This volume of the Yale Series of Younger Poets explores love, grief, the opioid epidemic, and coming of age "Elegiac and witty."--Elisa Gabbert, New York Times, "The Best Poetry of 2022" "These poems name the hurt wrought upon the meek that makes the elegy, here, as much an exaltation of the living as a mournful dirge for the land."--Major Jackson, Vanderbilt University The 116th volume of the Yale Series of Younger Poets, Robert Wood Lynn's collection of poems explores the tensions of youth and the saturation points of knowledge: those moments when the acquisition of understanding overlaps with regret and becomes a desire to know less. Comprising poems of place set across the Virginias, this collection includes an episodic elegy exploring the opioid crisis in the Shenandoah Valley as well as a separate series of persona poems reimagining the Mothman (West Virginia's famed cryptid) reluctantly coming of age in that state's mountains and struggling with the utility of warnings. These are narrative poems of love and grief, built from a storytelling tradition. Taken together they form an arc encompassing the experience of growing up, looking away, and looking back.

Home of the first settlement in the United States and known as Old Dominion and The Mother of Presidents, the state of Virginia’s artistic output proves among the most fecund in the nation, evidenced in this ninth volume of The Southern Poetry Anthology. This collection includes well-known, established, and celebrated poets such as Charles Wright, Claudia Emerson, Gregory Orr, Ellen Bryant Voigt, R. T. Smith, Forrest Gander, and Rita Dove, and the editors have dedicated equal focus on newer, diverse poets who continue to broaden and enrich the literary legacy of this beautiful state.

divdivIn 1936, twenty-year-old Edward Weismiller became the youngest poet to win the prestigious Yale Series of Younger Poets prize. Today, more than sixty years later, he retains that distinction. Yale University Press here reintroduces Edward Weismiller—now the oldest living Younger Poet—with the publication of his latest book of poetry. Weismiller’s is “a talent that has kept faith with itself and its sources,” says W. S. Merwin, current judge of the Younger Poets Series. In Walking Toward the Sun, youthful lyricism has given way to plainness of speech—even spareness. These poems are honest and unflinching, always striking in their prosody. They will remind some readers of Yeats, for they convey nobility in the face of old age, infirmity, and disappointment. Weismiller sings powerfully about a world of loss, but he is never grim or despairing. The poet in old age remains hopeful, open to possibility, and always aware of beauty in the smallest places. /DIV/DIV

Announcing the newest winner of the oldest annual literary prize in the United States

This year’s winner of the Yale Series of Younger Poets competition is Loren Goodman’s Famous Americans. Hilarious, eclectic, and bizarre, this collection takes the reader on a rollercoaster of a ride through the absurdities of American pop culture. Employing a variety of forms (from epistolary to script to interview and beyond), this work proves to be as much about exploring frameworks as it is about examining the lives of famous and not-so-famous Americans. Goodman questions our concept of what it means to be an icon: he disrupts our assumptions, creating an alternate universe in which nothing remains sacred.

Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so." C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island. "Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical ‘goblets of magnolialight,’ and recurrent, mysterious, semi-allegorical figures like ‘the snakeman’ and ‘the boneman’ share space with place names, lexicographies, exhortations and wacky graffiti (‘God is Louise’).… cherish Wright's latest ‘once-and-for-all thing, opaque and revelatory, ceaselessly burning.’"—Publishers Weekly "For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers—still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything—human and angry and beautiful."—Michael Ondaatje "C.D. Wright is entirely her own poet, a true original."—The Gettysburg Review

This year’s winner of the Yale Series of Younger Poets competition is Sean Singer’s Discography. Playful, experimental, jazz-influenced, the poems in this book delight in sound and approach the more abstract pleasures of music. Singer takes as his subjects music, jazz figures, and historical events. Series judge W. S. Merwin praises Singer for his “roving demands on his language” and “the quick-changes of his invention in search of some provisional rightness.”