring you are able to quickly find what you are looking for Lined notes pages at the back of the book to record other relevant information (Such as movie wishlist, seual information etc) What do the review pages contain? Title Director Length Year Genre and Subject Actors Overall Rating (1-10) Quick Notes / Review Book Features 6 x 9 Inch - Very convenient size 120 pages (100 pages for reviews - 200 movies) Softcover (Paperback) with professional perfect binding Printed on white paper Awesome cover design Numbered pages with recap to make your own contents page

Movie Review Journal If you're a movie enthusiast who loves to get into the finer details of movie making, then look no further than this amazing movie review journal. Includes over 100 pages for reviewing and critiquing your favorite movies! Features: Movie review pages - Over 100 pages for reviewing your favorite movies. Each movie page includes the following prompts: Movie title, Director, Genre, Year, Date watched, Star rating, review, and notes Index pages - Includes pages at the front for writing down movie titles along with the page numbers they're on Movies to watch - For writing down a list of movies you intend to watch in the future Book details - 6" x9" size, 120 pages, premium quality Grab your journal today!

In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.

Whether we stream them on our laptops, enjoy them in theaters, or slide them into DVD players to watch on our TVs, movies are part of what it means to be socially connected in the twenty-first century. Despite its significant role in our lives, the act of watching films remains an area of social activity that is little studied, and thus, little understood.In "Watching Films," an international cast of contributors correct this problem with a comprehensive investigation of movie going, cinema exhibition, and film reception around the world. With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centers its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and affects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights about the ways in which new viewing arrangements and technologies influence how films get watched everywhere from Canada to China to Ireland.A long-overdue consideration of an important topic, "Watching Films" provides an engrossing overview of how we do just that in our homes and across the globe."

Drawing on case histories and academic research, Film argues that on-screen storytelling is the most ubiquitous form for art to intersect with health and well-being. The book shows how film can be utilized and enjoyed by clinicians, individuals and carers, by societies themselves and as a tool for fighting the stigma of illness.

Film studies have traditionally focused on texts, meanings, techniques, and appreciation/criticism. Now, we have in House Full an ethnography of movie-going and movie-goers, in India of all places (Bangalore), where the focus has been shifted away from the movie-as-product to the study of patterns of social behavior in production, marketing, and consumption of film. India is a place of surprises, and that goes for movie theatres and film patronage: House Full presents a raucous, multi-ethnic, multi-class tableau. You would guess the audience is Srinivas s focus, and that is accurate, because in India they have a role in choosing, buying tickets for, and sitting through and reacting to movies (participating loudly and interactively) that differs from what North Americans are used to. Srinivas s interviews with audience members (across ethnic and class lines), distributors, movie theater managers, and also the actors, directors, writers, and other production crew make for fascinating comparisons to what we in the west are used to. The interactional character of her study places it firmly in the tradition of the Chicago School of sociology. Lest we forget, meanwhile, India is the largest producer of feature films worldwide, with the largest market in terms of films produced and audiences reached (selling 4 billion tickets annually)."