In this pioneering study, Antony Augoustakis reconstructs the role of women in the epic poems of the Flavian period of Latin literature, examining the role of female characters from the perspective of Julia Kristeva's theories on foreign otherness and motherhood.

From the New York Times bestselling author of Confessions of a Scary Mommy and the wildly popular blog ScaryMommy.com, a hilarious new essay collection that exposes the “vicious lies” that every parent is told. Newly pregnant and scared out of her mind, Jill Smokler lay on her gynecologist’s examination table and was told the biggest lie she’d ever heard in her life: “Motherhood is the most natural thing in the world.” Instead of quelling her nerves like that well intentioned nurse hoped to, Jill was instead set up for future of questioning exactly what DNA strand she was missing that made the whole motherhood experience feel less than natural to her. Wonderful? Yes. Miraculous? Of course. Worthwhile? Without a doubt. But natural? Not so much. Jill’s first memoir, the New York Times bestseller Confessions of a Scary Mommy, rocketed to national fame with its down and dirty details about life with her three precious bundles of joy. Now Jill returns with all-new essays debunking more than twenty pervasive myths about motherhood. She’s here to give you what few others will dare: The truth.

An "extraordinary" page-turning generational saga about a young man's search for a parent he never knew, and a moving portrait of motherhood, race, and the truths we hide in the name of family (Alice Walker, Pulitzer Prize-winning author of The Color Purple) Jenry Castillo is a musical prodigy, raised by a single mother in Miami. He arrives at Brown University on a scholarship—but also to learn more about his late father, Jasper Patterson, a famous ballet dancer who died tragically when Jenry was two. On his search, he meets his estranged grandfather, Winston Patterson, a legendary professor of African American history and a fixture at the Ivy League school, who explodes his world with one question: Why is Jenry so focused on Jasper, when it was Winston’s daughter, Juliet, who was romantically involved with Jenry’s mother? Juliet is the parent he should be looking for—his other mother. Revelation follows revelation as each member of Jenry’s family steps forward to tell the story of his origin, uncovering a web of secrecy that binds this family together even as it keeps them apart. Moving seamlessly between the past and the present, The Other Mother is a daring, ambitious novel that celebrates the complexities of love and resilience—masterfully exploring the intersections of race, class, and sexuality; the role of biology in defining who belongs to whom; and the complicated truth of what it means to be a family.

Theologian Erin S. Lane overturns dominant narratives about motherhood and inspires women to write their own stories. Is it possible to do something more meaningful than mothering? As a young Catholic girl who grew up in the American Midwest on white bread and Jesus, Erin S. Lane was given two options for a life well-lived: Mother or Mother Superior. She could marry a man and mother her own children, or she could marry God, so to speak, and mother the world’s children. Both were good outcomes for someone else’s life. Neither would fit the shape of hers. Interweaving Lane’s story with those of other women—including singles and couples, stepparents and foster parents, the infertile and the ambivalent—Someone Other Than a Mother challenges the social scripts that put moms on an impossible pedestal and shame childless women and nontraditional families for not measuring up. You may have heard these lines before: “Motherhood is the toughest job.” This script diminishes the work of non-moms and pressures moms to make parenting their full-time gig. “It’ll be different with your own.” This script underestimates the love of nonbiological kin and pushes unfair expectations onto nuclear families. “Family is the greatest legacy.” This script turns children into the ultimate sign of a woman’s worth and discounts the quieter ways we leave our mark. With candor and verve, Someone Other Than a Mother tears up the shaming social scripts that are bad for moms and non-moms alike and rewrites the story of a life well-lived, one in which purpose is bigger than body parts, identity is fuller than offspring, and legacy is so much more than DNA.

From the author of How Should a Person Be? (“one of the most talked-about books of the year”—Time Magazine) and the New York Times Bestseller Women in Clothes comes a daring novel about whether to have children. In Motherhood, Sheila Heti asks what is gained and what is lost when a woman becomes a mother, treating the most consequential decision of early adulthood with the candor, originality, and humor that have won Heti international acclaim and made How Should A Person Be? required reading for a generation. In her late thirties, when her friends are asking when they will become mothers, the narrator of Heti’s intimate and urgent novel considers whether she will do so at all. In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home. Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.

A compendium of confessions and stories by women who seek to balance a creative life with raising children collects the musings of women who are working as writers, illustrators, poets, and punk rockers while also rocking the cradle. Original.

If Atul Gawande were funny--or Jerome Groopman were a working mother--they might sound something like Michelle Au, M.D., author of this hilarious and poignant memoir of a medical residency. Michelle Au started medical school armed only with a surfeit of idealism, a handful of old ER episodes for reference, and some vague notion about "helping people." This Won't Hurt a Bit is the story of how she grew up and became a real doctor. It's a no-holds-barred account of what a modern medical education feels like, from the grim to the ridiculous, from the heartwarming to the obscene. Unlike most medical memoirs, however, this one details the author's struggles to maintain a life outside of the hospital, in the small amount of free time she had to live it. And, after she and her husband have a baby early in both their medical residencies, Au explores the demands of being a parent with those of a physician, two all-consuming jobs in which the lives of others are very literally in her hands. Au's stories range from hilarious to heartbreaking and hit every note in between, proving more than anything that the creation of a new doctor (and a new parent) is far messier, far more uncertain, and far more gratifying than one could ever expect.