"Readers will be enthralled, chilled, and astonished." -- Tom Piccirilli, author of A Choir of Ill Children. In the first of many references to H. P. Lovecraft's "The Call of Cthulhu," this thoroughly unique novel begins with the rise of the lost city of R'lyeh, portending certain doom for human existence. The witness to this deadly harbinger is Jack Kerouac, who recruits fellow beats Neal Cassady and William S. Burroughs for a cross-country road trip that will climax in a confrontation with a murderous cult.

This book gets to the bottom of the twenty-first-century city, literally. Underground moves beneath Romania’s capital, Bucharest, to examine how the demands of global accumulation have extended urban life not just upward into higher skylines, and outward to ever more distant peripheries, but also downward beneath city sidewalks. Underground details how developers and municipal officials have invested tremendous sums of money to gentrify and expand Bucharest’s constellation of subterranean Metro stations and pedestrian pathways, basements and cellars, bunkers and crypts to provide upwardly mobile residents with space to live, work, and play in an overcrowded and increasingly unaffordable city center. In this sense, the repurposed underground facilitates dreams of middle-class ascendancy. This sense of optimism, the book shows, invariably gives way to ambivalence as the middle classes confront the indignities of being incorporated into the city from below. Bruce O’Neill argues that these loosely coordinated efforts have not only introduced novel forms of social fragmentation but also a new aesthetics of inequality that are fundamentally shaping where and how the middle classes fit in the city. Pushing urban studies beyond a cartographic perspective—with its horizontal focus upon centers and peripheries, walls and gates—O’Neill brings into focus the vertical dynamics of gentrification that place some “on the bottom” and others “on top” of the city. As cities around the world extend further downward in the name of development and sustainability, Underground makes clear that scholars and practitioners of the twenty-first-century city will need to become ever more attuned to the cultural politics of urban verticality, asking not just who is included in the city and who has been pressed outside of it, but also who is on top and who is placed on the bottom.

This groundbreaking book presents a critical introduction to the cultural and political dimensions of contemporary Chinese cinema. Leading Western and Chinese scholars trace the changing dynamics of Chinese film culture since the early 1990s as it moves away from underground and toward independence in the new century. Yet as the rich case studies illustrate, the sheer variety of alternative film culture itself provides sufficient opportunities for different—at times contradictory—configurations of cinematic products. Drawing on vigorous interdisciplinary scholarship, the book investigates the objects of its study from various methodological perspectives, ranging from historical and literary to sociological and ethnographic. In addition to offering critical readings of specific texts, this book explores alternative film culture through personal interviews, on-site observations, and media interrogations, from traditional print media to the visual media of film, television, and video, including the new digital media of the Internet. The contributors also consider the flourishing independent documentary filmmaking scene, highlighting a crucial part of alternative film that has been previously obscured by an almost exclusive attention on the fifth- and sixth-generation directors of fictional movies. With its fresh and knowledgeable analysis of Chinese underground and independent filmmaking, this book will be essential reading for all those interested in a society caught between socialism and global currents. Contributions by: Chris Berry, Jim Cheng, Valerie Jaffee, Matthew David Johnson, Tonglin Lu, Chen Mo, Seio Nakajima, Paul G. Pickowicz, Zhiwei Xiao, and Yingjin Zhang.

Chronicles two remarkable journeys – one across modern-day America and another through a country on the brink of its greatest historical change. On the run from a killer, Annie and her mother flee to a remote farmhouse in New England. When Annie finds an unsent letter from a debutante in the Civil War, she is drawn to the story of a Southern girl immersed in a love that cannot see light in the American South.

David Montgomery is a reporter for the San Francisco Clarion Newspaper, and lives on a sailboat. At one of the city functions he meets the chief engineer for the Citys massive wastewater construction project. Later David takes him for a sailboat ride and they discover wastewater coming from a pipe that should be dry. Later the engineer disappears and David searches for him. When the chief engineer is found dead in one of the sewers, David investigates whether it is an accident or murder. The trail leads David though all the phases of the project and the companies that are building it. What he finds is that not everyone is who they seem to be. Even his romantic interests are open to suspicion.