Three generations of the Pentecost family live in a state of permanent disarray in a huge, sprawling farmhouse. Seven-year-old Gaylord Pentecost is the innocent hero who observes the lives of the adults - Grandpa, Momma and Poppa and two aunties - with amusement and incredulity. Through Gaylord's eyes, we witness the heartache suffered by Auntie Rose as the exquisite Auntie Becky makes a play for her gentleman friend, while Gaylord unwittingly makes the situation far worse.

Comedy set in two backyards of adjoining houses. Aging middle class people reveal their hopes, ambitions, and frustrations. 3 acts, 4 men, 5 women, 1 setting.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Called the "theater equivalent of longtime New Yorker film critic Pauline Kael" by Matinee Magazine, critic and producer Steven Suskin chronicles the 2001-2002 theater season in his latest installment in the Broadway Yearbook series. Commenting with wit and erudition on each show that opened on Broadway between May 2001 and May 2002, Suskin's vivid descriptions recall Tony winners like Thoroughly Modern Millie and Urinetown and commercial smashes like Mamma Mia! and The Graduate. A great read for theater buffs, the book is also a valuable sourcebook for critics, Broadway historians, and theater professionals, providing an array of statistics on every Broadway production of the season, as well as noteworthy off-Broadway performances. The intelligent and witty Broadway Yearbook, 2001-2002 will engage theater lovers, performers, and critics alike.