Fans who love King Arthur's legend, Camelot, Merlin, and similar tales will love reading about Morgan le Fay. Morgan is a willful, mischievous girl with mismatched eyes of emerald and violet. A girl of magic, whose childhood ends when King Uther Pendragon murders her father and steals away her mother. Then Pendragon dies and, in a warring country with no one to claim the throne, there are many who want Morgan dead. But Morgan has power, and magic. She is able to change the course of history, to become other, to determine her own fate-and, thus the fate of Britain. She will become Morgan le Fay. "Springer wields language like a sword, and both blood and flowers spring to these pages in vivid hues." (Booklist, starred review)

A scholarly history of the Wiccan religion from Paleolithic times to the present, as well as complete instructions for casting spells inspired by Morgan Le Fay, half-sister of King Arthur and the sorceress-witch who learned her craft from Merlin.

The sister of King Arthur goes by many names: sorceress, kingmaker, death-wielder, mother, lover, goddess. The Myth of Morgan la Fey reveals her true identity through a comprehensive investigation of the famed enchantress' evolution - or devolution - over the past millennium and its implications for gender relations today.

This study re-examines Morgan le Fay in early medieval and contemporary Arthurian sources, arguing that she embodies the concerns of each era even as she defies social and gender expectations. Hebert uses leFay as a lens to explore traditional ideas of femininity, monstrousness, resistance, identity, and social expectations for women and men alike.

Morgan Le Fay: A figure of myth; an ambiguous personification of the mysterious, powerful feminine; half-sister and adversary of King Arthur. Sandy McDougal has such a figure in his life. Is his Morgan friend or foe, ally or enemy? Does she love him, despise him, or merely tolerate him at whim? Sandy is nearing the end of his long journey, putting together the pieces of his troubled life. Haunting his dreams and his waking thoughts are memories of Morgan, sometime lover and baffling antagonist-he has always loved and desired her, sometimes feared her, never understood her-and now, as he reflects on the significant waypoints of his past, she seems to be the key to all that is, for him, unfinished, unlived, unfulfilled. Who is she? Strong, independent woman? Or seductive, deceptive sorceress? Is she real? Does Sandy only know her as a projection of his own desires and dreams? Can he handle knowing her as she is to herself? Who is he? Who is Sandy, with or without Morgan? What will he find when he sees her once again, this time ten thousand miles from home? With echoes of the Arthurian legend and a knight's quest in a strange land, the novel surprises with stunning revelations, unexpected grace, welcome healing and the spiritual insight to guide a man through the rest of his life's journey.

I am Morgan the Fay. The wicked witch, the embodiment of evil. And yet. I am the queen who takes Arthur in my arms for healing. Some editing of the story will clearly be necessary.' Morgan stands by Dozmary Pool after the Battle of Camlann, pleading with the dying Arthur to trust her. Only she can heal him. Is her price too high? As she retraces the bitterness and misunderstanding between them, she throws new light on the tales which the first four narrators have told. But that's not all. There have been countless other versions of her story, from prehistoric myths to contemporary novels. With scornful irony Morgan show us how their authors have changed her from a wise and healing ruler to a malignant sorceress and derided temptress. Can Arthur see the truth in time?

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