Susan Wittig Albert, “who consistently turns out some of the best-plotted mysteries on the market,”* delivers the charm and suspense in her latest herbal treat, Mourning Gloria. Now ex-lawyer and current herbalist China Bayles must stop a killer whose evil is burning through Texas… China is relishing the scents, produce, and even the showers of spring. She’s also busy hosting Pecan Springs’ Farmers’ Market. It brings additional customers to her herb shop Thyme and Seasons. And residents find rare ingredients they wouldn’t otherwise find in the supermarket. Everybody wins… But as the town bustles back to life in the warmth of the season, one woman’s life is tragically brought to an end. China happens upon a burning house trailer and hears a woman screaming for help. The evidence leaves no doubt that it’s arson homicide—but who would commit such a ghastly crime? An intern-reporter at the local paper, Jessica Nelson, is assigned to cover the story. Drawn into the case by its similarity to her own tragic loss—Jessica’s family died in a fire—she soon finds herself deeply involved and in danger. And when Jessica disappears, China becomes determined to help find her, before she becomes headlines herself… *Houston Chronicle

This is a story of money, glamour, and scandal (on the highest level); a story of American society and of European royalty; a story of family strife exploding into one of the most dramatic and publicized court battles of the century—the battle for a solemn ten-year-old child, “little Gloria” Vanderbilt, who in 1934 was the object of the epic custody suit between her mother, the beautiful and penniless Vanderbilt widow, and her aunt, the famous Gertrude Vanderbilt Whitney, whose $78 million could buy her anything she wanted. And what she wanted was “little Gloria.” The leading characters: Gloria Morgan, who was one of the fabled Morgan Twins (invented by society reporter “Cholly” Knickerbocker as the quintessential Café Society beauties) and who, as a shy, stammering eighteen-year-old, living on nothing a year, did what she was raised to do, becoming the wife of . . . Reggie Vanderbilt, at forty-three a worn-out alcoholic who had managed to go through almost $25 million in fourteen years and who died only two years after his marriage to Gloria, leaving his beautiful young widow nothing but their baby, their baby’s untouchable trust fund, and the Vanderbilt name . . . Gloria Morgan’s twin, Thelma, who, as Lady Furness, was for years the mistress of the Prince of Wales (until she introduced him to her “best friend” Wallis Simpson) . . . Gertrude Vanderbilt Whitney, Reginald’s sister, a formidable Society woman, a sculptor and the founder of the Whitney Museum of American Art, a woman who conformed—on the surface—to everything expected of American royalty and yet lived a hidden second life as a passionate bohemian . . . And the child—little Gloria herself—shunted out of her mother’s life, carted around Europe, depending for her existence on her neurotically overprotective nurse, Dodo, who never left her for a single day, and her mad Morgan grandmother, who insisted that her own daughter might murder the child for the Vanderbilt millions. Deserted, “dressed in rags,” neglected, she became an almost mythic incarnation of “the poor little rich girl.” This child, who was to grow up to become a world-famous fashion designer, her name—Gloria Vanderbilt—a household word. We come to understand and care about this child as we observe, close up, the astonishing lives and intrigues surrounding her. We see her at the age of ten brought to the courthouse, rushed through mobs of spectators, reporters, photographers. We follow a courtroom drama of sensation after sensation, the judge ultimately banning both public and press, the final scandalous testimony reaching to the heart of the English royal family. We listen to the parade of witnesses—servants, millionaires, society celebrities, aristocrats, family retainers. We watch the judge himself—a classic Tammany pol—becoming another of the many victims of the case, reviled on all sides. And finally we see little Gloria pushed to choose between her mother and her aunt, making the decision that will affect her whole life—with nobody ever asking her the basic question, “Why are you afraid?” For the first time, the thousands of pages of documents and sealed court testimony have been unearthed and explored. Hundreds of people have been interviewed. And a writer completely knowing about society and the period has used all this material to create a compelling narrative of vitality, resonance, and fascination. Combining her extraordinary abilities as an investigative reporter with the skills and sensitivity of a novelist, Barbara Goldsmith has given us a galvanizing story, a whole world of astonishing emotional and social circumstances, unforgettably revealed.

Gloria Westerly doesn't have a friend in the world before moving to Century City. Though living with her aunt on the property of the wealthy family she works for is odd, stranger still is the mansion's only occupant. While there is certainly a story to the Rigby's son, Adam, Gloria is distracted entering her final year of high school when she meets the carefree troublemaker, Edge Rider. Like Adam, Edge can tell there's more to Gloria under the surface. If anyone can dig deep enough to understand her past trauma, it would be Edge. And maybe she'd like him to try. However, Gloria has no way of knowing that getting closer to him means stepping into a feud between friends; one centered around Adam Rigby and Edge's legal guardian, Jet Veron. Adam warns Gloria to get out while she can, but it's too late. She's already in.

In his passionate and direct style, Walter Wangerin, Jr., examines grief and mourning.

Many bibliographers focus on women who write. Lawyer Barnett looks at women who detect, at women as sleuths and at the evolving roles of women in professions and in society. Excellent for all women's studies programs as well as for the mystery hound. Look at the popularity of such reading guides as Willetta Heising's Detecting Women (3rd ed. 0-9644593-7-X) or Amanda Cross' fiction (Honest Doubt 0-345-44011-0 11/00).

Through captivating stories and thoughtful analysis, Maria Trozzi explains how to handle the difficult job of talking with children and adolescents about loss, with discussions about: * How children perceive and interpret events such as death, disability, and divorce * Guiding children through the four tasks of mourning * Helping children face funerals, wakes, and memorial services * Children's fears and fantasies: how they express them, and how to address them * Age-appropriate responses to children's questions and concerns * Talking to children about long-term illness, suicide, family or community tragedy, and other special situations * What to do when children won't talk about loss, and when to seek professional help"The wisdom, authenticity, and sheer presence of the author are evident from page one until the end of the beautifully written book. Terms like 'ground-breaking' and 'innovative' have been triviliazed by overuse. In this case they are deserved." --Stan Turecki, M.D., author of The Difficult Child

"Ashes to Ashes will appeal to a wide variety of readers. Those unfamiliar with psychoanalysis will especially appreciate the author's avoidance of jargon, while psychoanalytic experts will be interested in his use of both traditional and contemporary psychoanalytic literature."--BOOK JACKET.