Seminar paper from the year 2016 in the subject Film Science, Sultan Moulay Sliman University, language: English, abstract: After an overview on the stereotyped view of American cinema on different cultures, the paper proceeds to explore how Hollywood represents Moroccans and how it perpetuates an orientalist imaginary in the case of the American Film "Babel". Although on a manifest level this movie represents Moroccans without offending their culture, it approaches them on a latent level through a repertory of denigrating stereotypes belonging to a Eurocentric tradition. Accordingly, due to a racist undercurrent pervading its representation of Morocco, "Babel" fails in conveying a universal humanistic message claimed all along the plot of the film.

Uncovering the vital role of interpreters, dubbers and subtitlers in global film, Nornes examines the relationships between moving-image media and translation and contends that film was a globalized medium from its beginning and that its transnational traffic has been greatly influenced by interpreters.

This book compiles research from such varied disciplines as psychology, economics, sociology business, and communications to find the best empirical research being done on the movies, based on perspectives that many filmgoers have never considered.

Sur les lieux du tournage avec Inarritu : la réalisation de Babel. Le cinéaste mexicain Alejandro Gonzâlez Inarritu et les grands photographes qui l'accompagnent, Mary Ellen Mark, Patrick Bard, Graciela Iturbide et Miguel Rio Branco, mettent en commun leurs visions infiniment sensibles de la diversité culturelle dans un livre qui associe images passionnantes et commentaires de première main du réalisateur sur l'expérience unique du tournage de Babel. Prix de la meilleure mise en scène au 59e Festival de Cannes 2006, Babel est le troisième volet de la trilogie du metteur en scène, dont les premiers sont Amours chiennes et 21 Grammes. Le présent ouvrage est un recueil visuel des histoires parallèles et des personnages de la vie réelle qui ont jalonné le tournage du film. Tourné au Maroc, au Mexique et au japon, Babel a bénéficié d'une distribution incluant notamment Brad Pitt, Cate Blanchett, Gael Garcia Bernal et Koji Yakusho, ainsi que des acteurs non professionnels de ces trois pays. Préfacé par l'écrivain Eliseo Alberta et accompagné d'une interview d'Inarritu par le cinéaste Rodrigo Garcia, le résultat est un livre attachant qui vient compléter le puissant message de Babel sur les barrières culturelles et émotionnelles que tout être humain construit en lui-même, tout en révélant la fascinante réalité des hommes et des lieux qui ont inspiré le film.

World Cinema: A Critical Introduction is a comprehensive yet accessible guide to film industries across the globe. From the 1980s onwards, new technologies and increased globalization have radically altered the landscape in which films are distributed and exhibited. Films are made from the large-scale industries of India, Hollywood, and Asia, to the small productions in Bhutan and Morocco. They are seen in multiplexes, palatial art cinemas in Cannes, traveling theatres in rural India, and on millions of hand-held mobile screens. Authors Deshpande and Mazaj have developed a method of charting this new world cinema that makes room for divergent perspectives, traditions, and positions, while also revealing their interconnectedness and relationships of meaning. In doing so, they bring together a broad range of issues and examples—theoretical concepts, viewing and production practices, film festivals, large industries such as Nollywood and Bollywood, and smaller and emerging film cultures—into a systemic yet flexible map of world cinema. The multi-layered approach of this book aims to do justice to the depth, dynamism, and complexity of the phenomenon of world cinema. For students looking to films outside of their immediate context, this book offers a blueprint that will enable them to transform a casual encounter with a film into a systematic inquiry into world cinema.

Paramount: City of Dreams brings to life the operations of the world’s grandest movie lot as never before by opening its famous gates and revealing – for the first time – the wonderful myriad of soundstages and outdoor sets where, for one hundred years, Paramount has produced the world’s most famous films. With hundreds and hundreds of rare and unpublished photographs in color and black & white, readers are launched aboard a fun and entertaining “virtual tour” of Hollywood’s first, most famous and most mysterious motion picture studio. Paramount is a self-contained city. But unlike any community in the real world, this city’s streets and lawns, its bungalows and backlots, will be familiar even to those who have never been there. Now, for the first time, these much-filmed, much-haunted acres will be explored and the mysteries and myths peeled away – bringing into focus the greatest of all of Hollywood’s legendary dream factories.