"This book is a comprehensive history of the Moulin Rouge, explaining the important role that the hotel-casino played in early desegregation efforts in Las Vegas"--Provided by publisher.

Moulin Rouge is a celebration of truth, beauty, freedom but above all things love. Set in the infamous, gaudy and glamorous Paris nightclub, circa 1900, director Baz Luhrmann (Strictly Ballroom, William Shakespeare's Romeo and Juliet) brings together period design and modern-era pop tunes to create a comic/tragic motion picture experience. Nicole Kidman portrays Satine, the Sparkling Diamond, star of the Moulin Rouge and the city's most famous courtesan. Satine is caught between the love of a young writer and another man's obsession. Ewan McGregor is the writer, Christian, who finds himself plunged into this decadent world where anything goes - except falling in love.

Moulin Rouge is the first title in the new series Memoires of the Music Hall. As much of a Parisian symbol as the Eiffel Tower itself, the Moulin Rouge was the site of much of the intrigue, madness, and decadence of the Belle Epoque. Cradle of vice, birthplace of the cancan, this institution of unparalleled charm and ostentation flaunts a rich history that ranges from La Goulue, Toulouse-Lautrec, and Mistinguett to Lisette Malidor and Janet Jackson. This precious book offers a trip through the cycles of the windmill, ending in today1s Moulin Rouge, whose spectacular revues remain faithful to the spirit of Parisian entertainment

Best known by her stage name, La Goulue (the Glutton), Louise Weber was one of the biggest stars of fin de siècle Paris, renowned as a cancan dancer at the Moulin Rouge. The subject of numerous paintings and photographs, she became an iconic figure of modern art. Her life, however, has consistently been misrepresented and reduced to a footnote in the stories of men such as Henri de Toulouse-Lautrec. Where most accounts dismiss her rise and fall as brief and rapid, the truth is that her career as a performer spanned five decades, during which La Goulue constantly reinvented herself--as a dancer, animal tamer, sideshow performer, and muse of photographers, painters, sculptors, and filmmakers. With Beyond the Moulin Rouge, the first substantive English-language study of La Goulue's career and posthumous influence, Will Visconti corrects persistent myths. Despite a tumultuous personal life, La Goulue overcame loss, abusive relationships, and poverty to become the very embodiment of nineteenth-century Paris, fêted by royalty and followed as closely as any politician or monarch. Visconti draws on previously overlooked materials, including medical records, media reports across Europe and the United States, and surviving pages from Louise Weber's diary, to trace the life and impact of a woman whose cultural significance has been ignored in favor of the men around her, and who spent her life upending assumptions about gender, morality, and domesticity in France during the fin de siècle and early twentieth century. Peculiar Bodies: Stories and Histories

Originally opened in May 1955, the Moulin Rouge Hotel and Casino quickly rose in popularity as Las Vegas' first racially-integrated hotel and casino. Sammy Davis, Jr., Louis Armstrong, and other A-list black singers and musicians performed at the Moulin Rouge on a regular basis, and for once they were allowed to spend the night in the same hotel where they performed. This book explains the important role that the hotel-casino played in early desegregation efforts in Las Vegas. With the Moulin Rouge as the backdrop, it provides an analysis of the evolution of race-relations in Las Vegas, including a detailed account of the landmark 1960 desegregation agreement. Finally, it examines recent efforts to rebuild and renovate the historic establishment.

Paris Nights: My Year at the Moulin Rouge opens with a bored twenty-seven-year old Cliff Simon staring out at the ocean from his beachfront house, wishing he was somewhere else. Gavin Mills telephones him from Paris inviting him to join him at the iconic Moulin Rouge. Cliff sells everything he owns, leaving Johannesburg, South Africa for the City of Lights. He learns that his spot at the Moulin is not guaranteed and is forced to audition. Making the grade, he is put into can can school before he is allowed into the company. His adrenaline is pumping from excitement and fear, both of which he has faced before. Taking a look back, we see twelve-year-old Cliff helming a racing dinghy in the midst of a thunderstorm on the Vaal River. His father yells at him not to be a sissy, and he brings the boat back to shore alone. We then travel to London with his family escaping the tumult of Apartheid. He trains for the Olympics, but drops out, enrolling in the South African military where he subjected to harsh treatment and name calling Fokken Jood. After a honorable discharge, he works in cabaret at seaside resorts and is recruited as a gymnast in a cabaret, where he realizes that the stage is his destiny. The memoir fast forwards to Cliff s meteoric rise at the Moulin from swing dancer to principal in Formidable. Off stage he gets into fights with street thugs, hangs out with diamond smugglers, and has his pick of gorgeous women. With a year at the Moulin to his credit, doors open for him internationally and back in South Africa. He earns a starring role in Egoli: Place of Gold, and marries his long-time girlfriend, Colette. On their honeymoon to Paris, Cliff says, Merci Paris for the best year of my life.

Published in conjunction with an exhibition at The Courtauld Gallery, London, June 16-September 18, 2011.