A future archeologist finds the remnants of a mysterious ancient people—us—in a wry satire that is “a marvel of imagination and . . . wonderfully illustrated” (The New York Times). It is the year 4022, and the entire ancient country of Usa has been buried under many feet of detritus from a catastrophe that occurred back in 1985. Howard Carson, an amateur archeologist, is crossing the perimeter of an abandoned excavation site when he feels the ground give way beneath him. Suddenly, he finds himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, is clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one laid to rest on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber. These dramatic discoveries give Carson all the clues he needs to piece together the entire civilization—which he gets utterly wrong. The acclaimed author and illustrator of Castle and Pyramid, David Macaulay presents a wonderfully tongue-in-cheek satire of both historical presumption and American self-importance.

Provides articles covering children's literature from around the world as well as biographical and critical reviews of authors including Avi, C.S. Lewis, J.K. Rowling, and Anno Mitsumasa.

Early to mid-twentieth-century America was the heyday of a car culture that has been called an "automobile utopia." In American Autopia, Gabrielle Esperdy examines how the automobile influenced architectural and urban discourse in the United States from the earliest days of the auto industry to the aftermath of the 1970s oil crisis. Paying particular attention to developments after World War II, Esperdy creates a narrative that extends from U.S. Routes 1 and 66 to the Las Vegas Strip to California freeways, with stops at gas stations, diners, main drags, shopping centers, and parking lots along the way. While it addresses the development of auto-oriented landscapes and infrastructures, American Autopia is not a conventional history, offering instead an exploration of the wide-ranging evolution of car-centric territories and drive-in typologies, looking at how they were scrutinized by diverse cultural observers in the middle of the twentieth century. Drawing on work published in the popular and professional press, and generously illustrated with evocative images, the book shows how figures as diverse as designer Victor Gruen, geographer Jean Gottmann, theorist Denise Scott Brown, critic J.B. Jackson, and historian Reyner Banham constructed "autopia" as a place and an idea. The result is an intellectual history and interpretive roadmap to the United States of the Automobile.

Rayner Banham's interests ranged from architecture and the culture of pop art to urban and industrial design. This selection of essays includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus, as well as the contemporary architecture of Gehry, Stirling and Foster.

Clorinda Matto de Turner was the first Peruvian novelist to command an international reputation and the first to dramatize the exploitation of indigenous Latin American people. She believed the task of the novel was to be the photograph that captures the vices and virtues of a people, censuring the former with the appropriate moral lesson and paying its homage of admiration to the latter. In this tragic tale, Clorinda Matto de Turner explores the relationship between the landed gentry and the indigenous peoples of the Andean mountain communities. While unfolding as a love story rife with secrets and dashed hopes, Torn from the Nest in fact reveals a deep and destructive class disparity, and criticizes the Catholic clergy for blatant corruption. When Lucia and Don Fernando Marin settle in the small hamlet of Killac, the young couple become advocates for the local Indians who are being exploited and oppressed by their priest and governor and by the gentry allied with these two. Considered meddling outsiders, the couple meet violent resistance from the village leaders, who orchestrate an assault on their house and pursue devious and unfair schemes to keep the Indians subjugated. As a romance blossoms between the a member of the gentry and the peasant girl that Lucia and Don Fernando have adopted, a dreadful secret prevents their marriage and brings to a climax the novel's exposure of degradation: they share the same father--a parish priest. Torn from the Nest was first published in Peru in 1889 amidst much enthusiasm and outrage. This fresh translation--the first since 1904--preserves one of Peru's most distinctive and compelling voices.

This guide provides a single-source, comprehensive listing of a fascinating and helpful group of books-picture books for older readers. A multitude of ideas about how to use them in the classroom supplements this list of carefully selected quality fiction and nonfiction books that focuses on universal themes, appeals to all ages, addresses important issues, and is accessible to multiple learning styles. Picture books aren't just for the very young. Innovative educators and parents have used them for years with readers of all ages and reading levels, knowing that students comprehend more from the visual-verbal connections these books offer. They are great tools for teaching visual literacy and writing skills; are effective with reluctant readers, ESL students, and those reading below grade level; and can easily be used to support various curriculum. This guide provides a single-source, comprehensive listing of a fascinating and helpful group of books and a multitude of ideas about how to use them in the classroom. The authors have carefully selected quality fiction and nonfiction that focus on universal themes, appeal to all ages, treat important issues, and are accessible to multiple learning styles.