When the police came for him, Torey declared he knew nothing at all about it. The good Mormon boy was quick to point out that he had seen marijuana paraphernalia inside the home, located in a "smoking room". What he failed to mention was that he and his Mormon friend Brian had stabbed the homeowner's niece to death, with 29 horrific plunges from the arsenal of knives they had bought especially for the occasion. She had wanted to be an attorney, they were obsessed with horror films. They had big plans to be film actors, directors or .......whatever. So, they wrote their own film script with 16 year old Cassie as the star. She was perfect for the role, they said. Long dark hair, parted down the middle. Ted Bundy would have loved her. He was their idol. They wanted to be famous, just like him. Their big mistake lay in filming their masterpiece. It earned them the biggest award for any movie ever made by juveniles, a prison term of life without parole in the Idaho Correctional Centre.

Sixteen-year-old Cassie Jo Stoddard agreed to house sit for relatives on the weekend of September 22, 2006. It was something the teenager had done before…but this time something went terribly wrong. When the family returned home at the end of the weekend they found Cassie lying on their living room floor brutally stabbed to death. Detectives focused on two of Cassie’s classmates who had briefly visited her on the night that she was murdered: Torey Adamcik and Brian Draper. Initially both boys denied any knowledge of the crime, but after two separate interrogations, Brian Draper told detectives a chilling story of murder straight out of a horror movie. The two boys were immediately arrested, and a shocking videotape was discovered that seemed to depict the two teens not only planning the cold-blooded murder, but celebrating it. Community outrage was strong and immediate. The public demanded justice. But was the video actually what it appeared to be: a cold-blooded documentary that detailed the plotting of Cassie’s murder; or something else entirely? Could anyone uncover the truth in time and convince a jury that sometimes things aren't always what they appear to be? The Guilty Innocent is narrated by Shannon Adamcik, mother of Torey, one of the accused boys. It takes readers behind the scenes of a trial where prosecutors cared more about public opinion than truth, defense attorneys, who had never argued a murder case, were in over their heads, and a young boy’s life hung in the balance. The United States is the only country in the world that will charge a juvenile as an adult and sentence them to life without parole. As the mother of one such child, I know exactly what happens when a juvenile is placed in adult court where they cannot defend themselves. They are immediately cut off from all human contact, locked in isolation, and railroaded through a justice system they simply cannot comprehend. Consequently, many of these juveniles are sentenced too much longer and harsher terms than their adult counterparts. I've personally lived through this, and I was compelled to write about it. I began for the simple reason that I had lived through this horrendous ordeal and I ached for someone to confide in. But reliving the most painful part of my life was extraordinarily difficult. Ultimately the only reason that I was able to persevere was my deep belief that the story was important and needed to be told. That is still true. This is a true story and no one can tell it better than the people who lived it. A crime reporter can look at the details of a case, but they cannot tell you how it feels to live through it. I can and I did. I used the pre-trial and trial transcripts, copies of the police reports, the autopsy and DNA reports, and DVD recordings of all of the evidence in the case. I've done copious research. But more importantly, I take readers step-by-step through what it feels like when your 16-year-old son is accused of first-degree murder; all the odds are stacked against him; and his defense is in the hands of attorneys you can’t fully trust to come through for you.

Paul Denyer is an Australian serial killer, currently serving three consecutive sentences of life imprisonment with a non-parole period of 30 years at Barwon Prison for the murders of Elizabeth Stevens, 18, Debbie Fream, 22, and Natalie Russell, 17, over a seven week period between June and July in the winter months of 1993. Denyer, known as The Frankston Killer for his crimes which occurred in the Frankston seaside area of south eastern Victoria, now wants to be known as Paula and wears women's underwear and cosmetics. He claims he hated and killed women because he always wanted to be one. This forensic numerological analysis attempts to establish whether Denyer is also responsible for the murders of two other young women who disappeared in the same area: Sarah MacDiarmid whose body has never been found and Michelle Brown, whose body was found behind a gun shop in Frankston.

There is scarcely a small child in the English speaking western world, particularly the United States of America, who does not recognize the name of Mohamed Atta. He made a name for himself that was horrifyingly notorious, as the ringleader of a 20 man terrorist group, the pilot who flew a hijacked plane laden with terrified passengers, into the North Tower of the World Trade Center. Conversely, there would be many fundamentalist Islamics who revere the name of Mohamed Atta. To them, he goes down in history as a martyr, someone heroic not only to be admired but emulated. This book will show that, at least on the part of Atta and some others involved, this was not only politically/religiously motivated, but was an aircraft assisted suicide. A numerological criminal analysis and profile of all 20 suicide terrorists who carried out the 9/11 attacks, including the lone terrorist who helped coordinate the attacks from overseas, having failed to obtain a visa. He now is a prisoner of the United States government.

Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.

A guide to this groundbreaking somatic-cognitive approach to PTSD and attachment disturbances treatment. Pat Ogden presents Sensorimotor Psychotherapy with an updated vision for her work that advocates for an anti-racist, anti-oppression lens throughout the book. Working closely with four consultants, a mix of Sensorimotor Psychotherapy Institute graduates, trainers, consultants, and talented Sensorimotor Psychotherapists who have made social justice and sociocultural awareness the center of their work, this book expands the current conception of Sensorimotor Psychotherapy. Numerous composite cases with a variety of diverse clients bring the approach to life. This book will inspire practitioners to develop a deeper sensitivity to the issues and legacy of oppression and marginalization as they impact the field of psychology, as well as present topics of trauma and early attachment injuries, dissociation, dysregulation, and mindfulness through a Sensorimotor Psychotherapy lens.

"Los Angeles-based comedian, radio DJ, and host of the Sick and Wrong Podcast, Dee Simon has written a collection of comical and gut-wrenching personal essays about his experience as a strip club DJ in San Francisco in the early 2000s" -- P. [4] of cover.