After retiring from a career as a public relations representative with Lockheed Martin Corporation, Joseph Earl Dabney currently enjoys a career as a writer, author, and speaker. He also has experience as a reporter and editor for several Southern newspapers. Dabney has written three other books: More Mountain Spirits; Herk: Hero of the Skies; and Smokehouse Ham, Spoon Bread, and Scuppernong Wine, which was named Cookbook of the Year by the James Beard Foundation for 1999. Joe is a native of Kershaw, South Carolina, and lives in Atlanta. Book jacket.

Nothing but clear, 100-proof American history. Hooch. White lightning. White whiskey. Mountain dew. Moonshine goes by many names. So what is it, really? Technically speaking, “moonshine” refers to untaxed liquor made in an unlicensed still. In the United States, it’s typically corn that’s used to make the clear, unaged beverage, and it’s the mountain people of the American South who are most closely associated with the image of making and selling backwoods booze at night—by the light of the moon—to avoid detection by law enforcement. In Moonshine: A Cultural History of America’s Infamous Liquor, writer Jaime Joyce explores America’s centuries-old relationship with moonshine through fact, folklore, and fiction. From the country’s early adoption of Scottish and Irish home distilling techniques and traditions to the Whiskey Rebellion of the late 1700s to a comparison of the moonshine industry pre- and post-Prohibition, plus a look at modern-day craft distilling, Joyce examines the historical context that gave rise to moonshining in America and explores its continued appeal. But even more fascinating is Joyce’s entertaining and eye-opening analysis of moonshine’s widespread effect on U.S. pop culture: she illuminates the fact that moonshine runners were NASCAR’s first marquee drivers; explores the status of white whiskey as the unspoken star of countless Hollywood film and television productions, including The Dukes of Hazzard, Thunder Road, and Gator; and the numerous songs inspired by making ’shine from such folk and country artists as Joan Baez, Bob Dylan, Alan Jackson, and Dolly Parton. So while we can’t condone making your own illegal liquor, reading Moonshine will give you a new perspective on the profound implications that underground moonshine-making has had on life in America.

"Following the end of Prohibition in 1933, demand for moonshine remained high due to taxes imposed on large liquor producers. Seeking to answer this demand were the distillers of Appalachia who, having established illegal networks of moonshine distribution under Prohibition, continued their activities and effectively skirted the federal liquor tax scheme. Spirits of Just Men chronicles the Great Moonshine Conspiracy Trial of 1935, held in Franklin County, Virginia, a place that many still refer to as the "Moonshine Capital of the World." While the trial itself made national news, Thompson uses the event as a stepping-off point to explore Blue Ridge Mountain culture, economy, and political engagement in the 1930 illustrating how participation in the moonshine trade was a rational and savvy choice for farmers and community members struggling to maintain their way of life amidst the pressures of the Great Depression and pull of the timber and coal-mining industries in Virginia. Through Thompson's prose, local characters come alive as he pays particular attention to the stories of a key witness for the defense, Miss Ora Harrison, an Episcopalian missionary to the region, and Elder Goode Hash, itinerant Primitive Baptist preacher and juror in a related murder trial. Thompson explores how local religious belief both clashed with and condoned the moonshine trade and how stills and the trade enabled a distinctive cultural formation in the region that goes far beyond the hillbilly stereotype alive today. Not only is his work is based on extensive oral histories and local archival material, but Thompson himself is from the area and his grandparents were involved in not only the moonshine trade but the trial as well"--Provided by publisher.

From the late nineteenth century well into the 1960s, North Carolina boasted some of the nation's most restrictive laws on alcohol production and sale. For much of this era, it was also the nation's leading producer of bootleg liquor. Over the years, written accounts, popular songs, and Hollywood movies have turned the state's moonshiners, fast cars, and frustrated Feds into legends. But in Tar Heel Lightnin', Daniel S. Pierce tells the real history of moonshine in North Carolina as never before. This well-illustrated, entertaining book introduces a surprisingly varied cast of characters who operated secret stills and ran liquor from the swamps of the Tidewater to Piedmont forests and mountain coves. From the state's earliest days through Prohibition to the present, Pierce shows that moonshine crossed race and economic lines, linking men and women, the rebellious and the respectable, the oppressed and the merely opportunistic. As Pierce recounts, even churchgoing types might run shipments of "that good ol' mountain dew" when hard times came and there was no social safety net to break the fall. Folklore, popular culture, and changing laws have helped fuel a renaissance in making and drinking commercial moonshine, and Pierce shows how today's producers understand their ties to the past. Above all, this book reveals that moonshine's long, colorful history features surprises that can change how we understand a state and a region.

Originally published in 1974, Mountain Spirits "traces the history of whiskey making from its origins in Ulster, Ireland, through its arrival in the United States in the great waves of mostly Scotch-Irish settlers who traveled the Great Philadelphia Wagon Road into the Southern Appalachians, making illicit corn "likker" part of the southern way of life. Colorful interviews and stories relate the experiences and methods of the independent moonshiners who plied their craft in the hills, the revenue agents who tracked them down (often with respect and affection) and the wilder young men who hauled the product in the first hotrod cars. As legal distilling brings the tradition to a new generation, Joseph Dabney offers a glimpse of a time when crops were measured in gallons and families carried the secrets of their stills to their graves."

A half-breed and a white man. For years their legend has grown, but few know how far they will go for one another or the roots of their blood bond. Now, that bond will be put to the most deadly test yet. . . When Matt Bodine and Sam Two Wolves came to Kansas, they didn't know the Governor had just made the state liquor-free. But it doesn't take Matt long to find a place to drink and a family of enterprising moonshiners with one stunningly beautiful daughter. Trouble is, while Matt is falling hard, Sam is being recruited by a sheriff who happens to have a lovely daughter of his own. . . What happens when you mix 200-proof corn liquor with intoxicating women and two friends on opposite sides of the law? Big trouble. And more is coming: bearing down on the town of Cottonwood is a murderous bootlegger, hired gunmen and a gambler with a plan of his own. As a killing storm crashes over Cottonwood, the odds favor the man who is stone cold sober, good with a red hot gun--and backed by unbreakable bonds of blood. . .

In the Great Smoky Mountains, moonshine making was a world unto itself. On the one hand, moonshining was about dynamite-totting lookouts, fast cars, snitching, quick cash, hidden stills, "revenuers," and deadly gunplay. On the other, it was a story of earnest farm families living in remote mountain valleys and practicing their traditional craft of moonshining so they could buy shoes for their children. Yet perhaps the most fascinating aspect of this book is the sudden resurgence of making moonshine in the Southern mountains today. Join author and noted historian Dr. Daniel S. Pierce to learn about the traditions, foibles, and dangers of mountain "blockading" from the early 19th century to tomorrow.