A historical and cultural exploration of the devastating consequences of undervaluing those who conduct the “women’s work” of childcare and housekeeping In taking up the mothercoin—the work of mothering, divorced from family and exchanged in a global market—immigrant nannies embody a grave contradiction: while “women’s work” of childcare and housekeeping is relegated to the private sphere and remains largely invisible to the public world, the love and labor required to mother are fundamental to the functioning of that world. Listening to the stories of these workers reveals the devastating consequences of undervaluing this work. As cleaners and caregivers are exported from poor regions into rich ones, they leave behind a material and emotional absence that is keenly felt by their families. On the other side of these borders, children of wealthier regions are bathed and diapered and cared for in clean homes with folded laundry and sopa de arroz simmering on the stove, while their parents work ever longer hours, and often struggle themselves with these daily separations. In the US, many of these women’s voices are silenced by language or fear or the habit of powerlessness. But even in the shadows, immigrant nannies live full and complicated lives moved by desire and loss and anger and passion. Mothercoin sets out to tell these stories, recounting the experience of Mexican and Central American women living and working in the private homes of Houston, Texas, while also telling a larger story about global immigration, working motherhood, and the private experience of the public world we have all created.

A historical and cultural exploration of the devastating consequences of undervaluing those who conduct the “women’s work” of childcare and housekeeping In taking up the mothercoin—the work of mothering, divorced from family and exchanged in a global market—immigrant nannies embody a grave contradiction: while “women’s work” of childcare and housekeeping is relegated to the private sphere and remains largely invisible to the public world, the love and labor required to mother are fundamental to the functioning of that world. Listening to the stories of these workers reveals the devastating consequences of undervaluing this work. As cleaners and caregivers are exported from poor regions into rich ones, they leave behind a material and emotional absence that is keenly felt by their families. On the other side of these borders, children of wealthier regions are bathed and diapered and cared for in clean homes with folded laundry and sopa de arroz simmering on the stove, while their parents work ever longer hours, and often struggle themselves with these daily separations. In the US, many of these women’s voices are silenced by language or fear or the habit of powerlessness. But even in the shadows, immigrant nannies live full and complicated lives moved by desire and loss and anger and passion. Mothercoin sets out to tell these stories, recounting the experience of Mexican and Central American women living and working in the private homes of Houston, Texas, while also telling a larger story about global immigration, working motherhood, and the private experience of the public world we have all created.

After arriving at Death Island, Meriden Cummings became haunted by dreams of a young Mayan woman’s death. A death, Meriden fears, foreshadows her own. And she soon discovers that in this tropical paradise, there are many ways to die. On top of that, the pirates after her great-grandfather’s treasure are not far behind. Can she and her crew stay one step ahead of them and the Mayan god that inhabits the island? Meriden is not the only one haunted by the young Mayan woman’s death. Gregory Wilson has had similar dreams the moment he stepped foot on the island. In addition, he has seen the Mayan god of death, Ah Puch. Will he be able to protect Meriden from the earthly dangers as well as the supernatural forces seeking her demise?