In the preceding pages, I have tried to show how a historical-critical view of the Book of Mormon illuminates some of its more interesting problems. Many questions remain, and many problems have yet to be discovered and analyzed. I myself have questions about the Book of Mormon's origins that I cannot yet answer. However, that fact does not diminish the certainty of my conclusion that the Book of Mormon is a modern text.

From her days of feeling like “a root beer among the Cokes”—Coca-Cola being a forbidden fruit for Mormon girls like her—Joanna Brooks always understood that being a member of the Church of Jesus Christ of Latter-day Saints set her apart from others. But, in her eyes, that made her special; the devout LDS home she grew up in was filled with love, spirituality, and an emphasis on service. With Marie Osmond as her celebrity role model and plenty of Sunday School teachers to fill in the rest of the details, Joanna felt warmly embraced by the community that was such an integral part of her family. But as she grew older, Joanna began to wrestle with some tenets of her religion, including the Church’s stance on women’s rights and homosexuality. In 1993, when the Church excommunicated a group of feminists for speaking out about an LDS controversy, Joanna found herself searching for a way to live by the leadings of her heart and the faith she loved. The Book of Mormon Girl is a story about leaving behind the innocence of childhood belief and embracing the complications and heartbreaks that come to every adult life of faith. Joanna’s journey through her faith explores a side of the religion that is rarely put on display: its humanity, its tenderness, its humor, its internal struggles. In Joanna’s hands, the everyday experience of being a Mormon—without polygamy, without fundamentalism—unfolds in fascinating detail. With its revelations about a faith so often misunderstood and characterized by secrecy, The Book of Mormon Girl is a welcome advocate and necessary guide.

Shrouded in the lore of legendary Indians, Mt. Timpanogos beckons the urban populace of Utah. And yet, no “Indian” legend graced the mount until Mormon settlers conjured it—once they had displaced the local Indians, the Utes, from their actual landmark, Utah Lake. On Zion’s Mount tells the story of this curious shift. It is a quintessentially American story about the fraught process of making oneself “native” in a strange land. But it is also a complex tale of how cultures confer meaning on the environment—how they create homelands. Only in Utah did Euro-American settlers conceive of having a homeland in the Native American sense—an endemic spiritual geography. They called it “Zion.” Mormonism, a religion indigenous to the United States, originally embraced Indians as “Lamanites,” or spiritual kin. On Zion’s Mount shows how, paradoxically, the Mormons created their homeland at the expense of the local Indians—and how they expressed their sense of belonging by investing Timpanogos with “Indian” meaning. This same pattern was repeated across the United States. Jared Farmer reveals how settlers and their descendants (the new natives) bestowed “Indian” place names and recited pseudo-Indian legends about those places—cultural acts that still affect the way we think about American Indians and American landscapes.

Is The Book of Mormon a Great American Novel? Avi Steinberg thinks so. In this quirky travelogue—part fan nonfiction, part personal quest—he follows the trail laid out in Joseph Smith’s book. From Jerusalem to the ruined Mayan cities of Central America to upstate New York and, finally, to Jackson County, Missouri—the spot Smith identified as the site of the Garden of Eden—Steinberg traces The Book’s unexpected path and grapples with Joseph Smith’s demons—and his own. Literate and funny, personal and provocative, the genre-bending The Lost Book of Mormon boldly explores our deeply human impulse to write books, and affirms the abiding power of story.

As the sacred text of a modern religious movement of global reach, The Book of Mormon has undeniable historical significance. That significance, this volume shows, is inextricable from the intricacy of its literary form and the audacity of its historical vision. This landmark collection brings together a diverse range of scholars in American literary studies and related fields to definitively establish The Book of Mormon as an indispensable object of Americanist inquiry not least because it is, among other things, a form of Americanist inquiry in its own right--a creative, critical reading of "America." Drawing on formalist criticism, literary and cultural theory, book history, religious studies, and even anthropological field work, Americanist Approaches to The Book of Mormon captures as never before the full dimensions and resonances of this "American Bible."