Makes correlations between success and geography, explaining how such rising centers of innovation as San Francisco and Austin are likely to offer influential opportunities and shape the national and global economies in positive or detrimental ways.

The Italian educator and physician Maria Montessori is best known for the teaching method that bears her name, but historian Erica Moretti reframes Montessori's work, showing that pacifism was the foundation of her pioneering efforts in psychiatry and pedagogy.

In this groundbreaking book, Franco Moretti argues that literature scholars should stop reading books and start counting, graphing, and mapping them instead. In place of the traditionally selective literary canon of a few hundred texts, Moretti offers charts, maps and time lines, developing the idea of "distant reading" into a full-blown experiment in literary historiography, in which the canon disappears into the larger literary system. Charting entire genres-the epistolary, the gothic, and the historical novel-as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

A troubled woman becomes consumed by a past she's desperate to forget in this unsettling psychological thriller from the New York Times bestselling author of The Vanishing Year. Strung between two teenagers, an unemployed husband, and a tenuous career, Penelope Cox barely has her life together when the past comes knocking at her door. Willa Blaine, her old roommate, needs her help: refuge from an abusive husband. "Two weeks tops," she says--but it's not the imposition that bothers Penelope; it's the memories Willa brings with her. Twenty years earlier, Penelope, Willa, and three friends lived together in a converted church. Insular and closed off from the rest of the world, the five roommates formed their own dysfunctional family, celebrating the pinnacle of their lives; they called themselves "the Spires." But nights of wild parties gave way to a darker undercurrent: jealousy, resentment, unrequited love, and obsession. Tensions boiled over during a night of debauchery that ended in a deadly fire, leaving the Spires scattered and forever changed. Now Willa is the perfect houseguest: accommodating, helpful, bringing a newfound sense of excitement to the Cox household. Yet Penelope can't help but feel the cracks in her life widen as she begins to question Willa's motives. Everyone has secrets, it seems--and the fire may have brought down the Spires, but not everything burned was forgotten.

The influential and controversial critic takes literary history out of the classroom and into the public In the field of literary history and theory, Franco Moretti is synonymous with innovation. The cofounder of the Stanford Literary Lab, he brought quantitative methods into the study of the novel, enabling a “distant” reading that uses computation to analyze literary production over centuries. But at the same time, he was also teaching undergraduates the history of literature. Knowing Moretti, it’s no surprise that he didn’t teach the course the accepted way: one author after another, in a long uninterrupted chain. Instead, he put an irregular chessboard in front of his students that was too strange to be taken for granted. Literary history had become a problem, and he offered a solution. In Far Country, Moretti take these lectures out of the classroom and lets us share in the passion and excitement that comes from radical critique. Unconstrained by genre, Moretti juxtaposes Whitman and Baudelaire, the Western and film noir, even Rembrandt and Warhol, illuminating each through their opposition. With his guidance, we revel in the process of transformation—the earthquakes that shook the “how” of artistic form—and begin to shape a new view on American culture. Bracing in its insight and provocative in its conclusions, Far Country is a critical look at the development of American cultural hegemony.

How does a literary historian end up thinking in terms of z-scores, principal component analysis, and clustering coefficients? The essays in Distant Reading led to a new and often contested paradigm of literary analysis. In presenting them here Franco Moretti reconstructs his intellectual trajectory, the theoretical influences over his work, and explores the polemics that have often developed around his positions. From the evolutionary model of "Modern European Literature," through the geo-cultural insights of "Conjectures of World Literature" and "Planet Hollywood," to the quantitative findings of "Style, inc." and the abstract patterns of "Network Theory, Plot Analysis," the book follows two decades of conceptual development, organizing them around the metaphor of "distant reading," that has come to define-well beyond the wildest expectations of its author-a growing field of unorthodox literary studies.