Thirteen years after being drawn into the Mortimer network, Paul Barclay buys a house on the Island of Thirasia at Santorini, which is joined by a terrace to that owned by Joseph. Paul and Joseph plan books and the dark stranger Chris Patsos steps into their story. Hammond is working obsessively for the Mortimer Foundation in London and managing Antonio (Tony), the baby from Book One, into a Ballet career Paul burns to write a new book. He leaves London, and returns to Thirasia where he can write and work on a TV series with Joseph, who is in the throes of creating a new monster best seller. Holes have appeared in all their lives, work is there salvation. Aaron provides the solution to Tony's problem. Hammond arrives at Thirasia and they all await the arrival of Avalon, Rosenblum's yacht which is taking him to his death. Blair Edgar has taken a scalpel to all his characters. Each one is opened up, the defences ripped away, long hidden truths begin to emerge at last.

Take a trip down memory lane to witness 22 years (1976-1998) of Mortimer's, one of the most notable restaurant hotspots that ever existed for an international celebrity clientele. Found in these pages is a feast of ephemera, including menus, recipes, invitations, proprietor Glenn Birnbaum's personal letters, and publicity clips. Overall, the book provides a glimpse into the culture, food, entertainment, fashion, and basic social intercourse during the heyday of the New York social scene.

Favorite stories from Robert Munsch in an early reader format kids will love! Adapted from the originals so beginner readers can proudly say “I read this myself!” Mortimer will not be quiet and go to sleep. Not for his mother, or his father, or his seventeen sisters and brothers, not even for the police. Colorful and fun, Robert Munsch’s zany stories and Michael Martchenko’s illustrations will grab kids’ attention and keep them interested as they practice their reading skills. Tips for supporting emerging readers are in the back for parents.

Paul Barclay's story continues. Six years from the end of Le Morte d'Mortimer, Jack Hammond persuades Paul to return to London where he meets up with Joseph and Aaron, the mysterious agent Esther Fanning and two Hollywood movie makers. Under Fanning's management Literary, Theatrical and Movie successes have made them all incredibly rich. On a visit to Cambridge Joseph begins to unveil parts of his life hitherto unknown to Paul. The reappearance of McArthur, sparks off further mystery. Paul moves on to Amsterdam to meet up with Jack Hammond and finds himself managed and manipulated by the Rosenblum organisation. From Hammond he learns the secrets of Mortimer's prized icon of the Blue Madonna. They also encounter the secretive International Art market. Their journey, driven by the mystery of all the Mortimer connections, takes them from Amsterdam to the Blair Edgar has woven a net of intrigue and changing interpersonal relations in which his characters are all trapped as the story unfolds.

Le Morte d'Mortimer is an intriguing blend of fact and fiction, leading to mystery. When Paul Barclay is commissioned to write a newspaper feature about Arthur Mortimer, a chain of events is triggered that changes the lives of all the key characters. In unveiling Mortimer he discovers the events that have surrounded the life of a remarkable old man. At first uncertain as to whether or not there is a story at all, Barclay is drawn into a world that involves intellectual game playing, discoveries, twists and turns. Blair Edgar has put together an intriguing cast of high powered highly intelligent characters that gather around Mortimer in a story filled with constant surprises, wit and wisdom. The dialogue is loaded with imagery that evokes the life of an extraordinary old man and those who surround him.

Following the bestselling SUMMER OF A DORMOUSE, Sir John Mortimer - playwright, novelist, octogenarian and erstwhile QC - offers up more wickedly funny lessons in living and growing old disgracefully. What would we like to leave to our descendants? Not a third-rate painting or our PEPS, according to Sir John, but a love of Shakespeare, a taste for alcohol, the ability to defeat boredom, the importance of never locking the lavatory door, and so on. Owing something to Montaigne's essays, something to Wilde's aphorisms and something to Yeats' poem for his daughter, Where There's a Will offers plenty of sparkling and surprising advice from one who has seen it all.

Lia, her husband, Harry, and their daughter, Iris, are a perfectly balanced family of three with a happy life. But when a devasting diagnosis threatens to derail their lives, the world around them begins to warp and transform, and Lia's carefully hidden secrets come rushing out.