“An American Anarchist closes a major gap in our understanding of American an- archism and particularly a gap in our understanding of its deep roots in American radicalism. It makes the same contribution to our understanding of American feminism.” —Richard Drinnon, author of Rebel in Paradise: A Biography of Emma Goldman "Paul Avrich's book is very well researched—it fascinated me as I am sure it will fascinate many other people who are interested in the anarchist personality." —George Woodcock An American Anarchist marked the trail historians of American anarchism are still following today: above all else, to understand anarchists as human beings. Narrative-driven like all of Paul Avrich’s works, this story highlights famous characters like Emma Goldman and Alexander Berkman and the infamous, like Dyer D. Lum—Voltairine de Cleyre’s lover and the man who sneaked a dynamite cartridge into Louis Lingg’s cell so the accused Haymarket Martyr could die at his own hand and not the state’s. De Cleyre (1866–1912), born in Michigan, is noted as the first prominent American-born anarchist. From her voluminous writings and speeches, the illnesses that plagued her, the shooting on a streetcar in Philadelphia that left de Cleyre clinging for life, to her eventual death at forty- five in Chicago, she worked tirelessly for her ideal.

Also includes information on anarcho-syndicalism, Michael Bakunin, Bakuninism, Louis-Auguste Blanqui, Blanquism, Paul Brousse, Carlo Cafiero, Guiseppe Fanelli, Sebastien Faure, Mohandas Gandhi, Giuseppe Garibaldi, William Godwin, Emma Goldman, James Guillaume, Peter Kropotkin, Errico Malatesta, Karl Marx, Marxism, Guiseppe Mazzini, William Morris, pacifism, Pierre-Joseph Proudhon, Elisee Reclus, Spanish Civil War, Max Stirner, Leo Tolstoy, utopias and utopianism, Gerrard Winstanley, etc.

Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.