This book interprets for the Western mind the key motifs of India`a legends myth, and folklore, taken directly from the sanskrit, and illustrated with seventy plates of Indian art. It is primarily an introduction to image thinking and picture reading in Indian art and thought and it seeks to make the profound Hindu and Buddhist intuitions of the riddles of life and death recongnizable not merely as Oriental but as universal elements.

An exploration of 99 classic myths of India from an entirely non-Western paradigm that provides a fresh understanding of the Hindu spiritual landscape • Compares and contrasts Indian mythology with the stories of the Bible, ancient Egypt, Greece, Scandinavia, and Mesopotamia • Looks at the evolution of Indian narratives and their interpretations over the millennia • Demonstrates how the mythology, rituals, and art of ancient India are still vibrant today and inform the contemporary generation From the blood-letting Kali to the mysterious Ganesha, the Hindu spiritual landscape is populated by characters that find no parallel in the Western spiritual world. Indian Mythology explores the rich tapestry of these characters within 99 classic myths, showing that the mythological world of India can be best understood when we move away from a Western, monotheistic mindset and into the polytheistic world of Hindu traditions. Featuring 48 artistic renderings of important mythological figures from across India, the author unlocks the mysteries of the narratives, rituals, and artwork of ancient India to reveal the tension between world-affirming and world-rejecting ideas, between conformism and contradiction, between Shiva and Vishnu, Krishna and Rama, Gauri and Kali. This groundbreaking book opens the door to the unknown and exotic, providing a glimpse into the rich mythic tradition that has empowered millions of human beings for centuries.

In the Indian ethos, we encounter symbolism everywhere – in our shastras, in our celebrations and festivals, in the way we live. Symbolism has a language of its own. It is not necessarily meant to be cryptic or secretive, but it is meant to make on think, to ask questions. Why do we celebrate our festivals the way we do? Why are Hindu gods multi-armed, each one specific and distinct from the other? What is the significance of their individual vehicles and the weapons they carry? Pujya Gurudev, Swami Chinmayananda, sometimes spoke about symbolism and sometimes wrote about it. His style was unique and always to the point. The articles in this book have been compiled by Swami Nityananda (formerly R.S. Nathan), who was driven by a desire to share Gurudev’s wisdom with all. There are articles by others too, and they have been included because each one of them touches on one or the other aspect of symbolism. And if anybody is buzzing with questions, pick up this book and read on.

A practical text explaining the allegorical significance of gods and goddesses; rituals and festivals; invocations and prayers. It educates a spiritual aspirant with the philosophical aspect of religious practices.

A landmark work that demystifies the rich tradition of Indian art, Myths and Symbols in Indian Art and Civilization analyzes key motifs found in legend, myth, and folklore taken directly from the Sanskrit. It provides a comprehensive introduction to visual thinking and picture reading in Indian art and thought. Ultimately, the book shows that profound Hindu and Buddhist intuitions on the riddles of life and death are universally recognizable.