In the postwar years, Italy underwent a far-reaching process of industrialization that transformed the country into a leading industrial power. Throughout most of this period, the Italian Communist Party (PCI) remained a powerful force in local government and civil society. However, as Stephen Gundle observes, the PCI was increasingly faced with challenges posed by modernization, particularly by mass communication, commercial cultural industries, and consumerism. Between Hollywood and Moscow is an analysis of the PCI’s attempts to cope with these problems in an effort to maintain its organization and subculture. Gundle focuses on the theme of cultural policy, examining how the PCI’s political strategies incorporated cultural policies and activities that were intended to respond to the Americanization of daily life in Italy. In formulating this policy, Gundle contends, the Italian Communists were torn between loyalty to the alternative values generated by the Communist tradition and adaptation to the dominant influences of Italian modernization. This equilibrium eventually faltered because the attractive aspects of Americanization and pop culture proved more influential than the PCI’s intellectual and political traditions. The first analysis in English of the cultural policies and activities of the PCI, this book will appeal to readers with an interest in modern Italy, the European left, political science, and media studies.

This book reassesses the history of Italian communism in international perspective. Analyzing the rise and fall of the Italian Communist Party as a case study in the global history of communism, Silvio Pons considers a wide range of relational and temporal contexts, from the practices of internationalism to the training of militants and leaders, and to networks established not only in Europe but also in the colonial and postcolonial world. Pons focuses on the attempts of the Italian Communist Party to forge an intellectually defensible party program that combined the international demands of Moscow with the Italians' attempts to develop their own foreign and domestic policies according to their own political circumstances. Following three leaders of the Italian Communist Party (Antonio Gramsci, Palmiro Togliatti, and Enrico Berlinguer) from the First World War to the fall of the Soviet Union, Silvio Pons considers the broader relationship between communism and Cold War history, the history of decolonization, and the rise of "Europe" as a political category.

DIVA study of the cultural policies of the Italian communist party following the collapse of fascismand the struggle with popular consumer culture that led to its demise in 1991./div

In the wake of the collapse of the Soviet Union and its Communist satellites, the Italian Communist Party began a heated two-year struggle over an identity and future. David I. Kertzer tells the riveting story of how Italy's second largest political party transformed itself into the new Democratic Party of the Left.