Revive your love of mosaics! Inside Mosaic Renaissance discover a treasure trove of rich, inspiring patterns and intriguing mosaic projects that incorporate handcrafted Italian glass known as millefiori. After learning essential mosaic techniques—like cutting tiles and mixing a batch of grout—get inspired by a collection of beautiful millefiori patterns you can use in your own mosaic art. Then try ten illustrated mosaic projects ranging from the practical (a basic trivet, a simple box) to the peculiar (a blushing bride skull) plus pretty projects sure to please. Mosaic Renaissance will renew your love of mosaics with: An introduction to tiling tools and techniques 60+ sample patterns, from simple to complex 10 mosaic projects complete with step-by-step instruction A gallery of 40 mosaic pieces from artists around the world With inspiration for all skill levels, Mosaic Renaissance is a visual feast of ideas for reviving your mosaic art.

This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.

In the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East—maps, historical images and religious scenes constituting a treasure of new testimony from antiquity. In them, Bowersock finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride.