First published in 1992, this is the first study of the work of Alice Munro to focus on her obsession with mothering, and to relate it to the hallucinatory quality of her magic realism. A bizarre collection of clowning mothers parade across the pages of Munro’s fiction, playing practical jokes, performing stunts, and dressing in disguises that recycle vintage literary images. Magdalene Redekop studies this with the aim of gaining increased understanding of Munro’s evolving comic vision.

First published in 1992, this is the first study of the work of Alice Munro to focus on her obsession with mothering, and to relate it to the hallucinatory quality of her magic realism. A bizarre collection of clowning mothers parade across the pages of Munro’s fiction, playing practical jokes, performing stunts, and dressing in disguises that recycle vintage literary images. Magdalene Redekop studies this with the aim of gaining increased understanding of Munro’s evolving comic vision.

The Canadian author Alice Munro, recognized as one of the world’s finest short story writers, published some seventeen books between 1968 and 2014, and was awarded the third Man Booker International Prize in 2009 and the Nobel Prize in Literature in 2013. This worldwide recognition of her career calls for a look back at her very first collection of short stories, Dance of the Happy Shades, published in 1968 and composed of fifteen stories written between 1953 and 1967. Some forty-five years after the publication of this first volume, worldwide specialists of her work examine the first steps of a great writer, and offer new critical perspectives on a debut collection that already foreshadows some of the patterns and themes of later stories. Contributors adopt a variety of approaches from the fields of narratology, gender studies, psychoanalysis, and genetic criticism, amongst others, to illuminate the main stylistic features, narrative strategies, literary traditions, modes of writing and generic traits of the stories in Dance of the Happy Shades.

This is the first study of the work of Alice Munro to focus on her obsession with mothering, and to relate it to the hallucinatory quality of her magic realism. A bizarre collection of clowning mothers parade across the pages of Munro's fiction, playing practical jokes, performing stunts, and dressing in thrift shop disguises that recycle vintage literary images. Paying close attention to their mimicries, Magdalene Redekop studies this parade with the aim of gaining increased understanding of Munro's evolving comic vision. As the outlines of her aesthetic are delineated, it becomes clear that it involves a new way of looking at autobiography and a new way of looking at narrative sequence.

This is the first study of the work of Alice Munro to focus on her obsession with mothering, and to relate it to the hallucinatory quality of her magic realism. A bizarre collection of clowning mothers parade across the pages of Munro's fiction, playing practical jokes, performing stunts, and dressing in thrift shop disguises that recycle vintage literary images. Paying close attention to their mimicries, Magdalene Redekop studies this parade with the aim of gaining increased understanding of Munro's evolving comic vision. As the outlines of her aesthetic are delineated, it becomes clear that it involves a new way of looking at autobiography and a new way of looking at narrative sequence.

This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.

"This is a conceptually innovative book which expands the meaning of motherhood to include mothers 'without child'; it is also a compassionate political book which refuses the boundary between 'good enough' and 'bad' mothers. Mother Without Child is an engaging, witty, and provocative literary study which should fascinate anyone who is interested in mothering or in looking for new ways to talk about motherhood without erasing some women's experience or dividing mothers from each other."--Sara Ruddick, author of Maternal Thinking: Toward a Politics of Peace "Hansen positions her study in a genuinely new space . . . taboo ground, which demands not only a great deal of courage to address, but also enormous intelligence and insight. Hansen is up to this task. . . hers is a pioneer study that will have a significant impact on the ways that non-procreative motherhood is discussed and understood." --Madelon Sprengnether, author of The Spectral Mother: Freud, Feminism, and Psychoanalysis "Since the beginnings of the second wave of feminism in the 1960s, feminist scholars have been obsessed with motherhood. Mother Without Child takes us to the next stage in this fascinated and fascinating exploration. Through illuminating readings of contemporary stories of thwarted motherhood, Hansen challenges the persistent and constraining definitions of the good and even the good-enough mother. She enjoins us to listen to the moving, devastating, and often inspiring stories of mothers who survive the loss of their children and she urges us to find there not the angry voices of feminist daughters who cannot forgive their patriarchal mothers, but alternative stories of a different maternity that can lead us to alternative plots and visions of women's lives. We need this book."--Marianne Hirsch, author of The Mother/Daughter Plot: Narrative, Psychoanalysis, Feminism "A careful, committed, and freshly clarifying voice. Hansen's graceful prose and finely interwoven explorations are much needed at this time. Through readings of contemporary fiction, she enriches our vocabulary for discussing the overdetermined topic of motherhood and deepens our understanding of both its psychological and contemporary political dimensions. Mother Without Child is a book for historians and social scientists as well as literary scholars."--Laura Doyle, author of Bordering on the Body: The Racial Matrix of Modern Fiction and Culture