Shortlisted for the Whitbread prize, MOTHER LONDON is a dazzling journey through the heart of a city that the author loved. Spanning generations of characters across a variety of boroughs from the Blitz to the mid-eighties, this is a book about the real London that tourists will never find, a London which is being erased by the spread of high-rise flats and shining skyscrapers. Following a group of released mental patients across the years and streets of London, Moorcock creates a vivid impressionistic portrait of the city, from its downtrodden pubs to its green parks. All of the lead characters hear voices - but are they the murmurings of their damaged minds, or the true voice of the city?

Shortly after Albert Cohen left France for London to escape the Nazis, he received news of his mother’s death in Marseille. Unable to mourn her, he expressed his grief in a series of moving pieces for La France libre, which later grew into Book of My Mother. Achingly honest, intimate, and moving, this love song is a tribute to all mothers. Cohen himself expressed, "I shall not have written in vain if one of you, after reading my hymn of death, is one evening gentler with his mother because of me and my mother."

Supermodel and super CEO of our time Tyra Banks and her mother Carolyn show readers why when you kick perfection to the curb and showcase your unique beauty ain't nobody gonna stop you! In Perfect Is Boring, Tyra Banks and her mother, Carolyn, get raw, real and cray-in-a-good-way as they share what they’ve learned on Tyra’s journey from insecure preteen to supermodel and entrepreneurial powerhouse. Though she’ll be the first to tell you she is not her daughter’s best friend—‘cause she ain’t that kinda mama!—there’s no doubt that Carolyn’s signature mix of pep talks and tough love got Tyra to where she is today, and here they pay it forward to empower readers with a reminder that perfect really isn’t all that. Whether they’re writing about watching Tyra’s most imperfect moment go viral (Does “Be Quiet Tiffany!” ring any bells?), no-holds-barred sex talks or how they’ve overcome everything from fashion industry discrimination to media fat-shaming and a misguided attempt at a music career, they never lose their sense of humor or we-got-your-back-spirit. Full of smart, wise, and often hilarious lessons for mothers, daughters, fathers and sons everywhere—including “Take Responsibility for Yourself,” “Lip Gloss + Pizza Sauce = Boss,” and “Fix It or Flaunt It”—Perfect Is Boring is a must-read for anyone who needs a kick in the booty, a pat on the back, or a good reason to laugh-out-loud.

In the latest body of work by author and photographer Claiborne Swanson Frank, the artist set out to explore what modern motherhood means in the 21st century. Turning her lens on 70 iconic families of mothers and children from such celebrated names as Delfina Figueras, Carolina Herrera, Lauren Santo Domingo, Anne Vyalitsyna, Aerin Lauder, and Patti Hansen, Swanson Frank’s stunning portraits capture the emotional bonds and beauty that frame the primal relationship of a mother and her child. Complementing her work is a series of questions-and-answers, in which Swanson Frank delicately tasks each mother to look within themselves and express what being a mother truly means to them. Their answers, while exceedingly thoughtful and introspective, are also amusing, fascinating, and moving. Each one of these deeply intimate and stunning portraits will captivate and inspire readers as they embark on this profound journey that reminds us all of the power of motherhood and the great gift of love.

Michael Moorcock's hundredth novel is a fantastic, complex, and eccentric celebration of human triumphs. Three survivors of German V2 rocket bombings hear voices which bit by bit reveal the character of London itself.

In Please send this book to my mother, artist Sarah Entwistle dismantles the traditional form of the architectural monograph and artist biography. In 2011, the astounding personal effects of her grandfather, architect Clive Entwistle (1916-76), emerged from a Manhattan storeroom. This book welds together original text fragments and extensive visual material from the collection and Clive Entwistle's years in Paris, London, Tangiers, and New York. Clive Entwistle described his cardinal points as: Philosophy, Architecture, Intellect, and Sex. He was an autodidact whose unconsolidated practice tackled utopian city plans, product design, structural engineering, formal experimentation, and architectural critique. The one-time translator and collaborator of Le Corbusier, Entwistle's proposal for the Crystal Palace (1946) was described by Corbusier as, "one of the great projects of our time." However, none of his ambitious proposals was realized, and Entwistle's presence was largely erased from the landscape of modernism. Sarah Entwistle has constructed an ambiguous portrait, an evocative rendition of an extraordinary life, which provokes questions on the authority of the biographer and the monograph. This publication reaches beyond these genres to resemble an artist's book of poetry and prose fiction. Published to coincide with Sarah Entwistle's solo exhibition of new sculptural works, "He was my father and I an atom destined to grow into him," Fondation Le Corbusier, Paris, October 23-December 6, 2015.

2019 PEN/E.O. Wilson Literary Science Writing Award Finalist "Science book of the year"—The Guardian One of New York Times 100 Notable Books for 2018 One of Publishers Weekly's Top Ten Books of 2018 One of Kirkus's Best Books of 2018 One of Mental Floss's Best Books of 2018 One of Science Friday's Best Science Books of 2018 “Extraordinary”—New York Times Book Review "Magisterial"—The Atlantic "Engrossing"—Wired "Leading contender as the most outstanding nonfiction work of the year"—Minneapolis Star-Tribune Celebrated New York Times columnist and science writer Carl Zimmer presents a profoundly original perspective on what we pass along from generation to generation. Charles Darwin played a crucial part in turning heredity into a scientific question, and yet he failed spectacularly to answer it. The birth of genetics in the early 1900s seemed to do precisely that. Gradually, people translated their old notions about heredity into a language of genes. As the technology for studying genes became cheaper, millions of people ordered genetic tests to link themselves to missing parents, to distant ancestors, to ethnic identities... But, Zimmer writes, “Each of us carries an amalgam of fragments of DNA, stitched together from some of our many ancestors. Each piece has its own ancestry, traveling a different path back through human history. A particular fragment may sometimes be cause for worry, but most of our DNA influences who we are—our appearance, our height, our penchants—in inconceivably subtle ways.” Heredity isn’t just about genes that pass from parent to child. Heredity continues within our own bodies, as a single cell gives rise to trillions of cells that make up our bodies. We say we inherit genes from our ancestors—using a word that once referred to kingdoms and estates—but we inherit other things that matter as much or more to our lives, from microbes to technologies we use to make life more comfortable. We need a new definition of what heredity is and, through Carl Zimmer’s lucid exposition and storytelling, this resounding tour de force delivers it. Weaving historical and current scientific research, his own experience with his two daughters, and the kind of original reporting expected of one of the world’s best science journalists, Zimmer ultimately unpacks urgent bioethical quandaries arising from new biomedical technologies, but also long-standing presumptions about who we really are and what we can pass on to future generations.