In 1897 New York City, Lucy and Louise Bullard are trying their best to live a quiet life, untouched by the legacy of their father Adam Worth, an internationally infamous conman and art thief whose exploits inspired the character of Moriarty in the Sherlock Holmes stories. However, upon discovering that their father has a third daughter, kept in the care of their aunt, and that the aunt in question has just been falsely accused of an elaborate crime, the girls cannot help but be drawn into the mystery. Add in their nosy landlady, her snarky, sneaky daughter, and the local chapter of the Sherlock Holmes Appreciation Society, and it’s a recipe for problems, plots, and escapades more convoluted than anything Arthur Conan Doyle...or Adam Worth himself...could conjure! (A full-length version is also available.) Mystery One-act. 35-40 minutes 11-30 actors

Based on the remarkable true story of Heinz Geiringer -- neighbor and friend of Anne Frank -- we follow the story of a young artist and loving brother living in unconscionable circumstances. A trained musician at only 15 and now forced to live in hiding and silence, Heintz turns to painting and poetry to express his everyday terror but hope of the future. Through Heinz's inspired paintings, nostalgic love of life, and his sister Eva's remembrances, we are shown the power of art to offer hope and healing Drama Full-length. 75-90 minutes 5-15 actors A one-act version with suggestions for virtual performances is also available. High-resolution photos of Heinz’s paintings are available to use as projections in the play. A list of educational and classroom resources for this play is available. “The writing is rich and I believe school theatre programs will be eager to embrace this illuminating new drama.” – Dr. John Newman, Chair, Utah Valley University Department of Theatrical Arts

When Lilli Barnes was sixteen years old, she saw a fairy. Encouraged by her impressionable little cousin Mabel, Lilli snaps a photograph, and suddenly, what started as a magical game to distract from the worry of the Great War becomes a national sensation, attracting gullible authors, skeptical reporters, and eccentric spiritualists from all over the world. But swept up in the strangeness of their supernatural sighting, and daunted by the pressures of newfound fame, Lilli and Mabel are left to wonder if they can believe their eyes…or if the “magic” they’ve uncovered is merely imagination run wild. Historical fantasy drama Full-length. 90-100 minutes 14-21+ actors possible (suggested cast size: 8F, 1M, 7 any)

Three novels from the #1 New York Times bestselling author of Big Little Lies Includes: What Alice Forgot Soon to be a major motion picture: a “cheerfully engaging”* novel for anyone who’s ever asked herself, “How did I get here?”...Alice Love is twenty-nine, crazy about her husband, and pregnant with her first child. So imagine her surprise when she comes to on the floor of a gym (a gym! She HATES the gym) and is whisked off to the hospital where she discovers the honeymoon is truly over — she’s getting divorced, she has three kids, and she’s actually 39 years old. Alice must reconstruct the events of a lost decade, and find out whether it’s possible to reconstruct her life at the same time. She has to figure out why her sister hardly talks to her, and how is it that she’s become one of those super skinny moms with really expensive clothes. Ultimately, Alice must discover whether forgetting is a blessing or a curse, and whether it’s possible to start over… The Hypnotist's Love Story Ellen O’Farrell is a professional hypnotherapist who works out of the eccentric beachfront home she inherited from her grandparents. It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back. Then comes that dreaded moment: He thinks they should have a talk. Braced for the worst, Ellen is pleasantly surprised. It turns out that Patrick’s ex-girlfriend is stalking him. Ellen thinks, actually, that’s kind of interesting. She’s dating someone worth stalking. She’s intrigued by the woman’s motives. In fact, she’d even love to meet her. Ellen doesn’t know it, but she already has... The Husband's Secret Named one of the Best Books of the Year by Entertainment Weekly and one of the Top 10 Books of the Year by People...Imagine that your husband wrote you a letter, to be opened after his death. Imagine, too, that the letter contains his deepest, darkest secret—something with the potential to destroy not just the life you built together, but the lives of others as well. Imagine, then, that you stumble across that letter while your husband is still very much alive. Cecilia Fitzpatrick has achieved it all—she’s an incredibly successful businesswoman, a pillar of her small community, and a devoted wife and mother. Her life is as orderly and spotless as her home. But that letter is about to change everything, and not just for her: Rachel and Tess barely know Cecilia—or each other—but they too are about to feel the earth-shattering repercussions of her husband’s secret. *Kirkus Reviews

Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.

Now back in print after forty years: The first novel in John Gardner’s bestselling series of Victorian crime thrillers pitting Sherlock Holmes against the Napoleon of crime, Professor James Moriarty. Once again, the game is afoot . . . What really happened in Switzerland between Moriarty and Sherlock Holmes in 1891? And why is Holmes, now in London at 221B Baker Street, curiously uncooperative with Scotland Yard's inquiries? Furthermore, why has Moriarty planned a grand meeting with the international crime syndicate? These are the questions that make up the larger mystery of the sinister Professor Moriarty's return.