The conflict between Soviet Communists and Boris Pasternak over the publication of Doctor Zhivago did not end when he won the Nobel Prize, or even when the author died. Paolo Mancosu tells how Pasternak's expulsion from the Soviet Writers' Union left him in financial difficulty. After Pasternak's death, Olga Ivinskaya, his companion, literary assistant, and the inspiration for Zhivago's Lara, also received some of the Zhivago royalties. After the KGB intercepted Pasternak's will on her behalf, the Soviets arrested and sentenced her to eight years of labor camp. The ensuing international outrage inspired a secret campaign in the West to win her freedom. Mancosu's new book provides extraordinary detail on these events, in a thrilling account that involves KGB interceptions, fabricated documents, smugglers, and much more. Included are letters of Pasternak and Ivinskaya from the Hoover Institution Library and Archives.

The conflict between Soviet Communists and Boris Pasternak over the publication of Doctor Zhivago did not end when he won the Nobel Prize, or even when the author died. Paolo Mancosu tells how Pasternak's expulsion from the Soviet Writers' Union left him in financial difficulty. Milan publisher Giangiacomo Feltrinelli and Sergio d'Angelo, who had brought the typescript of Doctor Zhivago to Feltrinelli, were among those who arranged a smuggling operation to help him.After Pasternak's death, Olga Ivinskaya, his companion, literary assistant, and the inspiration for Zhivago's Lara, also received some of the Zhivago royalties. After the KGB intercepted Pasternak's will on her behalf, the Soviets arrested and sentenced her and her daughter, Irina Emelianova, to eight years and three years of labor camp, respectively. The ensuing international outrage inspired a secret campaign in the West to win their freedom.Mancosu's new book-the first to explore the post-Nobel history of Pasternak and Ivinskaya-provides extraordinary detail on these events, in a thrilling account that involves KGB interceptions, fabricated documents, smugglers, and much more. While a general reader will respond to the dramatic human story, specialists will be rewarded with a rich assemblage of new archival material, especially letters of Pasternak, Ivinskaya, Feltrinelli, and d'Angelo from the Hoover Institution Library and Archives and the Feltrinelli Archives in Milan.

Yiddish literature and culture take a central position in Jewish literatures. They are shaped to a high degree, not least through migration, by encounter, transfer, and transformation. Translation, sustained by writers, translators, journalists amongst others, encompasses besides texts also discourses, concepts and medialities. The volume's contributions negotiate this dynamic field between Yiddish studies, translation and world literature in different spatial and temporal contexts. The focus on translation in Yiddish literature and culture allows insights into the glocal Yiddish cultural production as well as it delivers incentives to current transdisciplinary cultural theories.

This volume celebrates the literary oeuvres of David Shrayer-Petrov—poet, fiction writer, memoirist, essayist and literary translator (and medical doctor and researcher in his parallel career). Author of the refusenik novel Doctor Levitin, Shrayer-Petrov is one of the most important representatives of Jewish-Russian literature. Published in the year of Shrayer-Petrov’s eighty-fifth birthday, thirty-five years after the writer’s emigration from the former USSR, this is the first volume to gather materials and investigations that examine his writings from various literary-historical and theoretical perspectives. By focusing on many different aspects of Shrayer-Petrov’s multifaceted and eventful literary career, the volume brings together some of the leading American, European, Israeli and Russian scholars of Jewish poetics, exilic literature, and Russian and Soviet culture and history. In addition to fifteen essays and an extensive interview with Shrayer-Petrov, the volume features a detailed bibliography and a pictorial biography.

We live in an age of subterfuge. Spy agencies pour vast resources into hacking, leaking, and forging data, often with the goal of weakening the very foundation of liberal democracy: trust in facts. Thomas Rid, a renowned expert on technology and national security, was one of the first to sound the alarm. Even before the 2016 election, he warned that Russian military intelligence was 'carefully planning and timing a high-stakes political campaign' to disrupt the democratic process. But as crafty as such so-called active measures have become, they are not new. In this astonishing journey through a century of secret psychological war, Rid reveals for the first time some of history's most significant operations - many of them nearly beyond belief. A White Russian ploy backfires and brings down a New York police commissioner; a KGB-engineered, anti-Semitic hate campaign creeps back across the Berlin Wall; the CIA backs a fake publishing empire, run by a former Wehrmacht U-boat commander that produces Germany's best jazz magazine.

WINNER OF THE 2018 READ RUSSIA PRIZE AND THE PUSHKIN HOUSE BEST BOOK IN TRANSLATION IN 2017 Considered Teffi’s single greatest work, Memories: From Moscow to the Black Sea is a deeply personal account of the author’s last months in Russia and Ukraine, suffused with her acute awareness of the political currents churning around her, many of which have now resurfaced. In 1918, in the immediate aftermath of the Russian Revolution, Teffi, whose stories and journalism had made her a celebrity in Moscow, was invited to read from her work in Ukraine. She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.