I don't know if you'll ever love me as much as I love you, but one day you'll understand why I've done this to you. Doris, born illegitimate in 1900, exchanges her budding teaching career for marriage and motherhood. When the war is over, her daughter Margaret marries an American and has Jackie, who becomes an archetypal 60s rebel. When Jackie can't face being a single mother, it is decided that baby Rosie will be brought up as Margaret's own. That's the plan anyway . . . Charlotte Keatley's award-winning play is a moving exploration of the relationships between mothers and daughters, and the consequences of breaking the most sacred taboo of motherhood. My Mother Said I Never Should is about the choices we make which determine the course of our lives and how it is never too late to change. This edition was published to coincide with the revival of the play at the St James Theatre, London, in 2016, starring Maureen Lipman and Katie Brayben.

A battle for dominance erupts between a monstrous mother and her meek son, in this psychological thriller by the author of Bad Company and Uninvited. Dennis is in his thirties. He has an ineffectual father, a domineering mother, and a socially awkward demeanor. Nevertheless, he’s determined to find a girlfriend, despite his mother’s taunts that he is incapable of such a feat. When he finds an alcoholic woman in an unconscious stupor by the roadside, recently beaten and robbed, he brings her back to his new home: the basement of a house in which he is the caretaker. Rosie awakens to find herself in the hands of a strangely unthreatening but disturbing man: an innocent in the world around him; gentle and mild yet still very unsettling. Every evening, he returns to the family home to spend time with Mother. What ties the twisted mother and son so inextricably together? Is Rosie’s fate sealed? And how far will Mother go to regain her control?

“You will devour these beautifully written—and very important—tales of honesty, pain, and resilience” (Elizabeth Gilbert, New York Times bestselling author of Eat Pray Love and City of Girls) from fifteen brilliant writers who explore how what we don’t talk about with our mothers affects us, for better or for worse. As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything. As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in acknowledging how what we couldn’t say for so long is a way to heal our relationships with others and, perhaps most important, with ourselves. Contributions by Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.

If you think Joan Rivers said funny, outrageous, and ridiculous things ONSTAGE, wait ’til you read the funny, outrageous, and ridiculous things she said OFFSTAGE…things that will make you laugh out loud…and keep Melissa in therapy for the foreseeable future. The only thing my mother loved more than making people laugh was lying…or as she’d say, “embellishing.” Her motto was: “Why let the truth ruin a good story?” This book contains some of those stories. ***************** “When Joan told a story, the truth disappeared faster than I did.” — Jimmy Hoffa “If you thought Dante’s Inferno was hot, read Lies My Mother Told Me; it’s a five-alarmer.” — Dante’s second wife, Allie “Twelve of my twenty-six personalities loved this book.” — Sybil “The words on the page absolutely crackle and spark; I burned my fingers reading it!” — Annie Sullivan “The Bible may be the good book, but Lies My Mother Told Me is way funnier.” — Matthew 2:14 The Jets. 7 “Lies My Mother Told Me is the feel-good book of 2022.” — Torquemada “All’s not well that ends well. I’ve had massages with happier endings.” — Wm. Shakespeare “Melissa, I don’t care what your mother said in this book, I LOVE your bangs.” — Mamie Eisenhower “Lies My Mother Told Me is so funny even those ‘woke’ m***********s will laugh.” — Lenny Bruce

A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist

My name is Sophie. This book is about me. It tells the heart-stoppingly riveting story of my first love. And also of my second. And, okay, my third love, too. It's not that I'm boy crazy. It's just that even though I'm almost fifteen I've been having sort of a hard time trying to figure out the difference between love and lust. It's like my mind and my body and my heart just don't seem to be able to agree on anything.

Based on over 1500 interviews with a national random sample of 16- to 19-year-olds in 1974–5, originally published in 1978, My Mother Said... examines the sources of information encountered by young people during their early years which helped or hindered them in their acquisition of knowledge about sex and birth control. The study explores teenage patterns of sexual behaviour and contraceptive practice and looks at the way in which learning and sexual behaviour are related. Interviews were also conducted with over 300 parents of the teenagers, their attitudes to and experiences of the provision of sex-related information being discussed and described in detail. The author’s findings suggest that, although sex education from parents and in schools had improved over the previous ten years, there was still considerable room for changes in attitude and education. By putting the young people’s views and experiences in perspective, the book would help teachers, parents and others concerned to develop sex education along lines which would meet the needs of the young at the time.