"A wildly entertaining roller-coaster ride, this novel combines ferociously clever slapstick, frenetic satire, and extremely sizzling love scenes to expose a turbulent 1980s Montreal. While following petty thief, drug dealer, and ladies' man, Johnny, as he explores his sexuality and unearths political cover-ups, this complex narrative examines issues of sexual power and individual identity, the nature of bureaucratic tyranny and political control, and the effect of history on us all. Concluding with the Montreal massacre, this is mostly a bittersweet romance: a love letter to a time and a place."--Amazon.com.

Set in Northern Ireland in the spring of 1983 at a time when ‘The Troubles’ are in full swing. Tony Speers, a newly promoted sergeant, arrives at Mountroyal RUC Station, located in the heart of East Belfast. When Tony meets up with his new section he quickly realises he has inherited a very dysfunctional group of individuals. They include a reluctant genius, an alcoholic and other endearing personalities who combine to make ‘A’ Section a close and effective unit. A spate of sinister sexual attacks have recently occurred in the area raising local tensions, leaving females afraid to go out at night. The uniformed police and local CID have thus far drawn a blank in apprehending the offender. The sub divisional commander of Mountroyal Station is under increasing pressure from local politicians, the chief constable, the press and local paramilitaries to make an arrest. Join Tony and the gang as they try to crack this case as well as attend to other miscellaneous calls within the Mountroyal Sub Division.

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We typically take public space for granted, as if it has continuously been there, yet public space has always been the expression of the will of some agency (person or institution) who names the space, gives it purpose, and monitors its existence. And often its use has been contested. These new essays, written for this volume, approach public space through several key questions: Who has the right to define public space? How do such places generate and sustain symbolic meaning? Is public space unchanging, or is it subject to our subjective perception? Do we, given the public nature of public space, have the right to subvert it? These eighteen essays, including several case studies, offer convincing evidence of a spatial turn in American studies. They argue for a re-visioning of American culture as a history of place-making and the instantiation of meaning in structures, boundaries, and spatial configurations. Chronologically the subjects range from Pierre L’Enfant’s initial majestic conceptualization of Washington, D.C. to the post-modern realization that public space in the U.S. is increasingly a matter of waste. Topics range from parks to cities to small towns, from open-air museums to airports, encompassing the commercial marketing of place as well as the subversion and re-possession of public space by the disenfranchised. Ultimately, public space is variously imagined as the site of social and political contestation and of aesthetic change.

Respectable Burial also highlights how important a role Montreal played in Canada's history. The cemetery is the final resting place of politician Alexander Galt, poet F.R. Scott, hockey star Howie Morenz, explorer David Thompson, bank presidents, renegades, hangmen, and victims of the Titanic. This history of a model rural cemetery, an innovator in perpetual care and proprietor of the first crematorium in Canada, illustrates changing attitudes to burial and commemoration - including the relationships between Protestantism, Romanticism, and death. Young also shows how the cemetery, a site of great natural beauty that helped inspire Frederick Law Olmsted's adjacent Mount Royal Park, became a much-loved public urban space and examines how the evolution of its landscaping, architecture, and use reflect changing attitudes to the place of women, recreation, heritage, and the environment. Incorporating a rich collection of archival illustrations, walking maps, and a colour photo essay by photographer Geoffrey James, Respectable Burial will appeal to anyone interested in Canadian history, parks, and cities.