Mountaineering and Exploration in the Japanese Alps is an unchanged, high-quality reprint of the original edition of 1896. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

“The more deeply you go into a long-held tradition, the more secrets and surprises it yields up. Mighty Ontake is like that. The mountain’s inexhaustible treasury of riches is like some endless storybook with its pages uncut. As one follows the rambling plot along, one is always looking forward to reading more. Every page yields things never found in other books. Ontake is that kind of mountain.” One Hundred Mountains is that kind of book. “Nowhere in the world do people hold mountains in so much regard as in Japan,” observed the author, Kyūya Fukada, in the afterword to his most famous work. “Mountains have played a part in Japanese history since the country’s beginnings, and they manifest themselves in every form of art. For mountains have always formed the bedrock of the Japanese soul.” In One Hundred Mountains, Fukada pays tribute to his favorite summits. Published in 1964, the book became an instant classic. Consisting of one hundred short essays, each celebrating one notable mountain and its place in Japan’s traditions, the book is an elegantly written eulogy to the landscape, literature, and history that define a people. More recently, Japan’s national broadcasting company has turned it into a memorable TV series. Fukada himself was bemused by his book’s success: “In the end, the one hundred mountains represent my personal choice and I make no claims for them beyond that.” Yet, half a century after he set down those words, his mountains have become a cultural institution. Marked on every hiking map and enshrined in scores of spin-off books, his One Hundred Mountains are today firmly embedded in the mountain traditions they grew out of. Now available in English for the first time, One Hundred Mountains of Japan will serve as a vade mecum to the Japanese mountains for a new cohort of hikers and mountaineers. It will also open up novel territories for students of Japan’s literature, folklore, religions, and mountaineering history—in short, for mountain-lovers everywhere.

Today's headlines often feature stories about new trade agreements with Asian countries, but tapping eastern markets has long been a goal of Canadian commerce. When the Canadian Pacific Railway reached its terminus in British Columbia, which was seen as the launching point for trade in the Far East, particularly with China and Japan. The history of members of those cultures immigrating to Canada is well documented, but there has been little written on Canadians venturing across the Pacific from west to east. When adventurers first crossed the Pacific from BC in the 19th century, they encountered the closely guarded shores of Japan, a society emerging from 200 years of self-imposed isolation and transforming from a largely feudal country into a modern world power. Curious outsiders had for centuries been unable to penetrate the land of shoguns. This collection of stories begins with Ranald Macdonald, who tempted fate by intentionally shipwrecking himself off the coast of Japan in 1848, and takes readers through to 1945. As Japan slowly opened up to foreign influences, the new arrivals proved to be an intriguing and diverse cast of adventurers, missionaries, businessmen, social activists, soldiers and misfits.

Uno Koji, a literary figure of the first rank in twentieth-century Japan, was a maverick who defied literary conventions by combining the playfulness and stylistic verve of pre-Meiji literature with the often tortured self-reflection of modern fiction. Elaine Gerbert's startlingly evocative and graceful translation is preceded by an interpretive introduction that places Uno's writing in critical perspective. Here at last is a translation that makes accessible for the first time in English two of the most representative works of this acute, eccentric, and always entertaining author, whose versatility and deft control of language earned him a reputation as one of the great stylists of modern Japanese literature.

This significant and timely volume focuses on the unique trajectory of tourism development in Japan, which has been characterized by an historical emphasis on promoting both domestic and international tourism to Japanese tourists, followed by the more recent policy of competing aggressively in the international incoming tourist market. Initial chapters present an overview of past and present tourism, including policy and research perspectives. Thematic perspectives on tourism and specific contexts and places in which tourism occurs are then examined. Strains of Japanese tourism such as sport, surf, forest, mountain, urban, tea, pilgrimage and even whaling heritage tourism are among those analyzed. The book also explores tourism’s role in confronting difficult pasts and presents, and the challenges facing the development of tourism in contemporary Japan. A short postscript outlines some of the challenges and possible future directions tourism in Japan may take in light of the COVID-19 crisis. Written by a team of well-known editors and contributors, including academics from Japan, this volume will be of great interest to upper-students and researchers and academics in development studies, cultural studies, geography and tourism.